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July 25, 2025 Finnegan Tui Ignites the Indie Folk Scene with “Fuel on the Fire”

Finnegan Tui Ignites the Indie Folk Scene with “Fuel on the Fire”

(Finnegan Tui /Image credit: Godenschweger Photography)

UK-based indie folk standout Finnegan Tui dropped his latest single, ‘Fuel on the Fire’, via Eywa Music Ltd on January 17, 2025, and it’s already making waves. With 7.7 million streams racked up across platforms and regular spins on BBC Radio 6 and BBC Introducing South West, Tui’s carved out a solid rep as a must-hear voice in the scene. He’s clocked serious miles touring Europe, backing FINK for over 30 dates and opening for acts like RY X, Cosmo Sheldrake, and Junodream. Festival slots at Secret Garden Party, Boomtown, and Shambala, plus a confirmed gig at Kernowfornia Festival this September, show he’s no stranger to big stages. Add collabs with heavy hitters like Charlie Andrew and Matt Lawrence, nods from outlets like The Guardian and CLASH Magazine, a sync in Walker Independence, and sold-out nights at Omeara, La Boule Noire, and Lark, and you’ve got an artist on a steep upward climb.

The track itself, ‘Fuel on the Fire’, is a slow-burn gem produced by Jasper Trim and mixed by Andrew Scheps. It kicks off with sparse acoustic guitar, giving Tui’s vocals, deep, raw, and brimming with soul, room to breathe. The arrangement builds steadily, layering in pulsing beats, mournful strings, and atmospheric touches before hitting a choral climax that’s got real weight, blending folk roots with a widescreen vibe.

Finnegan Tui shared: ‘Fuel On The Fire’ explores the poignant theme of no longer recognizing a loved one, yet it ultimately offers a message of redemption. It feels like a phoenix rising from the ashes, mirroring my own journey from loneliness to joy. I hope this song resonates with listeners, offering them light and strength in their own challenges.

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July 21, 2025 ‘Minacious’ Drops Now – Valley Onda Blends Fear and Soundscapes

‘Minacious’ Drops Now – Valley Onda Blends Fear and Soundscapes

(Valley Onda / Ravyna Jassani)

On July 18th, 2025, Valley Onda launched their latest single ‘Minacious’ via Valley Onda Records, cementing their spot in the indie rock scene. The Sydney-based trio, born in 2019, has stacked over 350,000 streams and scored nods from triple j, Clunk Mag, and Where The Music Meets. Their stage game is tight too, with tour slots alongside The Money War and Brightness. Jordan Wilson, once of Georgia Fair, has gigged with Paul Kelly, Laurel, and John Mayer, while Michiya Nagai—a classically trained multi-instrumentalist—has rocked The Grass is Greener with Lamalo and synced up a TEDx Melbourne stream. It all started when Jordan and producer Galen Sultmann clicked in a restaurant, later bringing Michiya into the fold to shape their alt-rock vibe.

The single ‘Minacious’ delivers a punchy fusion of Western-tinged drama, moody synths, and jagged guitars, all anchored by a vocal that cuts through expansive, textured effects. It’s a fearless, genre-twisting track, think Muse meets Bon Iver thabuilt on tension and release, tackling fear and transcendence head-on. Years of warehouse gigs and cross-genre collabs shine through in its polished yet gritty studio sound.

Valley Onda summed it up: “‘Minacious’ is the spirit of going through to move beyond. It’s about confronting your fear and stepping into the unknown. With a Western Sci-Fi feel the song moves through eerie landscapes, unafraid to keep taking steps towards its transcendent destiny. A voyage if you will. Again this song has a heavy studio vibe, which combines all of what makes Valley Onda great, big guitars, synths and beats under a huge vocal.

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July 21, 2025 Vermantics’ The Pictures You Paint EP Lands with Raw Rock Power

Vermantics’ The Pictures You Paint EP Lands with Raw Rock Power

(Vermantics / Courtesy PR)

Vermantics dropped their new EP, The Pictures You Paint, on July 4, 2025, and it’s already making noise across the rock scene. Born in Adelaide’s sweaty underground, brothers Stefan and Daniel Fedele built their chops in pop-punk before heading to Melbourne to chase a grittier sound. Teamed up with guitarist Jack Stevenson and their cousin Julian Perrotta on drums, the quartet fuses 60s hooks, 70s attitude, and 90s edge into a modern rock pulse. Their live rep is no joke—high-energy sets have scored them gigs alongside heavyweights like Highly Suspect, British India, and The Superjesus, and a recent UK tour packed with sold-out crowds proves they’re on a roll.

The EP’s four tracks carve out a sonic story of human ties and tangled lies. Come Alive hits hard with its moody, rumbling kickoff, while How Does It Feel digs into the itch to see through someone else’s eyes. Fake It strips back the masks we wear, and Open Up Your Dreams wraps it up with a bright, full-throttle lift. Every song lands with its own weight, blending sharp lyrics with a sound that’s got real teeth—think reverb-soaked riffs and driving beats that stick.

No polished fakery here—Vermantics tracked this EP live, keeping it real with no drum tweaks or studio gloss. Co-produced with Phil Threlfall, whose mixing packs a punch, and mastered by Andrei Eremin, it’s a tight, confident release. Hot off UK stages and with shows in Adelaide and Melbourne supporting Late 90s this week, plus another UK run later, the band’s momentum is undeniable. Stefan Fedele shared: “This EP’s about cutting through the noise—real songs, real moments, straight from us to you.

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June 20, 2025 Pinwheel Valley’s ‘Werewolf’ Video Drops: A Raw Cry from the Margins

Pinwheel Valley’s ‘Werewolf’ Video Drops: A Raw Cry from the Margins

(Pinwheel Valley / Image Credit: Marios Iosifides)

Pinwheel Valley unleashed their latest single, ‘Werewolf’, alongside a gripping music video on June 18th via Hot Soap Records. The band, spearheaded by Jordanian-Canadian frontman Qais Khoury, has stacked up over 2 million streams and landed spots in CLASH Magazine, NOTION, Earmilk, and Billboard Argentina, with airplay on BBC Radio London and BBC Radio Sheffield. Their track ‘Your Superman’ climbed to No. 13 on the US iTunes Alternative Chart, while videos for ‘Willow’ and ‘Abduction’ nabbed Best Music Video awards at the New York Film Awards and Vegas Movie Awards. This year, they inked a deal with Levantine Music for their EP Reverie, earned a Finalist nod in the International Acoustic Music Awards for ‘Counting On You’, and brought their live energy to stages like Fengaros Festival and Indie Week Toronto. Fusing Indie Soul, Alt-Rock, and Folktronica, Pinwheel Valley is cementing their place as a standout act in the alternative world.

The video for ‘Werewolf’ marks a bold step into AI-generated visuals, a move that hands artists like Qais Khoury the reins to their creative vision. Layered with stark piano and shimmering guitar textures, the track carries an emotional heft that mirrors the societal outcast Khoury channels in his lyrics. It’s a tool of empowerment, letting independent voices sidestep industry gatekeepers and shape their narratives—tying directly into the song’s theme of wrestling with neglect and inner turmoil. This leap into AI tech underscores Pinwheel Valley’s knack for blending innovation with raw, human storytelling, resonating with anyone who’s felt sidelined by the system.

‘Werewolf’ kicks off with brooding piano and fragile guitar lines, cradling Qais Khoury’s voice as it cuts deep. The song simmers into a slow-build glow, erupting in a chorus of sweeping melodies that ache with urgency. Think early 2000s Coldplay’s cinematic sweep, but spiked with a restless edge—an anthem for battling personal shadows. Khoury shared: “‘Werewolf’ is the closest thing I ever wrote to a Coldplay song. If you like early 2000s Coldplay albums, this single is right up your alley. ‘Werewolf‘ is about the average working-class man who feels like an outcast in society—a man who has developed an inescapable, uncontrollable urge to turn violent and destructive, much like a werewolf. This transformation is fueled by the ongoing neglect and mistreatment from those who have the power to help but choose not to. As a result, he’s caught in a constant struggle between the good and evil within himself.’

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