Under Cimo Fränkel / AWAL, talented musician Cimo Fränkel released his latest single ‘Closed The Door’. Hailing from Amsterdam, Netherlands, the LA-based singer-songwriter recognises the work of Huey Lewis and Michael Jackson as the inspiration for his music. At the age of fifteen Cimostarted out collaborating with other young Dutch musicians as well as delving into music production.
The vocals in ‘Closed The Door’ are awe-inspiring, boast a celestial quality and display the potency of Cimo’s vocal abilities through its euphoric high notes. Listening to this single is like listening to an angel singing because the control of the vocal cords is soul-stirring and speaks to a deep place in listeners’ hearts. The harmonisation in the song reaches an ecstasy with its effervescent high notes as it matches the exigence and vibration of the electric guitar that dominates the track towards the end.
Cimo Fränkel elaborates on the subject matter of the single:“Closed The Door’ is about a relationship coming to an end. It’s about being courageous enough to speak up and accepting the consequences of making the decision that it’s over”.
Lu’s irresistibly warm timbre sits alongside luscious electronic R&B infused instrumentals, delivering a rich tapestry of sound that ebbs and flows through an introspective journey of pain, self-discovery and empowerment.
The track opens with vocals twisting in and out of some delightfully distorted synth chords, before hitting a poignant catchy chorus, where a lucid, spacey bass line joins the dots between the song’s jazzy hip-hop beats and Lu’s rich, alluring voice.
Lu said about the single “The title British Daisy stems from the typically British trait of putting on a brave face, instead of saying what we mean and acknowledging the fact that we are all fragile. After being in an unhealthy relationship in which my self-worth was slowly eroding, this song talks through the fight to break out of a bad relationship and the bad habits they leave us with. ‘British Daisy’ speaks of a time where I found myself daydreaming of a life where I was happier, but didn’t have the strength to make it happen.”
Lu’s breathy, jazzy tones rest beautifully between soul and R&B. The artist grew-up in a home filled with music, listening to everything from the classic soul/jazz maestros of the 50’s and 60’s, like Nina Simone and Sam Cooke, to noughties RnB and Hip Hop outfits such as Outkast, Eminem, Rihanna and Amy Winehouse, this is where her love for songwriting and melody truly began. Since then, her contemporary influences have aligned with the times, citing Little Simz, Anderson Paak, Maverick Sabre and the Blue Note Re: imagined album as huge sources of inspiration.
Lu began writing her own songs at the age of 11, having joined the school choir and taken up singing lessons she quickly progressed into musical theatre, but at 19 realised that it wasn’t quite the right fit and subsequently, made the switch to creating and performing contemporary music.
The young artist recently graduated from the London branch of the BIMM Institute (British and Irish Modern Music Institute) and set to work on her debut EP ‘Notes to self’. It is a body of work that radiates warmth and a magnetic energy, woven together in a narrative that tells of the vulnerability and the solitary venture of self-discovery as a young woman. The 2020 pandemic hit just before the EP was completed and live dates were cancelled, but Lu used that time productively to complete the finishing touches remotely and concentrate on her songwriting. The result is a collection of musically detailed, immaculately produced treats.
Snowk’s‘Under The Moon ft. J.Lamotta Suzume’ has just been released via Namy& Records and Warner Japan. The single will dance its way into your heart with Tel Aviv-born, Berlin-based singer J.Lamotta Suzume‘s powerful vocals standing out.
Speaking of the single, J.Lamotta Suzume tells us, “Last summer, I found myself working mainly on projects with people from Japan, and the collaboration with Snowk was one of them. When I first heard his beat, my feet started tapping on the floor. I started singing some ideas over it, and everything came together. The lyrics came relatively quickly, the melodies were flowing out, and I was dancing. It’s easy to collaborate with such freedom. Snowk and I never met in person, but we managed to get things done from far away and with mutual trust.”
The duo could be considered “Kitsunéprotégé” as they have had several releases with the label, contributing to their tidy count of over 2 million plays across streaming platforms.
Your Girl Pho is the vivacious on stage persona of Perth based vocalist/producer Phoebe Gunson. In a short time she racked up a slew of coveted support slots with the likes of Post Malone, The Avalanches, E^ST, Kllo, Alice Ivy & spots on acclaimed festivals Groovin’ The Moo, Falls Festival, Laneway, Listen Out, FOMO, Festival Vaiven (Mexico), Music Matters (Singapore), & in 2019 performed her first North American shows when she appeared on the prestigious Canadian Music Week lineup.
Pho is known for her big vocal range, high energy and live looping during shows. A dynamic young artist that bounces with ease across genres, ranging from somber, nostalgic R&B to bright, colourful electro-pop that will have you dancing in your seat. The power, sass and closeness of Pho’s voice is bigger than the limitations of genre, and in 2019 Acid Stag acknowledged her ability to experiment with her sound, referring to her single ‘Don’t Wanna’ as an “extremely impressive cross-genre offering that will leave you gobsmacked.” The crown jewel in her fizzing, elasticated blend of genres, Pho’s“soulful vocals” (NYLON) have enjoyed airplay with triple j, Beats 1, FBi Radio, RTRFM, 4ZZZ and more – via her own work as well as collaborations with electronic producers Palais, Tayrell and Ukiyo.
Often backed by her 4-piece band, consisting of drums & two saxophones, Pho’s warm, dynamic vocals and playful attitude certainly command the room. Acknowledgement of her enthralling live show was received in 2019 when she won the West Australian Music award for ‘Best Live Electronic Act’. Following on from a huge year in 2019 which included acclaimed releases ‘Five-Thirty PM’ and ‘Don’t Wanna’, which sat at #1 in the AMRAP metro download charts Nationally, it’s no surprise she was snapped up by Untitled Group’s tastemaker label Daily Nightly in June of 2020. The tail end of this year sees Pho pen new music & perform shows in her home state of Western Australia.