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November 19, 2025 Watch Jairic Go Full Duality in ‘Young, Old, Short & Tall’ Video

Watch Jairic Go Full Duality in ‘Young, Old, Short & Tall’ Video

Out now via Rich Air Music, Jairic‘s ‘Young, Old, Short & Tall‘ lands as the hard-hitting closer before his n = 40 EP hits December 5. The Detroit-raised, Cannes-based artist stays fully self-reliant—writing, rapping, and producing everything himself—which has stacked almost 2 million streams and earned props from Wonderland Magazine, NOTION, CLASH Magazine, EARMILK, and airplay on NPR Music. His palette mixes Nas-level wordplay and Wu-Tang density with Detroit rawness, funk grooves, ’60s rock punch, and moody film-score vibes, making him a natural pull for anyone locked into 21 Savage, Young Thug, Playboi Carti, or A$AP Mob territory.

Sonically, it grabs you quick with an earworm refrain, then Jairic’s precise, high-energy bars ride a beat that opens sharp and energetic before the distortion creeps in heavier, adding that chaotic swell under the finesse.

Watch ‘Young, Old, Short & Tall’

The Bastien Leblanc-directed video steals the show though—Jairic owns a massive, extravagant mansion, dancing fluidly and firing off witty bars in opulent rooms that drip wealth. That polished excess slams against the track’s gritty core, visually mapping his journey from underground Detroit to European high society; the contrast feels intentional and loaded, every shot reinforcing the tension between street roots and current elevation in a way that elevates the whole release.

Jairic shared: “There are so many beautiful people in the world—and then there’s a ton of hate and doubt. Be strong. Keep forging and let the fire burn inside. There are a thousand reasons to stop—forget them.


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November 12, 2025 µ-Ziq Reworks Textbook Maneuver’s ‘Adrenaline Slip’ into IDM-Shoegaze Hybrid Out Now

µ-Ziq Reworks Textbook Maneuver’s ‘Adrenaline Slip’ into IDM-Shoegaze Hybrid Out Now

µ-Ziq‘s remix of Textbook Maneuver‘s ‘Adrenaline Slip‘ landed this past weekend, November 7, 2025, on Life Science Records. Under his real name, Mike Paradinas, the UK IDM pioneer founded Planet Mu and surfaced in 1993 with a string of aliases including Jake Slazenger, Kid Spatula, and Tusken Raiders. He’s garnered steady support from Pitchfork, The Guardian, DJ Mag, and Pop Matters, highlighted by his 1997 album Lunatic Harness, which cleared 100,000 worldwide sales as a drill ‘n’ bass touchstone. His 1999 project, Royal Astronomy, honed that orchestral-electronic approach, earning placements on NME‘s year-end compilations. Planet Mu continues to drive breakcore, footwork, and dubstep, offering breakout spots to figures like Venetian Snares and Jlin in electronic music’s wider network.

The remix draws deeply from the heart of the original, transforming its intricate rhythms, pulsating synth lines, and glitchy textures into a track that shifts from relaxed chillout sequences to an exhilarating IDM climax. µ-Ziq masterfully weaves in captivating tambourine accents and expertly chopped breakbeats layered over expansive drones, paying homage to the lush textures of ’90s shoegaze while boldly preserving the genre’s vital rhythmic core.

µ-Ziq had this to say: “The starting point for my remix of Adrenaline Slip was the one of the stems, an Alchemy patch which sounds like a distorted electric guitar. I processed and cut it up, adding a breakbeat and tried to make it all a bit dreamy and smeared inspired by 90s shoegaze bands like MBV and early Swervedriver.”

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October 22, 2025 Textbook Maneuver’s ‘Adrenaline Slip’ Remix Rewires IDM Expectations

Textbook Maneuver’s ‘Adrenaline Slip’ Remix Rewires IDM Expectations

(Textbook Maneuver / Image Credit: Mary Keane)

Textbook Maneuver rolled out a sharp remix of ‘Adrenaline Slip‘ on October 17, 2025, via his Life Science Records, LLC setup—the core track powered his self-titled debut album from earlier this year. Michael Keane, the mind behind it all, hails from the Bronx with roots now dug into New Jersey soil, where he welds classical piano precision to a DIY punk drive. That combo’s pushed streams past 130,000, locking in buzz from IDM and experimental electronic heads through deep dives in Magnetic Magazine and Illustrate Magazine, alongside shoutouts from WWAM (We Write About Music), Brazil’s Music For All, and Good Music Radar. Keane taps a killer range, from Genesis‘s Duke-era sprawl and Rush‘s drive to Gary Numan‘s edge, The Postal Service‘s pop smarts, U.N.K.L.E.‘s grit, and Phantogram‘s bite, all funneled into IDM frameworks laced with ambient haze and prog electronica curves—tracks built for screen placements or pure headphone immersion. His stuff echoes Jon Hopkins and Nils Frahm in the build, with Boards of Canada‘s drift, Aphex Twin‘s glitches, and Squarepusher‘s bass twists fueling the improvisational core.

The remix of ‘Adrenaline Slip‘ keeps things straightforward at its core: beats that start loose and build into tight, glitchy loops, laced with synth stabs that punch through like quick breaths. Those subtle IDM ticks—think fragmented rhythms folding over each other—pull you into a mix of high-energy drops and cooler, drawn-out pads that ease off the gas. It wraps with a fast, almost frantic close that echoes drum ‘n’ bass without overcomplicating the ride, landing in a spot that’s tense yet oddly relieving.

Textbook Maneuver revealed: “Adrenaline Slip‘ was the song I composed that hit me the most, in a good way. I knew I wanted a killer track to become the lead track and the title of the album. I had come up with the name “Adrenaline Slip” before I had the song. I am trying to capture those moments of adrenaline rush, like skateboarding, dancing, roller blading, just hanging out with friends, whatever gives you a rush. I find, in those moments, there is also a moment of calm because you are doing something that you love or enjoy with people that you are connecting with in the moment. So that is the “slip” part. The feeling slips into calm for a moment but then goes back to adrenaline. This is why the song has its very EDM moments but then slower, synth/ prog chillout sections and it all ends in an uptempo almost punk rock speed.


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October 15, 2025 Pinwheel Valley’s ‘Can’t Hear a Sound’ Hits Deep in Wake of Release

Pinwheel Valley’s ‘Can’t Hear a Sound’ Hits Deep in Wake of Release

(Pinwheel Valley / Image Credit: Yazeed Malkaw)

Nearly a week out from its October 10th drop via Hot Soap Records, Pinwheel Valley‘s ‘Can’t Hear a Sound’ continues to pull listeners into its orbit, serving as the opener for the November-bound EP Hello From Afar. At the wheel is Jordanian-Canadian Qais Khoury, whose project morphed from KAIS into a full live outfit—him on vocals, guitar, and keys; Stephanos Marangos handling lead and rhythm guitar; Max Daniels on bass and Ableton; and Stephanos Meletiou or Phrangiskos Petrisis drumming.

The track itself coils tight around Qais Khoury‘s self-produced layers: soulful guitar lines threading through string swells and alt-rock drum sections, with vocals that rasp against the quiet. It has shades of City and Colour‘s worn-in resolve or Alberta Cross‘s road-weary swing, the folktronica hum emphasizing a slow-burning tension that feels authentic.

Qais Khoury shared: “Can’t Hear A Sound’ is a song of bloodlines and soil, of war and the restless pull of home. It is a cry carried on the wind, calling to kin who have wandered astray, drawn into circles that could never hold them. A plea for their return to the ground where their fathers lie sleeping. It is both invocation and vow — a promise to shield them, body and soul, whatever the cost, and to guard the earth that holds their roots”.

With the EP on deck, Pinwheel Valley looks primed for deeper cuts that lean into these uprooted themes, maybe sparking live runs across Europe or North America to road-test the full band’s chemistry. If this single’s traction holds, expect festival slots next summer, building on their video awards and radio push to solidify that genre-blurring spot.

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