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September 4, 2023 Tristan De Liège and Jambal shine on scintillating single ‘Collisions of Light’

Tristan De Liège and Jambal shine on scintillating single ‘Collisions of Light’

LA-based downtempo wizard Tristan De Liège has teamed up with the talented jazz quartet Jambal for their new single, ‘Collisions of Light’, released on the 1st of September. The second release from their forthcoming album Enterprises of Great Pith and Moment, ‘Collisions of Light’ has already received support from CLASH magazine, with their previous collaboration ‘Uncertainties’ featuring in the State Of Jazz Spotify editorial playlist. The collaborators have also received support from the UK National radio station Jazz FM with John Osborne

With early support from CLASH magazine, ‘Collisions of Light’ is an enigmatic fusion of downtempo and jazz. Featuring melancholic strings and sporadic scaling keys that flutter in and out of the track, there’s an intricate jazz rhythm and bass anchoring the beat. A brooding trumpet sits beautifully in the mix, as it creeps along, only revealing its true motif towards the end of the song where it bursts forth in an emotional yet subtle crescendo. Thematically, it doesnt give away too much, leaving it up to the listener to work out what messages are being conveyed through the instrumentals. It’s a relaxing track, one that oozes serenity and musicality, evoking images of Kinobe and Air.

The artists had this to say: “Collisions of Light is probably one of our personal favourites from the album. It’s based on a string sample that is looped through nearly the whole track, which we overdubbed and complemented with a newly composed string arrangement. The tune develops into a quite dramatic climax and despite its simplicity and slow tempo, it achieves great emotional momentum.

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September 1, 2023 Def.fo shares phased out psych-rock anthem ‘Play It Cool’

Def.fo shares phased out psych-rock anthem ‘Play It Cool’

Psychedelic Rock Singer-songwriter Def.fo recently released ‘Play It Cool’, on the 1st of September. Inspired by the likes of Tame Impala, ‘Play It Cool’, is a stunning slice of retro induced psychedelic rock with a clear contemporary edge. Based in Liverpool, the son of a famous record producer, Tom Powell aka Def.fo has been honing his songwriting from an early age. Mixed by Roy Merchant (Omar, M.I.A, Basement Jaxx) and mastered by Howie Weinberg (Nirvana, Kasabian, The Red Hot Chili Peppers), it’s a track with no shortage of capable collaborators.

Featuring in-your-face drums and reverberated vocals, the star of the show is the phaser rich guitar sound that is gritty while still maintaining its loose psychedelic sound. Its lo-fi and loud, riding the line between old and new. However, the true essence of ‘Play It Cool’ lies in its message— a pertinent and poignant response to a culture engrossed in Social Media and Technology. Serving as a reminder to stand at attention, and tune out the noise around us.

The music video accompanying the single is a captivating ode to the iconic Tarantino/Tony Scott film, True Romance. Featuring an exciting escape to Mexico after a successful heist from the Hollywood wardrobe department, two lovers and a Cadillac break down, as the bonnie and clyde duo find solace in a garage, engrossed in love for a fleeting moment in time.

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August 25, 2023 Nana Razaia turns up the heat with steamy new track ‘Toxico’

Nana Razaia turns up the heat with steamy new track ‘Toxico’

Born in Brockton, Massachusetts from Brazilian parents, Nana Razaia aims at celebrating her South American roots through music. Taking pride in writing, producing and mixing all her songs, multifaceted artist Nana Razaia explores her dual identity through the music she creates. This results in her unique brand of melodic playfulness and fresh approach to vocal production, blending in contemporary Brazilian instrumentation with 2000’s R&B influenced vocals. 

Listen / Stream : Nana Razaia – ‘Toxico’

With ‘Toxicò’, her first ever Baile Funk track released on August 25th, Nana Razaia reclaims her contrasted cultural identity. Ideal for turning up the heat of any party, this highly addictive track will undoubtedly become an instantaneous club favorite. 

Backed by Baile Funk’s characteristic Miami bass and Afrobeat inspired percussion, ‘Toxicò’ sees Nana Razaia jumping smoothly in between her two native languages. Described as her rowdiest work yet, the songs’ luscious beats and blazing hot lyrics allows Nana Razaia to reclaim and reinterpret her Brazilian identity.

When asked about her inspiration for the song, she explains: “Over the years, I took it upon myself to discover more about contemporary Brazilian art and culture, the stuff my parents didn’t grow up on. My world opened up and my curiosity kicked into high gear. I became hooked on baile funk. My main goal with Tóxico is to show that even though I’m thousands of miles away from the motherland, I never lost my Brazilian identity.”

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August 22, 2023 Sam Hart embraces her vulnerability in raw single ‘Thirty and Thriving’

Sam Hart embraces her vulnerability in raw single ‘Thirty and Thriving’

Image credit: image via publicist

In her poignant new song ‘Thirty and Thriving’, singer-songwriter Sam Hart reflects on the complexities of coming of age as a woman, in our modern society. Accompanied by the moving visuals of actual VHS footage from her early childhood, the song’s cathartic lyrics allow Hart to disclose her challenging journey towards self-acceptance in spite of unrealistic pressures.

Stream / Download: Sam Hart – Thirty and Thriving

The gentle and melancholic piano accompaniment unveils the Canadian artist’s true essence as a powerful vocalist, effortlessly switching between delicate nuances and powerful highs and allowing her versatile voice to shine through. 

When asked about her inspiration for the song, Sam Hart reveals “I wrote ‘Thirty and Thriving’ at a time when I was falling behind. It felt like I was running toward a door that never seemed to get closer. Writing this song helped me to truly understand that everyone’s path looks different and that’s okay”.