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September 26, 2025 Three cities, one strike: the forward drive of ZOCO’s debut “Restless”

Three cities, one strike: the forward drive of ZOCO’s debut “Restless”

The appeal of “Restless” is its engineering of momentum. ZOCO plots a straight line from idea to impact: write a song about killing routine, gather a cast that can play it with feel, and record it where the energy lands on tape. Sessions rolled through Los Angeles (Licorice Pizza Records) and Milan (Massive Arts Studios), with vocals produced and recorded in Nashville—three cities, one coherent picture. Gunnar Nelson produces (and sneaks in harmonies), Kerry Brown oversees, and Stephen DeAcutis mixes for punch and headroom; Howie Weinberg masters with the kind of top-end confidence that survives playlists and broadcast alike.

Players matter: Carmine Rojas’ bass lines are fluid and song-serving; the drum chair is shared—Slim Jim Phantom brings brush finesse, London Hudson adds modern weight—giving the track its dual character of glide and thrust. Marco Zocco’s baritone sits center, guitar work drawing clean lines rather than monuments. The chorus—co-written and sung with brothers Paolo and Matteo—is engineered for participation, the “whoa”s cueing the room.

“Restless” reads as a mission statement for LUMANISTA (Part 1) (January 2026): alternative rock with cinematic side-lighting, pop-scale hooks without the plastic. It’s independent music with professional torque, and that combination tends to travel.

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September 25, 2025 Sam Macdonald Unveils Debut Solo Track ‘Distant Light’ with Northern Roots

Sam Macdonald Unveils Debut Solo Track ‘Distant Light’ with Northern Roots

Northern singer-songwriter Sam Macdonald dropped his first solo single ‘Distant Light’ on September 23, 2025, taking a big leap into independent territory. Coming from Carlisle, Macdonald has been creating music for over a decade, and has shared stages with heavy hitters such as The Brian Jonestown Massacre, The Telescopes, and Dead Skeletons, while building a name for himself in the indie scene. His sound pulls from childhood staples—Buddy Holly vibes and his dad’s old 50s and 60s tapes—mixed with Scouse and Northern icons like The La’s, The Coral, Shack, Echo & the Bunnymen, Oasis, and The Stone Roses. Add in classics from Neil Young, R.E.M., Teenage Fanclub, The Rolling Stones, plus Motown’s groove and hip-hop’s rhythmic punch, and you’ve got a foundation that’s shaped his knack for blending melody with beat.

The track itself is a quirky fusion of rock, pop, and soul elements, delivered with a melodic twist that’s anything but straightforward. Macdonald channels those varied inspirations into something intimate, sharpening the edges for a personal touch. Lyrically, it weaves themes of chasing freedom, transformation, and glimpses of what’s ahead, all wrapped in a sound that’s concise and punchy with an alternative slant that sets it apart from his group efforts.

This shift to solo work highlights Macdonald‘s drive for self-direction, moving away from team dynamics to own every beat and visual. Sam Macdonald shared: “I have learned a lot about what I want to make. This is a movement towards something that is not driven by trying to appease other people’s ideas of what is right and wrong. The basslines, the drums and everything else is all at my direction. The make-up of everything, audio, visual is all driven by myself.” He wrapped up his mindset with: “Rarely is anything set in stone or black and white I think is certainly one thing. And making the most of what is right for you in an artistic sense, staying true to yourself.”

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September 16, 2025 Valley Onda’s ‘Reebok Fantasy’ Hits Streams and Lands With an Impact

Valley Onda’s ‘Reebok Fantasy’ Hits Streams and Lands With an Impact

(Valley Onda / Image Credit: Ravyna Jassani)

Friday saw the arrival of ‘Reebok Fantasy‘ by indie rock outfit Valley Onda, via Valley Onda Records. This follows their recent ‘‘Minacious’‘ single and its video rollout on CLASH Magazine, adding to a catalog that’s pulled in 350,000+ streams since the trio’s 2019 start. Their thoughtful alternative sound has landed nods from triple j and pubs like The AU Review, Happy Mag, Where The Music Meets, and Clunk Mag, alongside tour support from The Money War and Brightness. The lineup features Jordan Wilson handling vocals and guitar (previously in Georgia Fair, supporting Paul Kelly, Laurel, and John Mayer), Michiya Nagai on keys (stage time with Lamalo at The Grass is Greener for 15,000 fans and a TEDx Melbourne soundtrack gig), and drummer Galen Sultmann. Hailing from Sydney’s Gadigal land, the band took shape in a quiet restaurant meetup after tours, with Jordan and Galen jamming until Michiya joined to blend his trained piano and production into a textured indie rock style echoing Radiohead, Alt-J, Mansionair, Bon Iver, Muse, and Gorillaz—resonating with REM, Cage The Elephant, and The Verve crowds.

Valley Onda‘s new track ‘‘Reebok Fantasy’‘ unfolds as a tense, emotive indie rock ride, shifting from low-key strain to a sharp, energizing break. Jordan‘s strong vocal presence anchors it all, with acoustic guitar lines and soft, rippling elements wrapping the words in a distant, smokey haze.

The band shared: “Do you know that feeling when you’re walking down the street feeling isolated and everyone else is looking cool in their designer clothing? So you pull into a Nepalese Restaurant and order a tea to hide out for a minute. Maybe open a paperback or meet someone interesting. That’s the vibe of ‘Reebok Fantasy’.”

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August 22, 2025 Doller Hits Back with Traphall Anthem ‘WHO HYPE? WHO BRUK?’

Doller Hits Back with Traphall Anthem ‘WHO HYPE? WHO BRUK?’

The 20th of August marked the arrival of Doller’s new Traphall cut ‘WHO HYPE? WHO BRUK?’, on Beyond Dis World. Hailing from North London as Dorante Johnson, Doller got his start influenced by family members. His father, Kush Tafari, has roots in reggae, and his uncle Flash has roots in dancehall and was dropping mixtapes and battling locally while forming Cold Blooded.

He rose through The Movement, delivering a standout Westwood freestyle that got DJs buzzing. Doller expanded with features from Sir Spyro and Tion Wayne, launched Go Getters label, and branched into a cooking YouTube series. He’s grabbed nods from NOTION, Wordplay Magazine, GRM Daily, featured in MTV Base spots, and placed ‘Skadoosh’ in the flick Sket. Touring wise, he’s rocked Dortmund beside reggae singer Cblock, topped bills at Hackney Social’s Wynters Wonder List, and shared stages on the Sing for Me Tour with Ghetts. Regular plays on BBC Radio 1Xtra come from DJ Target, Sian Anderson, and Seani B, plus ‘This Year’ snagged BBC Track of the Week status in 2021, solidifying his pull in UK dancehall, trap, and grime. Pulling inspo from Vybz Kartel, 50 Cent, Jay Z, Nas, Biggie, Durtty Doogz, and Jodeci, he mixes in rap and R&B edges, like on ‘Money Song’, proving his range.

‘WHO HYPE? WHO BRUK?’ rides a heavy, shadowed production with staggered drums propping up Doller’s aggressive, confident spits. The flow glides clean, spiked by responsive chorus exchanges that make it a tough, lasting rally cry.

Doller revealed: “I wanted everybody in the world to feel comfortable with their financial status and have an anthem to celebrate that.”

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