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February 16, 2026 Business Unusual: Goodnight Moonshine Transform Burnout Into Quietly Powerful Folk-Jazz

Business Unusual: Goodnight Moonshine Transform Burnout Into Quietly Powerful Folk-Jazz

This past weekend, Goodnight Moonshine, the duo of singer Molly Venter and guitarist Eben Pariser, shared Business Unusual, a record forged in the abrupt stillness that followed years of constant touring. When live music vanished in 2020 due to the pandemic, the couple found themselves deep in domestic life, raising three kids, including newborn twins, while wrestling with the logistical and emotional weight of staying creative under pressure.

These songs dive straight into the heart of tension: devotion collides with exhaustion, ambition wrestles with duty, and love weaves through the haze of fatigue. They reveal the bittersweet paradox of finally living the life you imagined, yet struggling to stay afloat. Musically, the album builds on folk foundations with a restless jazz spirit. Eben Pariser paints with sound, favoring texture and improvisation, while Molly Venter’s vocals are rooted and raw. Most tracks are captured live, pulsing with the tight chemistry of Adam Chilenski on bass and Ryan Sands on drums. Grammy Award–winner David Seitz’s, co-mix keeps the music’s soul intact, letting every detail shine. ‘Kitchen Table‘ that leans into pop melodies transforms everyday moments into vivid vignettes, and ‘Stars‘ closes the record with otherworldly harmonies and subdued instrumentalization that settle like a well-earned peace.

Before anyone could stream it, Goodnight Moonshine hand-delivered close to 1,000 copies directly to supporters, sidestepping impersonal algorithms in favor of real contact. Business Unusual reframes the mundane as evidence of quiet strength, acknowledging what gets lost in transition while insisting something tougher and more grounded can emerge.

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February 9, 2026 Plain Mister Smith Delivers Hazy, Personal New Single, ‘Dream To Be Free’ with Jordan Klassen

Plain Mister Smith Delivers Hazy, Personal New Single, ‘Dream To Be Free’ with Jordan Klassen

Plain Mister Smith has released ‘Dream To Be Free’, his new single featuring Jordan Klassen, now available via Amelia Records/Symphonic following its February 6 release. The track is the fourth single from his upcoming album, due in spring 2026. The artist, a long-time guitarist in Canadian darkwave outfit Moev and current cellist with the Vancouver Philharmonic Orchestra, has built steady momentum as Plain Mister Smith with coverage from NPR Music, Wonderland Magazine, CLASH Magazine, NOTION, Under The Radar, Earmilk, METAL, Noctis Mag, and Atwood Magazine.

​Split between Vancouver and London, Plain Mister Smith works where indie-folk clarity meets psych-rock drift, threading sharp lyrics through quieter reflective stretches. ‘Dream To Be Free’ connects directly to the worlds of Death Cab for Cutie, The War on Drugs, and Pavement. It moves between inward pull and lighter whimsy, built on bright, repeating keyboard lines over gently syncopated drum work. Layered instrumental shifts frame the direct, plaintive vocal exchange, evoking blurred images of cities rushing past in recollection.

​Across this run of singles, Plain Mister Smith shows a clearer hand at the controls. He keeps dynamics tight, letting percussion breathe under melodic fragments while vocal lines overlap to heighten the emotional weight without overstatement. Bringing in voices like Jordan Klassen adds natural harmonic depth that fits into the arrangements rather than standing apart. The tracks cohere through deliberate choices, such as subtle tonal bends and careful negative space, rewarding close listening and pointing to an album with real structural unity, grounded in personal detail yet precise in execution.

Plain Mister Smith shared: Dream to be Free’ is a mesmeric reflection on a decades-old trip to Kyoto, where memories came flooding back – how such a trip to a faraway place can seem like an ultimate act of freedom, or it can be a more subtle escape from home. This trip took place during Daimonji time, when locals light giant bonfires on hills around Kyoto to guide the spirits back to the spirit world. In a way, this trip felt like a return to a source of rebirth.

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February 5, 2026 Jive Records Returns Under RCA with Co-Presidents Mike Weiss and David Melhado

Jive Records Returns Under RCA with Co-Presidents Mike Weiss and David Melhado

After sitting idle since its 2011 shutdown, Jive Records is back as a standalone entity through RCA Records and Sony Music. The label earned its place in history by turning Britney Spears, Backstreet Boys, Outkast, and A Tribe Called Quest into global forces, blending sharp A&R with the kind of pop and rap that dominated radio and MTV for years. Relaunching it now gives RCA a dedicated lane to chase similar breakthroughs in an industry that’s changed completely since Jive’s first run.

Mike Weiss and David Melhado have been named Co-Presidents, fresh off key roles at UnitedMasters where they helped shape the careers of independent standouts Brent Faiyaz and NLE Choppa. Their experience building artists through distribution deals and direct fan connections translates directly to what a modern major-label need, eyes for talent that can scale without losing authenticity.

Bringing Jive back isn’t just nostalgia; it’s a strategic play to reclaim space in hip-hop and pop at a moment when genre lines are blurring again. With Weiss and Melhado steering and RCA’s resources behind them, the revived label looks positioned to sign acts who can carry forward the same cultural weight its original roster once did.

Peter Edge, RCA Chairman and CEO, shared: “We admire the impressive results Mike and David have achieved in their careers. Bringing them in to lead Jive Records feels like a natural evolution and a poetic way to revive a label that has been at the forefront of hip-hop and pop. Their sharp instincts and proven ability to discover and develop artists make them the perfect team to launch Jive’s next era.

January 29, 2026 Textbook Maneuver Caps Adrenaline Slip Era With ‘Murmur 3 Home (Radio Edit)’

Textbook Maneuver Caps Adrenaline Slip Era With ‘Murmur 3 Home (Radio Edit)’

(Textbook Maneuver / Image Credit: Mary Keane)

Textbook Maneuver has put out ‘Murmur 3 Home (Radio Edit)’, his latest single via Life Science Records and the first of 2026. Michael Keane, the Bronx-raised, New Jersey-based mind behind the project, has earned growing respect in experimental electronic and IDM circles, nearing 150,000 streams. Highlights include µ-Ziq reworking the title cut ‘Adrenaline Slip’ for Wonderland Magazine, alongside features in Magnetic Magazine, Illustrate Magazine, WWAM (We Write About Music), Music For All in Brazil, and Good Music Radar. The 2025 full-length Adrenaline Slip positioned him as a distinctive voice blending technical IDM with accessible ambient prog elements.

As a pianist with classical grounding and punk independence, Keane channels broad influences into the Textbook Maneuver sound, from Genesis’ ambitious Duke phase, Rush’s prog precision, and Gary Numan’s synth isolation to the textured indie-electronica of The Postal Service, U.N.K.L.E., and Phantogram. Listeners pick up parallels to Jon Hopkins’ dynamic builds and Nils Frahm’s restrained elegance, with clear debts to Jean-Michel Jarre, Vangelis, and Aphex Twin that are all rooted in live improvisation and open-ended experimentation.

The new ‘Murmur 3 Home (Radio Edit)’ leaves behind recent colder palettes for something more open and ascending, constructed from twinkling pad layers, breathy synth lines, and flickering, propulsive rhythms. It traces a clear emotional route: initial euphoria, wandering curiosity, then gradual release into a soft, lingering close.

Textbook Maneuver told us: “‘Murmur 3 Home’ closes out the debut album, Adrenaline Slip, and is the coda to the unofficial ‘Space Trip’ suite. I composed this song while trying to imagine the feeling of what it must be like to be home after an overextended scientific journey into orbit. I feel it also works well for any conclusion of time away from loved ones due to work or tragedy. There is an element of joy, followed by relief, then just an emotional release upon fully realizing the trip is over, and then it just fades.”

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