Maryze previously announced her debut LP 8 with a stormy-sweet queer nightclub-ready banger “Experiments”, followed by this she would share song ”Emo”.
Emo is the song Maryze always wanted to write to her high school boyfriend. It tells the tale of a love story turned toxic when you realize the person you thought you knew never really cared. “Did you ever listen to the songs I sent to you?” she asks repeatedly, sounding hurt and angry that her ex never took the time for things that meant something to her. She’s at a point where she’s checked out and numb, no longer fighting for a relationship that isn’t working anymore. The vibes are emo/rock/punk with vocal inspiration from Avril Lavigne and Paramore, bass tones emulating Fall Out Boy bassist Pete Wentz (Maryze’s longest-standing crush that her ex used to make fun of her for liking, calling the band lame), and a nod to Green Day’s tremolo guitar effect from “Boulevard of Broken Dreams”.
“I made the song with producer and long-time collaborator Solomon K-I (who is featured on guitar),” Maryze shares. “We actually met playing in an indie rock band 10 years ago and our former drummer Graeme McDonald is featured on live drums.”
Consequence of Soundadded it to their Song of the Week roundup, noting: “Throughout “Emo,” Maryze appropriately gets her vengeance, cranking up the volume and launching into a nostalgic, ‘90s era alt rock chorus. It’s an introduction to the singer’s grittier side while still remaining catchy and unique, and it demonstrates Maryze’s urgent need to stand up and be heard.”
Bulgarian instrumental hip-hop producer Bojidar Vasilev a.k.a. TromBobby has teamed up with New Jersey vocalist Jermaine Holmes for this forthcoming album release PAUSE VOL.1. The album is slated for release on the 21st of April via Stereofox. We got a taste of this new album with ‘LONGING’ which featured vocals from Jermaine Holmes. With a sensual fusion of jazz and an undeniable groove, we are hooked on this track and look forward to what the rest of the album is going to sound like. We chatted with TromBobby about his latest project and artistry below.
What are some of your earliest memories of music?
I guess it will be hearing the Bulgarian National Bigband when I was about four at Studio 1. My grandmother took me because her brother was the conductor. I also remember being fascinated by the sound that the lowest piano keys made. Could play them for hours.
Take us through your songwriting process. Are there any particular steps you take when putting music together?
I start with either the melody or harmony. Then continue with bass and drums. In the case of ‘Longing’ – Jermaine recorded it on a different beat. It was like a resampled, faster version of a very slow, older one. After he sent me the vocals, I deleted everything else, kept the tempo and reharmonized the whole thing. The next single that we’re gonna drop was made for something like two days. Sometimes you need to search longer for the right vibe and sometimes it’s right there from the start.
Studio work and music creation or performing and interacting with a live audience, which do you prefer?
I would say music creation is my thing, just because I love the process. Although, live shows can charge you for days, giving you a better perspective on how your music can be improved.
What is the most memorable response you have had to your music?
That moment when the audience sings the lyrics that you made up in your head in a moment of honesty. That’s beautiful.
If you could put together a radio show, what kind of music would you play?
Sweet soul music.
Name five artists and their albums who would appear on your radio show
D’angelo – Voodoo
Jimi Hendrix – Electric Ladyland
Otis Redding – Dock Of The Bay Sessions
Arthur Verocai – Arthur Verocai
Smokey Robinson & The Miracles – Special Occasion
What would you like to achieve with your music? What does success look like to you?
A Grammy would look great in my parents’ house, although paying the bills and living a normal life thanks to music feels like a blessing every day.
One last thought to leave your fans with?
Peace & love. “Keep in mind that I’m an artist and I’m sensitive about my s*it”.
Sharing his new album Skills, German composer Sven Helbig gave us a taste of what to expect with the release of the album track ‘Metamorphosis’ ahead of the official release. Drenched in passionate violin arrangements, this classical track carries a tense but intriguing atmosphere nonetheless. The musician shares that this album was inspired by people around him, exercising their abilities to create new and wonderful things. Also featured on the album, is the noteworthy track ‘Flow’, which takes a more adventurous route with its blend of electronica, string instruments, and ambient embellishments. Today we present an exclusive Q&A with the composer below.
Describe your sound for us. What do you want people to feel when they hear your music?
My sound consists of classical instruments in synthesis with subtle electronics. For the new album, I used French horns and tuba beside a string quartet. I can’t say what people should feel. I am transmitting energy and I hope it finds some receivers.
Which 3 artists have influenced you the most growing up?
John Tavener for his deep spiritual composing, the drummer Questlove for the incredible joy he pours into my body with a simple 2 and 4 in their right places, and Stevie Wonder for everything.
How did you discover your particular sound?
I always loved the musical waves that an orchestra or classical instruments, in general, can produce. This is very different from any other sound source, and I wanted to work with this type of musical energy.
Tell us about one of the first struggles you faced (as a group or a solo artist) and how you overcame it?
It took me a long time to see sense in making my own music, after growing up with the masters and their complex perfection. Do we need more music? That doesn’t matter! Am I good enough? That doesn’t matter either. It sounds simple but finding those two answers was incredibly hard for me.
What are the most important pieces of equipment to you?
For creation: My brain, my intuition, a pencil, and paper.
On stage: I couldn’t live with a laptop.
Music for the individual or the masses – which do you want to create?
I can’t answer this. It is a typical western-world-21st-century-question. There is a difference between whether by “for the masses” you mean the audience of Johann Sebastian Bach, or that of McDonald’s. Bach’s music was created for the masses and still is accessible for everybody. I wouldn’t make music that is only limited to a few individuals.
Do you have a favourite memory of your career so far?
Yes. The most touching moments have been the after-shows with my choir project. When a choir of St. Petersburg or Minsk or Cuba is singing folk songs for you, in a pub after the concert, that is incredibly moving.
If you could work with, or perform alongside any artist living or passed, who would it be?
I would very much like to collaborate with Ryuji Sakamoto. His work was with me for so long and it would be a dream to write something with him.
What kind of message are you trying to send with your music?
My music is made to make it easier to stand up again. I want to share energy for this. Every one of my projects is written in search of leaving a foggy time and finding a new way out.
What can we expect from you in the near future? Any upcoming projects or gigs in the pipeline that you would like to tell us about?
I am looking forward to performing my new album Skills live. Especially being invited by the London Contemporary Orchestra to perform with them at Southbank Centre makes me very excited.
Having spent the past couple of years collaborating with some of electronic music’s finest producers and carving out a path of her own, Lauren L’aimant can now reveal her debut EP ‘Motions’ via her own label, The Loved Ones.
Lauren’s own productions and writing style ticks the boxes of many genres, and yet seem to be original in their sound, using vintage and modern synths for an electronic edge, combined with the timeless sound of the piano, which Lauren fell in love with and learnt to play by ear as a kid. Her aim has always been to create music that takes the listener on an emotional journey.
Speaking from experience with every song written, Lauren’s words are relatable and healing, gelling cohesively with the soulful and heartfelt sounds she selects to craft each song.
Speaking on the EP as a whole, Lauren recalls “‘Motions’ is a body of work that has been in production for over four years, and it finally feels like the right time to put it out into the world. Each song represents a particular moment within my relationships; the one that I missed out on. The one where I was consumed by lust. The one where I accepted the other person for who they truly are. The one where I took the burden. The one where it all ended. The one where I lost my brother. When I listen to these songs, I’m transported back to those times, and I think about every motion and every [e]motion I went through at that time. As always, it’s cathartic, and allows me to reflect on how far I’ve come, not only as a musician, but as a human being.”