languages languagesicone
site loader
site loader
April 11, 2019 Crying High Announces Debut LP, Shares “Hold Yr Terror Close” Track

Crying High Announces Debut LP, Shares “Hold Yr Terror Close” Track

Arbutus Records signee Crying High has announced his new record ♬ (‘Music’) and shared the new track “Hold Yr Terror Close” on BrooklynVegan.

When talking about the track David Kleiser says, “Sarah Brunning sings with me on this song. We have been very close friends since high school, and this has always been our song. I can still remember how excited she was to show it to me, and how we both sat and took it in; how Chi Fukami had just hit the nail on the goddamn head, and how sad-and-then-safe she made us feel in her honesty and vulnerability. I wanted to reinterpret this Go! Team original as a remind myself and Sarah of the brilliant (as in radiant) truth behind Chi’s message: Fear is real and cannot be ignored, BUT it can be corralled and harnessed if you have your shit together and insist on going wherever yourself takes you. Thats why I think this song is here anyway.

The video was filmed by Airick Woodhed of Doldrums, another dear and long time friend of both Sarah and I. It was shot on 16mm film in High Park, Toronto- which is where I “grew up”

Crying High’s debut album ♬ will be out 4/22 on Arbutus Records.

Kleiser started bringing Crying High to life on the road in 2017 while opening for and playing guitar with Doldrums in Europe. Although Crying High is a new project, Kleiser has been producing weirdo bedroom pop albums for 11 years with The Walls are Blonde (as well as comic books and hand built art toys with ORG), in addition to creating Album art and Music videos for a host of amazing MTL and TO bands. By 2014, while greyhounding between Toronto and Montréal for shows Kleiser and friends began The Rotating Cassette Carrousel project, an ongoing mixtape compilation of demos and home recordings from across Canada. From this, Kleiser began crafting a new and more theatrical solo act that would ultimately become the ‘Karaoke’eko’ cassette, then ‘The Story of Pop Music’, and finally, after learning from and improving upon each of its proto-forms…. CRYING HIGH.
Crying High is vapornoir from Montreal: disco and ebm slowed down beyond dance utility and used as the framework to support late night phone confessional vocals that sing heartbreak, joy, catharsis, pleas and attitudes of gratitudes. On-stage, Kleiser evokes Andy Kauffman’s Hawaiian singer, or coo’s like a delay-and-sweat soaked Slim Whitman; A cheap Angel Olsen halloween costume: A yawn is a silent scream. The voice as Analogue VR: Part banshee on Earth and part Bowie in the bardo. Crying Highs music, lyrics and dancing combine to carry its audience thru a dynamic spectrum of emotion and character: screaming every high, milking every low. Serious face. Happy face! It takes only minutes for an audience to realize that Kleiser is watching each performance along with them.

Crying High is the new project from Toronto born multimedia artist and psychedelic crooner, D Kleiser. A new album of 12 songs will be released internationally by Arbutus Records on April 22nd, 2019. The album is called ♬ . You can call it “Music” if that’s easier. It was produced in Montreal by D Kleiser, and is a wonderful introduction to the proud world of Kleisonia, and all the artifacts of its inward adventures.

Kleiser utilizes the raw power of garage band to produce midi-karaoke versions of AM radio hits from deep within the youtube-algorithmic pata-verse. Largely recorded in bed or at the kitchen table, recruiting whichever friends were proximate to sing into that little-built-in-mic-on-everyones-earbuds. Elements of the album (see: trumpet sections, songs about cats/dead friends) belay Kleiser’s desperate affinity for an era when Airplane Over The Sea was the thing, but this music is truly a direct product of its time. Here, Crying High broadcasts little alternative pop pata-communications into the void in an attempt to forgive it. 斤 could not have been made in any other temporal elsewhere. Sifting thru the mp3 junkyard of 20th-century pop culture to cobble together something pretty. A personal exercise in Memehommage-as-Shadow Work, 斤 comes complete with a solid and timeless moral, simply put: learn to love yourself or you’ll die.

CRYING HIGH – 2019 TOUR DATES

Apr 19th | Toronto | Handlebar
Apr 20th | Montreal | Brasserie Beaubien
May 20th | Brussels, BL | CHAFF
May 23rd | Ventspils, LV | Zalais Namins
May 24th | Liepaja, LV | Kursas Putni
May 25th | Riga, LV | Nurme Bar
May 26th | Manchester, UK | Yesfest
May 28th | London, UK | The Victoria
May 31st | Kraków, PL | Klub RE (Green ZOO Festival)
June 1st | Prague, CZ | A(VOID)
June 15th | Brooklyn, NY | Sunnyvale

LINKS

Website
Bandcamp
Instagram

April 8, 2019 Cate Le Bon announces extensive tour to accompany new album ‘Reward’

Cate Le Bon announces extensive tour to accompany new album ‘Reward’

Cate Le Bon has shared the video for “Daylight Matters,” the first single from her forthcoming release, Reward, out May 24th on Mexican Summer. Pitchfork named the single “Best New Track,” it as “more Young Americans than Low, all glowing and swaggering and lovesick.” The video (launched on NME), directed by acclaimed film maker and multimedia artist Casey Raymond (John Grant,  DJ Shadow) against the solitude of the Welsh coastline, utilizes saturated hues of reds and pinks to accentuate the sense of expanse. As described by Le Bon, the video represents “playful solitary despair in an alien landscape of sinking sand and towers in the sea. Searching or running away? A little bit of both, maybe.”
 
It was on a mountainside in Cumbria that the first whispers of Cate Le Bon’s fifth studio album poked their buds above the earth. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” she says, recounting the year living solitarily in the Lakes District of the U.K which gave way to Reward. By day, ever the polymath, Le Bon painstakingly learnt to make solid wood tables, stools and chairs from scratch; by night she looked to a second-hand Meers — the first piano she had ever owned — for company, “windows closed to absolutely everyone”, and accidentally poured her heart out.
 
The multifaceted nature of Le Bon’s art — its ability to take on multiple meanings and hold motivations which are not immediately obvious — is evident right down to the album’s very name. “People hear the word ‘reward’ and they think that it’s a positive word” says Le Bon, “and to me it’s quite a sinister word in that it depends on the relationship between the giver and the receiver. I feel like it’s really indicative of the times we’re living in where words are used as slogans, and everything is slowly losing its meaning.” The record, then, signals a scrambling to hold onto meaning; it is a warning against lazy comparisons and face values. It is a sentiment nicely summed up through her woodwork: “Always keep your hand behind the chisel.”
 
Reward’s ten songs were conceived alone at a piano, which remains evident by the feeling of closeness that they convey. Although eventually recorded across America and the UK, and roping in a rollcall of trusted collaborators (including Stella Mozgawa of Warpaint, H.Hawkline and Samur Khouja as co-producer), Reward miraculously maintains its sense of privacy and intimacy throughout. This stems directly from Le Bon herself and the inimitable way in which she works, all of which preserves a signature sound despite relatively drastic changes in approach. The result is an album every bit as stylistically varied, surrealistically-inclined and tactile as those in the enduring outsider’s back catalogue, but one that is also intensely introspective and profound and significantly her most personal to date.
 
Cate Le Bon will be returning to the US for a tour this summer, including a previously announced appearance at Pitchfork Music Festival. All tour dates are below.

Cate Le Bon Tour Dates
Sat. May 18 – Wrexham, UK @ Focus Wales Festival
Fri. May 24 – Rouen, FR @ Rush Festival
Sat. May 25 – Toulouse, FR @ Discipline Festival
Sun. May 26 – Madrid, ES @ Independance Club
Mon. May 27 – Donostia, ES @ Dabadaba
Tue. May 28 – Barcelona, ES @ Primavera Sound Festival
Wed. May 29 – Bordeaux, FR @ iBoat
Fri. May 31 – Hilvarenbeek, NL @ Best Kept Secret Festival
Sat. June 1 – Neustrelitz, DE @ Immergut Festival
Sun. June 2 – Berlin, DE @ Kantine Am Berghain
Mon. June 3 – Copenhagen, DK @ Den Grå Hal (w/ Deerhunter)
Tue. June 4 – Aarhus, DK @ Tape
Thu. June 6 – Cologne, DE @ Bumann & SOHN
Fri. June 7 – Brussels, BE @ Les Ateliers Claus
Sat. June 8 – Paris, FR @ Villette Sonique
Mon. June 10 – London, UK @ Village Underground

Sat. June 22 – Calgary, AB @ Sled Island Festival
Tue. June 25 – Kingston, NY @ BSP Kingston
Wed. June 26 – Brooklyn, NY @ Elsewhere
Thu. June 27 – Washington, DC @ Black Cat
Fri. June 28 – Philadelphia, PA @ Boot & Saddle
Sat. June 29 – North Adams, MA @ Solid Sound Festival
Sun. June 30 – Somerville, MA @ ONCE Lounge
Fri. July 5 – Pioneertown, CA @ Pappy & Harriet’s
Sat. July 6 – Los Angeles, CA @ The Getty Center
Sun. July 7 – Santa Cruz, CA @ Moe’s Alley
Tue. July 9 – San Francisco, CA @ The Chapel
Fri. July 12 – Seattle, WA @ Doug Fir Lounge
Sat. July 13 – Seattle, WA @ The Crocodile Cafe
Thu. July 18 – Minneapolis, MN @ First Avenue (w/ Parquet Courts)
Fri. July 19 – Chicago, IL – Constellation
Sat. July 20 – Chicago, IL @ Pitchfork Festival

Fri. Aug. 23 – Bethesda, UK @ Neuadd Ogwen
Sat. Aug. 24 – West Lothian, UK @ Jupiter Rising Festival
Sun. Aug. 25 – Edinburgh, UK @ Edinburgh Fringe Festival
Tue. Aug. 27 – Manchester, UK @ Gorilla
Wed. Aug. 28 – Leeds, UK @ Riley Smith Theatre
Thu. Aug. 29 – Cardiff, UK @ Portland House
Sun. Sept. 1 – Dorset, UK @ End of the Road Festival

Follow Cate Le Bon:

 Website | Twitter Facebook | Bandcamp

March 25, 2019 Holly Herndon Announces Debut Barbican Show+ New Album ‘PROTO’ Out 10 May

Holly Herndon Announces Debut Barbican Show+ New Album ‘PROTO’ Out 10 May

In support of her forthcoming album, PROTO (out 10 May), Holly Herndon has announced an inaugural headline performance at London’s Barbican on Wednesday 16th October as well as a summer show in her adopted home city, Berlin. Tickets go on general sale this Friday at 10AM GMT.

A hybrid of studio project and touring band, Herndon’s live show will incorporate an expanded vocal ensemble and a newly developed A/V experience.

Holly’s third full-length album PROTO (out 10 May) isn’t about A.I., but much of it was created in collaboration with her own A.I. ‘baby’, Spawn.

For the album, she assembled a contemporary ensemble of vocalists, developers and an inhuman intelligence housed in a DIY souped-up gaming PC to create a record that encompasses live vocal processing and timeless folk singing, and places an emphasis on alien song craft and new forms of communion.

PROTO makes reference to what Holly refers to as the protocol era, where rapidly surfacing ideological battles over the future of A.I. protocols, centralised and decentralised internet protocols, and personal and political protocols compel us to ask ourselves who are we, what are we, what do we stand for, and what are we heading towards?

‘Eternal’
Holly Herndon
‘Eternal’ follows the 2018 release of Holly and Jlin’s collaborative song ‘Godmother (feat. Spawn)’. The skittering track, which was created by Spawn reimagining the artworks of her ‘godmother’ Jlin in a trained model of her mother’s voice with no editing or sample trickery, was praised everywhere from NPR to The Guardian to New York Times, and elsewhere.

You can hear traces of Spawn throughout the album, developed in partnership with long time collaborator Mathew Dryhurst and ensemble developer Jules LaPlace, and even eavesdrop on the live training ceremonies conducted in Berlin, in which hundreds of people were gathered to teach Spawn how to identify and reinterpret unfamiliar sounds in group call-and-response singing sessions; a contemporary update on the religious gathering Holly was raised amongst in her upbringing in East Tennessee.

“There’s a pervasive narrative of technology as dehumanizing,” says Holly. “We stand in contrast to that. It’s not like we want to run away; we’re very much running towards it, but on our terms. Choosing to work with an ensemble of humans is part of our protocol. I don’t want to live in a world in which humans are automated off stage. I want an A.I. to be raised to appreciate and interact with that beauty.”

Since her arrival in 2012, Holly has successfully mined the edges of electronic and Avant Garde pop and emerged with a dynamic and disruptive canon of her own, all while studying for her soon-to-be-completed PhD at Stanford University, researching machine learning and music. Her LP Platform closed out 2015 by gracing year-end lists from Pitchfork, The Guardian, Uncut, and The Wire. In the aftermath, Radiohead hand-picked her to open up their European tour.

Just as Platform forewarned of the manipulative personal and political impacts of prying social media platforms long before popular acceptance, PROTO is a euphoric and principled statement setting the shape of things to come.

HOLLY HERNDON TOUR DATES:
27 April – KREMS, AT, Donau Festival
16 May – New York, NY, Red Bull Music Festival
18 May – LOS ANGELES, CA, Teragram Ballroom
20 May – SAN FRANCISCO, CA, August Hall
22 May – CHICAGO, IL, Thalia Hall
14 June – BERLIN, DE, Volksbühne
19 July – BARCELONA, ES, Sonar By Day – SonarHall
20 July – MANCHESTER, GB, Manchester International Festival
16 October – LONDON, GB, The Barbican

CONNECT WITH HOLLY HERNDON ONLINE:

Official Site

Instagram

Twitter

March 12, 2019 The LaFontaines announce the release of their new album ‘Junior’

The LaFontaines announce the release of their new album ‘Junior’

Fresh from supporting Mike Shinoda at The Roundhouse, The LaFontaines have announced the release of their new album, ‘Junior’, which will be out on June 14th via So Recordings. The band have also released the brand new single ‘All In’, accompanied by a new video, which is the first taste of what’s to come.

“’All In’ goes directly at the eternal conflict of the unsettled mind. Everything’s a contradiction. ‘Either coming up or going under/ I’ve wasted days wishing I was younger’,” frontman Kerr Okan says.

“All In’ is brooding, a darker tone reflects the contemporary anxieties of connecting in an age of digital facades and false truths. The sound is a progression of the band’s voice that is a sign of things to come on their upcoming record.”

As well as opening for the aforementioned Mike Shinoda, The LaFontaines will this week be heading out on a full UK tour supporting Deaf Havana. The band then have a UK headline tour in June to support the release of the new album. Tickets for the headline tour will go on sale this Friday 15th at 10am and will be available via the LaFontaine’s website – thelafontaines.co.uk

Proving themselves one of the most exciting bands to emerge from Scotland in recent years, The LaFontaines deliver a unique sound that fuses the guitar swagger of Kasabian, the edgy hip-hop delivery of The Streets and the electronic-pop undertones of Twenty One Pilots to create a style that pushes the boundaries of rock.

Junior is the band’s third album and follows 2017’s Common Problem and their 2015 debut Class, which saw them hit #1 in the Indie Breakers Chart and make the Top 10 in the Scottish chart.

Renowned for their electrifying live shows, the band have previously been on tour with Anderson Paak, Twin Atlantic and All Time Low and last year were main support to Don Broco across the UK and Europe.

Also with a number of major festivals under their belt including Reading & Leeds, Download, The Great Escape, 2000 Trees, T in the Park, Belladrum, NH7, Secret Garden Party, TRNSMT & Reeperbahn, 2019 is set to be another great year for the band with more exciting announcements to come.

UPCOMING TOUR DATES
Supporting Deaf Havana
Fri 15th March – University Great Hall, Cardiff
Sat 16th March – Pyramids, Portsmouth
Sun 17th March – O2 Academy, Bristol
Tue 19th March – Rock City, Nottingham
Wed 20th March – The Welly, Hull
Thurs 21st March – SWG3, Glasgow
Fri 22nd March – Unit 51, Aberdeen
Sun 24th March – Empire, Middlesbrough
Mon 25th March – Albert Hall, Manchester
Wed 27th March – Leadmill, Sheffield
Thurs 28th March – O2 Academy, Birmingham
Sat 30th March – Limelight 2, Belfast
Sun 31st March – Green Room, Dublin

UK HEADLINE TOUR
Thurs 13th June – St Lukes Church, Glasgow
Sat 15th June – Fat Sams, Dundee
Sun 16th June – Lemon Tree, Aberdeen
Mon 17th June – Caves, Edinburgh
Tue 18th June – O2 Institute, Birmingham
Wed 19th June – Camden Assembly, London
Thurs 20th June – Night and Day, Manchester