(MIN t / Image Credit: Wiktoria Rcyhlewski)
MIN t returns with ‘Last Day,’ released April 28 as the second single from her forthcoming album Before The After, out May 8. Now based in Berlin, the Polish-born producer and vocalist has built a formidable live reputation, supporting acts like HVOB, Angel Haze, Jess Glynne, and Vitalic, and performing over 300 shows at major festivals including Reeperbahn, Off Festival, Orange Warsaw, Open’er, and Y Not. Last autumn, she toured Europe alongside Saya Noé and OIEE, with stops in Budapest, Prague, Berlin, Warsaw, Wrocław, and Bochum. A Berklee College of Music alumna and the first Polish woman mentored by renowned engineer Susan Rogers, MIN t continues to carve out a distinct space in the electronic landscape.
Her 2021 album Shot To Pieces, co-produced with Leo Abrahams (Adele, Jon Hopkins, Brian Eno, Regina Spektor), marked a pivotal moment in her evolution. Classically trained from age seven in Wrocław, MIN t’s musical journey spans theatre, ballet, and a teenage immersion in jazz, electronic, pop, and soul. By sixteen, she was writing and performing in bands; by eighteen, she was self-producing in Ableton, forging a sound that resists genre boundaries and draws on influences from Aphex Twin and Autechre to Charli XCX, D’Angelo, FKA twigs, and Aretha Franklin.
Produced and mixed by MIN t, mastered by Conor Dalton, and co-written with her sister Patrycja Kubicz, ‘Last Day’ unfolds over swirling, breakbeat-inspired rhythms that avoid tipping into aggression. Drums ebb and flow beneath her silken vocals, lending weight to themes of mortality, destruction, and existential drift, yet imbuing them with a subtle sense of solace. The arrangement is carefully balanced: lyrics linger with the ennui of an ending both imminent and ongoing, while the production keeps the low end warm and the upper layers spacious, rendering the track intimate rather than catastrophic.
MIN t revealed: “The end of the world as we know it is approaching fast. Or maybe it’s already here? It’s easy to get lost in the flood of cruelty, disasters, and wars. They quickly become mundane, blending into one grotesque vision. Meanwhile, the illusion of comfort only serves as a reminder of our helplessness. The song ‘Last Day on Earth’ is about that very sense of boredom that refuses to fade, and about giving up the fight—even for one’s own survival.”
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