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October 22, 2020 Alternative duo Ultraflex release 80’s inspired music video

Alternative duo Ultraflex release 80’s inspired music video

Photo credit: OKAY KAYA

Ultraflex is made up of Norway’s Farao & Icelandic musician Special-K. Who have announced their debut album ‘Visions of Ultraflex’ is set for release Oct 30th. Packed with playful disco pop, the new single & video from the record Work Out Tonight is online now.

Speaking about the video, the band said “‘Work Out Tonight’ is the first in a trilogy of Ultraflex videos directed by genius artist and our good friend OKAY KAYA. Bathing, sunshine, pickles… We decided to give our fans a special glimpse into our everyday lifestyle.”

Visions of Ultraflex’, the self produced album by Icelandic/Norwegian duo Ultraflex is a joyride through a disco theme park. The conflux of the individually accomplished artists, Farao (NO) and Special-K (ISO), channels the cheekily frank Icelandic nature through Norwegian acuteness and reason, resulting in an interdisciplinary artistic collaboration that oozes charisma.

The pair met when they were both living in Berlin and had mutual artistic crushes on each other. The opportunity to collaborate arose when they were hired to make a piece for the Scandinavian electronic music festivals Insomnia and Extreme Chill in 2019. After a few short, intense writing sessions in the remote Westfjords of Iceland, the arctic Tromsø and Berlin, they managed to construct their sound, image and debut album.

Visions of Ultraflexis a cocktail of contemporary disco and futuristic boogie, the production style falling somewhere between Peggy Gou and The Rah Band, topped with lyrics and vocal performances reminiscent of Easter, Saâda Bonaire, and Janet Jackson. Live, they perform exercise routines in synchronisation with visuals largely based on 80’s Soviet aerobics, which goes well with their overall fashion output, a look that would make Lotta Volkova proud. The project has an easily detectable background in fine art, an everpresent tinge of wit and self irony enveloping everything.Their music videos, many of which are made by fellow Norwegian pop artist OKAY KAYA, are a sophisticated blend of camp and chic and their internet presence is as nonsensical as it is carefully curated.

The album gently glides open on a lingering high-pitched string sample, which little by little blossoms into the fully formed synth bouquet that is “Get Fit”. Along comes a bouncy and borderline corny bassline accompanied by a pumping 80’s drum beat. The only vocals are the band’s watermark ‘Ultraflex’ and the occasionally repeated phrase: “Get fit, get ripped, get a lover, get kids”. This inviting opener establishes the lush and mischievous world we are about to enter.

After this appetiser we’re hit full force byWork Out Tonight”, a track that fully showcases the band’s brashness. Overtly sexual sport metaphors are whispered atop a naked drum beat and thrusting bass line, and via a breezy pre-chorus we take a dive into the deep and sensual chorus: “I’m gonna make you work it tonight, gonna make you work out tonight.” The ever present cheekiness climaxes with a lewd dialogue between a man who wanders into the women’s dressing room and the person he encounters there.

Sunny instrumental “Papaya”, with its glittering saxophone solo and a dell’Orso-esque interlude, perfectly sets the mood for the melancholic dance anthemNever Forget My Baby”. The effortlessness with which the girl’s voices blend together in the chorus and the sentimental, verging on saccharine, lyrics make this song stand out in an already delicious assortment.

This luminous dreamboat sails and sinks into the next track, “Man U Sheets”, which contains considerably more shade. A remorseful saxophone opens the door to a roaring bassline and heavy beat as we are told a merciless tale of adolescent sexual debuts. The slightly dissonant chords and the deadpan delivery of the lyrics enhance the awkwardness of the subject. The next track “Olympic Sweat” lightens the mood with a Michal Rother-esque harmonised solo and a slow yet triumphant tempo, allowing us to lean into the bright stream of synths and chimes feeling like we’ve just crossed a finish-line in slow motion.

Right before the end we reach the final energetic crest – the bold and seductive “Full Of Lust”, with exaggeratedly sensual vocals and bratty lyrics like “When I tell you I’m tired, you light up a smoke, tryna fill up the silence when I don’t laugh at your jokes”. The album concludes with the repetitive and wacky “Secret Lover” with sentences spoken by Farao in a thick Norwegian accent from the perspective of a private investigator. The last words of the album are accurately: “So we’ve done a good job. Very happy with our work”.

Musically and conceptually, Visions of Ultraflex’ is a seductive and inventive debut. Glimmering through it all is the warm and playful relationship between Special-K and Farao; they seem to have found a home in each other where they can progress musically while feeling relaxed enough to be nonsensical. “With our solo projects we are both miserable and lonely, so we are coming together like step sisters or lovers to keep each other warm when it’s cold outside”, they say about their unification. Ultraflex brings us a bundle of joy, self-irony and snarky attitude wrapped up in danceable beats – it’s a breath of fresh air in today’s intricate landscape, reminding us that we must not forget to have fun.

‘Visions of Ultraflex’ track list:

1. Get Fit 

2. Work Out Tonight (Youtube)

3. Papaya 

4. Never Forget My Baby 

5. Man U Sheets 

6. Olympic Sweat

7. Full of Lust

8. Secret Lover

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October 16, 2020 Afrobeats DJ duo Ancient Astronauts release anticipated EP

Afrobeats DJ duo Ancient Astronauts release anticipated EP

 Image credit: Rob Myers

Ancient Astronauts have released their song ‘Do It To The Beat feat. Blessed San’, along with their anticipated EP Kampala Fire on the 16th of October.

Speaking about the EP release, Dogu mentions: “We have always been huge fans of African music and rhythms from different African regions. Afrobeat from artists like Fela Kuti or Ebo Taylor inspired us a lot when it comes to creating grooves in our own music. Kampala is our home base in East Africa and the studio of my partner label East African Records is the place where we record a lot of music and singers. The city of Kampala is such a special place with a really unique music and party scene that I cannot compare to any other place in this world. As a long follower of Nyabinghi Reggae Music, I was overwhelmed that the origin of Nyabinghi and its unique way of drumming is in Uganda. Since my first travels and tours in East Africa, I was stoked by the huge talent of young and mostly unknown artists within the city that it was a natural move for us to pay homage to that powerful vibe of Kampala.”

This latest offering by this duo embraces the country of Uganda and its many intricacies. ‘Do It To The Beat’ flows naturally rather than feeling pressure to conform to a particular style.

Kampala Fire EP Tracklist:

1. Ghetto Youth Never Give Up feat. C Wyne Nalukalala

2. Ddala feat. Spyda MC

3. Pump Up The Sound feat. Bani Fyah

4. Do It To The Beat feat. Blessed San

5. Source Of Life feat. Nilotika Cultural Ensemble 

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October 15, 2020 Hazy indie rock soloist Condescending releases new songs

Hazy indie rock soloist Condescending releases new songs

Condescending is set to drop his first release of the year, a mesmerising dual track project. It features a song who’s namesake is its creator, filled with resonating guitar patterns and haunting vocals. The focus track is ‘Kansas, the Band’, offering viscid strumming and breathy crooning, portraying a heavy sense of melancholy. The experimental melodies and eerie digital sounds on both tracks give this release a textured, atmospheric feeling without being overstated. 

Speaking of his new single, Condescending says: “I think listeners would be surprised how many forms ‘Kansas, the Band’ has taken since its conception over two years ago. It was painstakingly overworked at least 3 times before being shelved for a year, being picked up again and put together in its final form in less than a week. The process is rarely short but it became challenging to get to the heart of this one.”

The time Condescending has taken to refine this release is audible, as it masters the fine balance between intricate and lucid. Previously dubbed as ‘provocative bedroom mid-fi’, this artist is veering off into a unique sonic lane, offering an unparalleled sound. His 2019 debut EP ‘Private Conversations in Public Spaces’ followed a sombre, introspective indie route not unlike his new release ‘Kansas, the Band’, although the latter is certainly more subdued, to great effect. 

Condescending is the solo studio project of Free Creation Label producer WhatsHisName, who has worked with up-and-coming hip-hop prodigies such as Breon S.Y.N.D.E.L and Pook Hustle. Steering away from his quirky trap based productions for the label and his indie-rock leaning debut EP, Condescending is venturing into a hazy yet utterly captivating sonic realm and we can’t wait for the world to hear his new release. 

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October 15, 2020 Music producer Dirty Freud releases entrancing electro-pop song, ‘Blood Bayou’

Music producer Dirty Freud releases entrancing electro-pop song, ‘Blood Bayou’

Taken from the upcoming EP: ‘Love In The Backwater’, set for release on Modern Sky UK this Winter, the track is the follow-up to ‘Intentions’ (ft. Szou) – his debut release on the tastemaker label. 

Complementing the new single, “Blood Bayou” arrives with a hypnotic animated video as created by visual artist Micah Buzan. Watch the video: https://youtu.be/D3VYDbUyNcQ

As dense, swampy and enveloping in sound as the southern-American marshland for which it owes its name, “Blood Bayou” finds the Sheffield-based producer coalescing myriad influences with Frankensteinian aplomb. As Freud says:

“This is talking about how love is never clean and is often messy with casualties. Yet it can be full of interesting things as a Bayou swamp can be…”

Steadily making his name in the electronic underground with a number of innovative creations already coined “Electrodub” by some, listeners will find references to dubstep, 2-step garage, bassline, reggae and more on this latest single. From Ruby Tingle’s haunting Ennio Morricone-esque whistle in its opening bars that lull like a siren song, to the burbling synth-driven soundscapes that subsume and intoxicate beyond, Dirty Freud delivers a bewitching new cut to lose yourself in over repeated plays. In typical Dirty Freud fashion, a heavy Electro-inspired production catalyses a second drop unafraid to pack a punch…

Dirty Freud is an electronic live & recording artist from London, but has found success since moving to the North of England. Impressing respected DJs such as Jon More (of Cold Cut), DJ Krush, and Dave Haslam early on his career with his cutting edge remixes and productions; word began to spread throughout the music world, with Dirty Freud’s distinct touch soon sought-after by established artists including Leeroy Thornhill of The Prodigy, Scott Garcia, Willy Mason, Big Narstie, Pixie Lott, and even Iggy Pop.

With a string of remarkable original productions already under his belt (including widely acclaimed 2018 EP: ‘Boxing with God’), Freud has been supported at radio by stations including BBC 1Xtra and BBC Radio 6, whilst receiving media praise from The Guardian, DJ Mag, and MixMag, who proclaimed him to be: “The Unruly Prince of Electronica”. In true recognition of his trailblazing work, Dirty Freud also scooped ‘Best New DJ’ and ‘Best New Producer’ at the prestigious Bass Movement Awards. Last year proved a benchmark year for Dirty Freud as his sound was given even bigger stages to flourish, with sets at Glastonbury, All Points East, Citadel, Boomtown, Beatherder, as well as internationally in countries like Germany, Croatia and France.

In 2020,  Dirty Freud returns focus to the studio as he readies a new EP: ‘Love In The Backwater’ this Winter. Written and inspired by multiple locations, from the infamous Tresor and Hansa Studios of Berlin, to Spirit Studios and Blueprint Studios  in Manchester, to the legendary Yellow Arch Studios in Freud’s hometown of Sheffield; the EP was eventually finalised in lockdown and palpably walks a tightrope of lockdown claustrophobia and the exhilaration of club escapism.  Inspired by some of life’s most impactful moments, from bitter break ups (“Blood Bayou”) to surviving a pandemic (“Love In The Backwater”); to taking a carpe diem attitude to life (“Intentions”) and examining the enduring effect of split second choices (“Moments”); Dirty Freud wields his experiences and forges them into an exhilarating new release definitive of the artist. 

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