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January 29, 2024 Listen to KARMACODA’s powerful new single, ‘Try At Me’

Listen to KARMACODA’s powerful new single, ‘Try At Me’

The acclaimed group KARMACODA unveiled their latest single, ‘Try At Me,’ on January 26th, 2024, through Sola Musa Music. Situated in San Francisco, USA, KARMACODA consists of Jessica Ford (vocals), Brett Crockett (aka B., vocals, and producer), and Japanese-American multi-instrumentalist Eric Matsuno (bass and various unique elements). Over the past two decades, KARMACODA has explored a diverse range of genres, evolving and honing their sound into a soulful, sophisticated blend of R&B and jazz lounge. Their music has garnered recognition from reputable online platforms such as EARMILK, CLASH Magazine, Wonderland Magazine, and NOTION Mag, among others. Additionally, their tracks have received airplay on NPR Music and Irish National radio RTÉ 2XM’s Dan Hegarty. With placements in numerous film and TV scores, the trio has earned several awards, including the Hermes Creative Awards (Platinum) for the ‘Lo-Fi Girl’ and ‘Make Me The One’ videos, the latter also securing an Unglued Music Video (Gold) and three Davey Awards for Video Entertainment, Best Use of Music, and Art Direction (all Silver).

‘Try At Me’ serves as a heartfelt yet powerful anthem of self-liberation and triumph over adversity. KARMACODA’s musical expression adopts a soulful, R&B essence infused with the sophistication of jazz lounge vibes. The listener is treated to a soothing, syncopated downtempo rhythm, minimal yet moving R&B bassline, and understated instrumental compositions adorned with the subtle touch of jazz piano. Vocalist Jessica Ford bares her soul in her passionate and impactful delivery, reminiscent of artists such as Adele, Alicia Keys, Leona Lewis, and Lana Del Ray.

Jessica divulged: “I wrote this song about a young girl I teach singing to. She had been through so much loss, anger, sadness and so many trials; more than any little girl should ever have to endure. I watched her fall into a depression, so much so, she didn’t want to sing anymore. Slowly but surely, through love, time and a lot of work, she started coming back, becoming more confident. I watched her fight for it.The song ‘Try At Me’... the words are “it’s time to try at me”, in other words, it’s time to give myself some girl power. It’s time to find myself, it’s time for me to rise, take a chance on myself, get out of this dark place, be heard, grow, and take a leap of faith, even when I feel beat up, I know I can stand up, try at me. She did, and she is. She is singing again. I couldn’t love this more. To my girl, this one’s for you.” 

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January 24, 2024 Les Biches release a mesmerizing music video for their single ‘The White Shape Of Noise’

Les Biches release a mesmerizing music video for their single ‘The White Shape Of Noise’

LA-based rock supergroup Les Biches released a music video for their touching track, ‘The White Shape Of Noise’. The song is taken from their album The Mysteries, which was released on the 10th of November, 2023. Named after a Jaques Brel song and a 1968 French film, Les Biches began initially as an open-ended collaborative project whose sole constant member was songwriter Keith Joyner. The current lineup of Joyner, Chris Candelaria (bass), Dusty Starr (guitars), and Kevin Pinnt (drums) share a roster of bands including Twinstar, Revolux, Chihuahua, The The, Caterwaul and Seven Simons.

‘The White Shape of Noise’ is a moving rendezvous of epic sixties psychedelia, reanimating the sounds of legends like Pink Floyd and Procol Harum in its lengthy, full arrangement soaked in echoes and reverb. 

The accompanying music video showcases the band performing the song, with frames full of overlays and kaleidoscopic colours, beautifully complementing the song’s dreamlike and somewhat melancholic hypnosis.

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October 13, 2023 Interview with Irish indie rockers The Burma

Interview with Irish indie rockers The Burma

The Burma have returned with a stunning full length album titled Crazy Dreams & Cruel Realities, released on the 6th of October 2023 via their own label The Burma Music Group. Having received support from The Rolling Stone India, CLASH Magazine, NOTION Magazine, Hot Press, Atwood Magazine, and Medium.com/Pop Off, the trio has also earned spins on RTÉ 2FM with Dan Hegarty as well as RTÉ Radio 1. Their single ‘Holiday’ has already premiered and received support from EARMILK, and the boys have earned support slots for artists such as The Academic and The Strypes, while simultaneously gaining extensive airplay across Ireland, the UK, and the USA. Read our interview with their drummer Cian Doherty below.

Walk us through your creative process?

The songs always starts with either Peter (guitar) or Tony (vocals). One of them will come up with the initial idea and send some sort of a demo to the rest of us and it goes from there. Sometimes the demos can be full arrangements of a song, and other times they can be just a voice note with chords and a melody or one single instrument part, it varies. We do the majority of our work on our own at home, recording and writing parts etc. and then we send in a recording of it into our group chat and let the others sit with it for a while. We make adjustments from there. We wouldn’t really be the type of band to jam for hours in practice. There’s usually a plan for each rehearsal and we go in and get it done with parts that have been worked on and written at home.

Who are your biggest artistic influences?

The Smiths, Tame Impala, The Strokes and The Weekend.

What instruments do you play?

Tony O Donovan is the singer, Peter Piggott is the guitar player and Cian Doherty is our drummer.

What would you like to work with if you weren’t a musician?

I (Cian) would be working in the business side of the music industry as either an artist manager or tour manager.

Whats one piece of gear you can’t live without? What equipment are you using?

The Roland SPD-SX. We use some tracks for our live shows for extra synths and processed vocals etc. so we have the whole show built around the use of the SPD-SX. I am in control of the tracks from the drums so there’s a lot that goes on surrounding that and making sure it runs smoothly. Peter records each track himself and looks after the audio for each one and makes sure it’s show ready. We’re always updating and trying to improve them.

Tell us something unrelated to music. What are your hobbies?

We’re pretty boring. Music pretty much dominates our life.

If you could meet one performer/artist who would it be?

Eminem.

What does the future hold for you as an artist?

A life making a living from our music, hopefully.

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September 27, 2023 The Valmonts invite you to ‘Cry & Get A Little Drunk’ with their melodious new single

The Valmonts invite you to ‘Cry & Get A Little Drunk’ with their melodious new single

Dublin-based Indie rock/pop band The Valmonts released their new single ‘Cry & Get A Little Drunk’ on the 15th of September via Watts Hill Records. The single will come off of their upcoming EP Living In A Paranoid Trance. The band is composed of Darragh Whyte (vocals, guitar), Keith Whyte (Drums), Cathal Sweeney (Guitar), and Tymek Kocurkiewicz (Bass). Falling in love with music at a young age, The Valmonts were hatched and nurtured in one of their parents’ garages in Galway and have since blossomed into a successful pop rock powerhouse. Their influences include the likes of New Radicals and INXS. Their music has also been featured on major publications like CLASH and received airtime on over 50 international radio stations. 

‘Cry And Get A Little Drunk’ is about finding solace in the universality of heartbreak and lost love, and the complicated feelings that arise from it. Jam-packed with a moving combination of emotion and energy, its pop elements give it a catchy danceability. However, the rock elements, reminiscent of the explosive boy bands of the 2000s (think The Kooks or The Vaccines), lend the song its depth and passion. The verses are minimal, measured and introspective while the choruses erupt with emotion, lush power chords, crashing drums and a fervent, full-bodied vocal delivery. The song is extremely moving and poignantly human – and you won’t be able to get the melody out of your head.    

“This song came together in the most natural way possible,” the band said.“The four of us one day at rehearsal jamming. Darragh had some lyrics he had previously been working on and by the end of the day, we had a full new song. Recording it was a whole other story. There are more guitar tracks on this song than we can count”.

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