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May 20, 2026 Melodic Techno Meets Afro Rhythms in Hevi Levi’s Latest Release

Melodic Techno Meets Afro Rhythms in Hevi Levi’s Latest Release

Unleashed this past weekend on tN1! Records, ‘I Dominate The Dancefloor’ brings together Israeli producer Hevi Levi and Amay’e, marking another bold chapter in Levi’s creative resurgence after his stroke. With more than 33 million streams and a globe-trotting tour history that includes legendary venues and festivals like Tomorrowland, Ministry Of Sound, and Pacha, Levi’s relentless passion for music pulses through every new release.

Amay’e’s signature mix of Afro-inspired rhythms and melodic techno collides with Hevi Levi’s dynamic production, creating a track whose hypnotic groove seizes the listener from the very first beat. Pulsing basslines and razor-sharp percussion drive the nearly five-minute journey, each sound crafted for maximum dancefloor impact. Echoes of Faithless, Depeche Mode, and Rüfüs Du Sol ripple through the track, making it a must-hear for fans of ARTBAT, Kevin de Vries, and Mind Against.

Hevi Levi had this to say: “When I was teaching djing, I used to have a lesson about the unpopular girl. It’s easy to make the most beautiful girl dance because she has a lot of confidence, but if you see the unpopular girl dancing and dominating the floor, you know that you have won the crowd’s heart. This track is dedicated to all unpopular girls who dominate the floor.”

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May 19, 2026 Vaast Releases ‘Remember These Days’, Merging Tradition and Innovation

Vaast Releases ‘Remember These Days’, Merging Tradition and Innovation

French electronic music once helped define global pop through names like Daft Punk, DJ Snake and David Guetta, yet sustained song-driven work in that lane has grown rarer at home. Vaast addresses the gap with ‘Remember These Days’, released May 1, 2026. Previously active as a ghost producer and ghostwriter, he now fronts his own project after the 2022 single ‘Who I Am’. The step follows years of writing and producing for others and draws on a listening foundation that mixes French pop staples with American pop and the electronic developments he encountered growing up. His approach keeps the textural and rhythmic habits of French electronic music while prioritising the melodic and emotional shapes of older pop forms.

Remember These Days’ is built from electronic sources only. Synthesizers operate in stacked layers, a marimba-inspired figure supplies the main melodic hook, synthesized African vocal textures sit inside the arrangement, and a strong bassline handles the drive. Vaast mixes current French electronic methods, including those linked to Hugel, with vocal writing that follows more conventional pop patterns. The track therefore joins the immediacy of recent French dance production to the narrative clarity of classic song structures. It holds the energy of the present French scene while referencing the broader reach French-associated work achieved in earlier global cycles, all without leaving the electronic framework.

The lyrics and mood centre on hindsight after a win that carried heavy losses. The single operates as an entry point to Vaast’s thinking and shows an artist working to keep French electronic music in active dialogue with wider pop. In that sense the release sketches one route forward for producers who want both local roots and international melodic reach.

Remember These Days is an introduction to my world. It tells the story of a Pyrrhic victory. This is a moment when you lose everything while believing you have won. The song invites us to learn from the past so we do not repeat the same mistakes”, Vaast explains.

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May 18, 2026 DJZEPiC Accelerates the Funk House Revival with ‘i GOT A FEELiNG’

DJZEPiC Accelerates the Funk House Revival with ‘i GOT A FEELiNG’

Australian DJ and producer DJZEPiC continues to carve out his place in the new wave of funk-driven electronic music with his latest single, ‘i GOT A FEELiNG‘. Building on a succession of high-octane releases, DJZEPiC channels nostalgia through a distinctly modern lens, fusing the shimmer of neon-lit nights with a retro-futurist sensibility. The result is a sound that balances escapist energy with crisp, contemporary production, crafted for today’s dancefloors.

​’i GOT A FEELiNG‘ is anchored by a relentless groove, filtered synths, and a rhythm section engineered for movement. The track draws on the enduring appeal of early 2000s dance-pop, reframing it with a polished, progressive edge. While echoes of Daft Punk’s innovation are present, DJZEPiC asserts a distinct sonic signature, delivering a funk-laden anthem that captures the exhilaration of surrendering to the music. The single bridges the freewheeling spirit of classic disco and house with the precision and punch of contemporary electronic production, positioning itself for both late-night club rotation and wider mainstream resonance.

​’i GOT A FEELiNG‘ affirms DJZEPiC’s ability to integrate retro influences into the fabric of contemporary club culture with authenticity and charisma. As funk house continues its ascent across global playlists and dancefloors, DJZEPiC emerges as a compelling new voice shaping the genre’s trajectory into 2026.

​His upcoming single, ‘Light Years‘, explores hypnotic space-age funk and uplifting house, made for those moments when the lights go down and the crowd lets loose.

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May 12, 2026 Music, Fire, and Philosophy Collide in Alpine Universe’s Latest Single ‘Tool’

Music, Fire, and Philosophy Collide in Alpine Universe’s Latest Single ‘Tool’

Alpine Universe just released his new single ‘Tool’, following up on his recent track “Lodie” and the full-length album KORDÉE. Based in LA, the French artist blends heavy electronic sounds with live instruments and innovation. Even with KORDÉE still freshly released, ‘Tool’ continues exploring the themes indented in the album like self-control and a sense of purpose, that made the album memorable.

​The track has a clear sense of direction. It begins by focusing on mental discipline and emotional control, which at first feels personal. When the chorus arrives, it changes the idea of being a “cog in the machine.” Instead of just following the system, it becomes about choosing to understand it from within so you can help change it. As the song moves toward a sense of collective action, its message becomes clear: real growth matters most when it connects to something bigger than yourself. The song avoids both blind obedience and pointless rebellion, choosing instead the tougher path of steady, meaningful change from the inside.​

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To celebrate the release, Alpine Universe worked with fire artist Kenton McDougall, also known as KENTOR. His custom fire weapons and performance style fit the track’s themes perfectly. In the music video, the two appear in a dystopian world where sound, fire, and movement all become tools for change. A live band plays drums, cello, violin, and even a burning bass guitar, while KENTOR swings his huge “Dragon Slayer” blade in a routine that feels like both a ritual and a form of resistance. The visuals are striking, but the main idea stays clear: no matter how intense the music or the fire, the mind is still the real tool for change.

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