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December 4, 2025 Plain Mister Smith Unleashes Loudest Single Yet: ‘Andy Warhol’ Out Now

Plain Mister Smith Unleashes Loudest Single Yet: ‘Andy Warhol’ Out Now

(Plain Mister Smith / Image Credit: Sandra Lockwood)

December 2nd saw the release of ‘Andy Warhol’, the latest single from Plain Mister Smith on Amelia Recordings/Symphonic and the third taste of an album slated for spring 2026. Anyone who followed Canadian darkwave in the late ’80s and ’90s already knows him as the guitarist from Moev, one of the country’s crucial electronic acts. These days he holds down a chair as cellist in the Vancouver Philharmonic Orchestra, but the solo work under his Plain Mister Smith name is where the real shape-shifting happens. NPR Music, CLASH, Wonderland, Under The Radar, Earmilk, NOTION, METAL, and a growing list of others have all backed the project hard, drawn to the way he flips between introspective folk and full-on psych-rock without ever sounding forced.

The new track is pure electric charge. Leeroy Stagger delivers the lead vocal with a rasp that makes every line feel like a barstool confession, while Krystle Dos Santos answers back with soul-drenched harmonies that float above the fray. Hooky guitar riffs slice through a rhythm section that locks in and pushes forward, nodding at the open-road shimmer of War on Drugs and the loose genius of Pavement while staying unmistakably his own. The lyrics dissect that gap between projected cool and inner wreckage, classic Plain Mister Smith territory, only this time wrapped in amps turned to eight.

Plain Mister Smith revealed: “I met Andy Warhol many years ago at the New Music Seminar in New York. He was pretty chill and serene or seemed that way. He was quoted to have said “So What this, So What that”? which is about the most Zen thing you could ever say. ‘Andy Warhol’ the song, is about trying to be super Soto Zen, trying to be cool and so nothing phases you but really, you’re just a chaotic mess of a human, no matter what you do…….”

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October 22, 2025 Textbook Maneuver’s ‘Adrenaline Slip’ Remix Rewires IDM Expectations

Textbook Maneuver’s ‘Adrenaline Slip’ Remix Rewires IDM Expectations

(Textbook Maneuver / Image Credit: Mary Keane)

Textbook Maneuver rolled out a sharp remix of ‘Adrenaline Slip‘ on October 17, 2025, via his Life Science Records, LLC setup—the core track powered his self-titled debut album from earlier this year. Michael Keane, the mind behind it all, hails from the Bronx with roots now dug into New Jersey soil, where he welds classical piano precision to a DIY punk drive. That combo’s pushed streams past 130,000, locking in buzz from IDM and experimental electronic heads through deep dives in Magnetic Magazine and Illustrate Magazine, alongside shoutouts from WWAM (We Write About Music), Brazil’s Music For All, and Good Music Radar. Keane taps a killer range, from Genesis‘s Duke-era sprawl and Rush‘s drive to Gary Numan‘s edge, The Postal Service‘s pop smarts, U.N.K.L.E.‘s grit, and Phantogram‘s bite, all funneled into IDM frameworks laced with ambient haze and prog electronica curves—tracks built for screen placements or pure headphone immersion. His stuff echoes Jon Hopkins and Nils Frahm in the build, with Boards of Canada‘s drift, Aphex Twin‘s glitches, and Squarepusher‘s bass twists fueling the improvisational core.

The remix of ‘Adrenaline Slip‘ keeps things straightforward at its core: beats that start loose and build into tight, glitchy loops, laced with synth stabs that punch through like quick breaths. Those subtle IDM ticks—think fragmented rhythms folding over each other—pull you into a mix of high-energy drops and cooler, drawn-out pads that ease off the gas. It wraps with a fast, almost frantic close that echoes drum ‘n’ bass without overcomplicating the ride, landing in a spot that’s tense yet oddly relieving.

Textbook Maneuver revealed: “Adrenaline Slip‘ was the song I composed that hit me the most, in a good way. I knew I wanted a killer track to become the lead track and the title of the album. I had come up with the name “Adrenaline Slip” before I had the song. I am trying to capture those moments of adrenaline rush, like skateboarding, dancing, roller blading, just hanging out with friends, whatever gives you a rush. I find, in those moments, there is also a moment of calm because you are doing something that you love or enjoy with people that you are connecting with in the moment. So that is the “slip” part. The feeling slips into calm for a moment but then goes back to adrenaline. This is why the song has its very EDM moments but then slower, synth/ prog chillout sections and it all ends in an uptempo almost punk rock speed.


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October 21, 2025 Gabe Parsons Drops Long Awaited Debut LP Long Road Traveler

Gabe Parsons Drops Long Awaited Debut LP Long Road Traveler

Gabe Parsons, the folk rock singer-songwriter out of Hopewell Valley, New Jersey, just put out his first full-length album, Long Road Traveler, on October 17. Drawing from years of gigging and sharpening his chops, Parsons has built a solid foothold in the Northeast indie circuit with his straightforward, introspective tunes and command of a stage. He cut his teeth in New Orleans’ club and festival lineup while at Loyola University‘s School of Music Industry, then brought that edge back home for slots at spots like World Cafe Live in Philadelphia and French Quarter Festival. Lately, he’s warmed up crowds for acts like Crowe Boys and made the cut as a semifinalist in WXPN‘s 24-Hour Song Challenge, all while fronting his band The Heartland to connect with listeners craving that unpolished emotional pull.

Across its 12 tracks, Long Road Traveler digs into the push-pull of roots and restless miles, kicking off with the sparse ‘Coyote Intro‘ before easing into fuller builds like ‘The Heartland Pt. 1‘ and the windswept drive of ‘Hurricane’s Back‘. Parsons layers acoustic strums with subtle percussion to frame stories of separation in cuts such as ‘Letters to Your Mother‘, keeping the arrangements tight and the hooks memorable without being over the top. It’s the kind of record where every chord shift lands like a mile marker, underscoring his talent for turning personal detours into shared anthems – a sonic depiction of a long road traveled.

If you’re spinning Jason Isbell‘s road-tested confessions or Brandi Carlile‘s raw nerve, Long Road Traveler slots right in—Parsons is delivering folk rock that feels lived-in, not staged. Keep an eye on him as he hits more regional stages; this one’s a marker for where he’s headed next.

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October 15, 2025 Q052’s Thunder Child Lands with Unyielding Bars and Beats

Q052’s Thunder Child Lands with Unyielding Bars and Beats

(Q052 / Image Credit: Jean-Philippe Sansfaçon)

On October 10, 2025, Q052 released his fourth studio album, Thunder Child, via Musique Nomade, a set that cements his status as a Mi’gmaq hip-hop force tackling systemic inequities head-on. Quentin Condo, the man behind the name—drawing from his first initial and the 052 code for his Gesgapegiag, Gaspésie roots—now operates out of Sherbrooke, Canada, where he amplifies calls for Indigenous youth empowerment and safeguards for women and girls. With streams topping 140K on Spotify, he’s claimed Best Male Hip-Hop Artist at the 2023 International Indigenous Hip-Hop Awards, alongside noms for Indigenous Artist of the Year at the 2021 ADISQ Gala, Expressive Music Artist/Group and Blues/Rock Artist/Group at the 2022 Teweikan Gala, and Hip-Hop Album at the 2022 GAMIQ. His commanding live shows have drawn coverage from CLASH Magazine, spins on Radio Canada, and support for ‘Loud Sunday‘ from BBC Radio 6‘s Don Letts on Culture Clash Radio. Q052 has rocked major lineups with Cypress Hill at events like FEQ, La Noce, OFF Québec, Innu Nikamu, Festival Kwe!, FME, Festival Bleu Bleu, and Festival en chanson de Petite-Vallée.

The album’s tracks demand close listens, stacking Q052‘s sharp wordplay against instrumentals that nod to classic hip-hop roughness, infused with grunge and alt-rock elements from influences like Ty Segall, Immortal Technique, Cypress Hill, Black Sabbath, Rage Against the Machine, Public Enemy, Run DMC, and King Gizzard and The Lizard Wizard. Leading the charge is ‘Look It Up‘, the focus single that dials back the layers to spotlight his aggressive verses dismantling authority, in the vein of Talib Kweli, Mos Def, Danny Brown, and KRS-One. It embodies the project’s push for awareness and resistance, blending spoken-word intensity with hip-hop’s backbone and rock’s snarl for a sound that’s grounded in urgency.

Q052 had this to say: “Hip Hop artists are considered to be street journalists who share stories from their environment. In this album, I’m taking listeners on a tour in my mind and expressing how I view the world right now. It’s gone to hell!! From world leaders to the environment, from television shows to the news, from law enforcement agencies invading homes to assassinations, from social media platform addictions to a cold beer!! I’m reporting on it…is this mic on?”

Thunder Child Album Tracklist

1. Whap Bam-Boo
2. Wickedness
3. Look it Up
4. Thunder Bows
5. Piece of Man
6. Loud Sunday
7. Post Like Addict
8. Space Invaders
9. Restricted Radio
10. Sláinte

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