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January 21, 2021 Uncle Kid releases trip-hop commentary music video

Uncle Kid releases trip-hop commentary music video

Uncle kid released his debut single, ‘Supermarket Sweep’ on last November. Described as an “unsettling sound portrait” and “a song for our times” by Tom Robinson of BBC 6 Music.

It’s a trip hop, spoken word commentary on the anxiety of living through the covid pandemic, which delves into the friction between politics and nature. The song is built up around a gnarly bassline, glitchy electronic rhythms, and incorporates some radiator drumming (with pens for drumsticks).

Edinburgh based Uncle Kid, who produces all his own material, has teamed up with Scottish visual artist and inventor, Alan Brown, to create a suitably unsettling video. Filmed everyday during lockdown, the viewer’s gaze is held while he evolves from clean-shaven, to a heavily bearded, castaway version of himself. Brown’s glitchy, warhole-esque production adds to the general sense of unease.

Supermarket Sweep will be available on all major platforms, and is the first single from his upcoming EP, ‘Indistinct Chatter’ which features a combination of spoken word and singing throughout. Previously the guitarist in Scottish indie-folk band, The Last September, Uncle Kid merges folk guitar lines with dark synths and strings arrangements. Expect “dark, brooding, understated trip hop” Fresh on the Net.

Follow Uncle Kid:

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December 14, 2020 Electropop collaboration HOFFEY & producer Vincent exude joy with lyric video

Electropop collaboration HOFFEY & producer Vincent exude joy with lyric video

Bridging the gap between pop and innovative dance music results in bangers like ‘GOOD THINGS ARE COMING’ by the duo HOFFEY and music producer Vincent. Vincent & HOFFEY have gifted current and future fans with an official lyric video to sing along to. With lyrics that speak on doubts and the negative ruts that one can find themselves in at any point in their life, the jovial and bursting bass drops make the weight of the lyrics from the beginning melt away from the abyss of negativity.

Stream/ download: Good Things Are Coming

Speaking about genre classifications and their current sound on ‘GOOD THINGS ARE COMING’ with Phuture Mag (read full interview), HOFFEY mentioned, “‘GOOD THINGS ARE COMING’ would be considered electro-pop! Having Vincent produce this track made it even more so exciting because he loves to think outside the box and push the limits just like us. It’s definitely an anthem of positivity and good vibes!”

Released via renowned record label Physical Presents, this single is a guaranteed hit. HOFFEY’s poised flair paired with Vincent’s daring electronic range sets fireworks alight in one’s mind.

Follow HOFFEY:

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Follow Vincent:

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December 10, 2020 Art imitates life in Axel Thesleff’s music video: ‘2 Down’

Art imitates life in Axel Thesleff’s music video: ‘2 Down’

Axel Thesleff’s popularity has been paced up by his 2014 release, Bad Karma. Which has been streamed more than 500 million times on Youtube and tens of millions more on Spotify and Soundcloud. Axel is widely known for his highly enthralling, cinematic music videos – Bad Karma has reached 48 million views and counting – and his latest piece of work is no different. Thesleff’s “2 Down” music video premieres on his YouTube channel December 4, available on all streaming platforms the same day. The video progressively reveals to listeners a path to letting go of depression and welcoming one’s inner light and forgiveness. Ethereal vocals and synths in flux pair with a mother’s journey through meadows and streams of Lapland as she endures flashbacks of painful memories. 

Thesleff says of the release: 

“2 Down is about letting go of depression and the cycle of negativity. It’s about letting go of the past and embracing the future, whatever it may hold. It’s about finding your inner light that has always been there, whether you knew or not. It’s about being thankful for life. It’s about love and forgiveness. I hope that through this song, I can help people look at their own darkness straight in the eyes and see it vanish, leaving behind an empty space of their own inner light. I hope to create a feeling of breaking free of the chains in one’s mind, cleansing away negative emotions, and ultimately finding resolve and gratitude in the end. The 2 Down music video depicts a journey of a lonely backpacker in a vast, dreamlike landscape of a never-ending mountain range. The traveller seems to be completely lost in thought. Painful memories start to arise from the past and she is forced to dive into them. She must fight the demons of guilt, blame and sorrow within in order to break free from this mental dissonance and find forgiveness, acceptance and gratitude to replace them. The story is about overcoming the worst of sufferings and clearing one’s mind from agony. It’s about facing one’s deepest fears and painful emotions head on, and growing from them as a person. No one is perfect and sometimes one needs to accept what is in order to move forward in life and strive to do one’s best. Life is short, and we should be spending it loving each other instead of fighting. Ultimately, 2 Down is about gratitude towards life.”

Follow Axel Thesleff: 

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December 10, 2020 Folk pop singer Rosie Carney announces cover of iconic Radiohead album, The Bends

Folk pop singer Rosie Carney announces cover of iconic Radiohead album, The Bends

Image credit: Rosie Carney

Rosie Carney shares two final singles ahead of releasing her ambitious quarantine project covering Radiohead‘s seminal mental health album The Bends in its entirety on the 11th of December.

Bullet Proof … I Wish I Was & “Sulk” follow previous singles Black Star“, “Bonesand “Just” which found strong support at StereogumSPINThe Line of Best FitNMEConsequence of SoundBPM and much more.

“The whole record is very relatable to me, but Bulletproof in particular really captured how lost I was feeling basically throughout the whole year. So many moments were spent wishing I was mentally stronger and wishing someone could just tell me what to do with my time every day.”

Like Bones and “Black Star”, “Bullet Proof … I Wish I Was” also comes with a home-made video, the song and visual Carney claims as perhaps her most challenging on the album. “I’ve spent a good solid chunk of this year being afraid of literally myself” she says as she looks to capture the dynamic of her internal love/hate relationship.

“Nothing screams anxiety like really fast flashing lights, being half naked and staring down a camera lens at yourself for hours on end. I was completely alone (apart from my sisters hands in one of the shots) on my bedroom floor, which in itself comes with a vulnerability I usually wouldn’t share with the world. It was a weirdly safe but uncomfortable experience”

Tackling a ground-breaking stretch of pop history requires tact and dedication to make it your own. Rosie Carney’s personal connection to the music brings to bear her stunning take of The Bends. Read more about the project in her interview with NME.
 
“She transformed the whole album into ghostly, Carrie & Lowell-esque folk music” proclaims Stereogum. Co-produced by Rosie and JMAC (Luz, Haux), the project is a poetic example of things coming full circle – it’s not the first time Carney’s battles have dovetailed with her love of Radiohead. She recalls going to see them as a teenager and having an anxiety attack in the arena. She blacked out and woke up in the first aid room and covering the band has acted a a form of therapy, as, like so many others this year, her original career plans and mental health were derailed by the pandemic.
 
Rosie Carney’s version of The Bends is due for release on December 11th via Color Study and Bullet Proof … I Wish I Was” is out now. You can pre-order the album here.

Follow Rosie Carney:

Website / Twitter / Instagram