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July 21, 2025 Vermantics’ The Pictures You Paint EP Lands with Raw Rock Power

Vermantics’ The Pictures You Paint EP Lands with Raw Rock Power

(Vermantics / Courtesy PR)

Vermantics dropped their new EP, The Pictures You Paint, on July 4, 2025, and it’s already making noise across the rock scene. Born in Adelaide’s sweaty underground, brothers Stefan and Daniel Fedele built their chops in pop-punk before heading to Melbourne to chase a grittier sound. Teamed up with guitarist Jack Stevenson and their cousin Julian Perrotta on drums, the quartet fuses 60s hooks, 70s attitude, and 90s edge into a modern rock pulse. Their live rep is no joke—high-energy sets have scored them gigs alongside heavyweights like Highly Suspect, British India, and The Superjesus, and a recent UK tour packed with sold-out crowds proves they’re on a roll.

The EP’s four tracks carve out a sonic story of human ties and tangled lies. Come Alive hits hard with its moody, rumbling kickoff, while How Does It Feel digs into the itch to see through someone else’s eyes. Fake It strips back the masks we wear, and Open Up Your Dreams wraps it up with a bright, full-throttle lift. Every song lands with its own weight, blending sharp lyrics with a sound that’s got real teeth—think reverb-soaked riffs and driving beats that stick.

No polished fakery here—Vermantics tracked this EP live, keeping it real with no drum tweaks or studio gloss. Co-produced with Phil Threlfall, whose mixing packs a punch, and mastered by Andrei Eremin, it’s a tight, confident release. Hot off UK stages and with shows in Adelaide and Melbourne supporting Late 90s this week, plus another UK run later, the band’s momentum is undeniable. Stefan Fedele shared: “This EP’s about cutting through the noise—real songs, real moments, straight from us to you.

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July 15, 2025 MIGLIO’s “Musica Elettronica” Redraws the Club Map with Grit and Memory

MIGLIO’s “Musica Elettronica” Redraws the Club Map with Grit and Memory

Italian artist MIGLIO returns with ‘Musica Elettronica, a brooding, richly textured single that dives deep into the emotional landscape of electronic resistance. Released via Peroni Dischi on June 27, 2025, the track marks a bold shift in sonic direction—darker, grittier, and strikingly personal.

Known for previous critically acclaimed albums Manifesti e immaginari sensibili (2022) and Futuro Splendido (2023), MIGLIO (aka Alessia Zappamiglio) now ventures further into an experimental domain. Produced by Francesco Fantini, whose avant-garde approach has previously aligned with Lorenzo Senni and Warp Records, this new single blends contemporary songwriting with rugged new wave grit and atmospheric electronics.

Musica Elettronica is more than a song—it’s an audiovisual statement. It evokes ’80s Berlin and Bologna, referencing containers, urban noise, protest squares, and post-industrial club spaces. With pulsing synths and raw emotional delivery, MIGLIO offers a melancholic yet energetic meditation on escapism, routine, and social unrest.

As she describes it: “It speaks to the tension between routine and the urge to disappear, to break away. Like stepping out of a club and finding yourself in a square, protesting.”

This is slow-dancing in solitude. Music that marches and weeps. And it signals the beginning of a new artistic cycle for one of Italy’s most daring voices in electronic-infused songwriting.

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July 8, 2025 ‘Breathe’ lands as Armin van Buuren’s latest Trance triumph

‘Breathe’ lands as Armin van Buuren’s latest Trance triumph

(Armin van Buuren / Armin van Buuren Facebook)

On June 27, 2025, Armin van Buuren unleashed his ninth studio album, Breathe, through Armada Music. This release cements his status as a titan in the trance and electronic dance music scenes. A Dutch DJ and producer, van Buuren has snagged the top spot in DJ Mag’s Top 100 DJs poll multiple times and built a global following with his A State of Trance radio show and festival brand. Spanning two parts – Breathe In and Breathe Out – this 51-track project doubles as a personal milestone, reflecting his recent dive into mental health and self-growth.

The album packs a punch with its range, blending pulsing trance beats with deeper, melodic cuts. Tracks like ‘Let It Be For Love’ featuring JAI RYU bring emotive vocals into the mix, while ‘Is It Beautiful’ serves up the official anthem for A State of Trance 2025. Collaborations with heavyweights like Bon JoviPendulum, and Moby shake things up, layering rock and drum and bass vibes into van Buuren’s sound. It’s a broad, cohesive collection that mirrors his knack for pushing boundaries.

Armin is set to perform at Ushuaïa Ibiza across nine dates from 8 June to 28 September this Summer, secure your tickets HERE

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June 5, 2025 Transcultural Artist Munsha Confronts Societal Pressures in THE FALL OF THE ASTRONAUTS

Transcultural Artist Munsha Confronts Societal Pressures in THE FALL OF THE ASTRONAUTS

Munsha’s 10th studio album, THE FALL OF THE ASTRONAUTS, marks a significant step in her career, combining her skills as a composer and performer with a full-scale music theatre production. Behind the name Munsha is Daniela Lunelli, an artist with roots in both classical music and the punk DIY scene. Now working out of Berlin, she has built a reputation for crossing cultural and musical boundaries, performing all vocals and instrumentation herself in English and German for this release.

Watch here:

The album is directly linked to Alices Geschwister, a theatre piece that reworks Alice in Wonderland into a narrative set in a mental institution, tackling themes of compulsory psychiatric treatment. Spanning 14 tracks, THE FALL OF THE ASTRONAUTS was developed alongside the script, ensuring the music aligns with the story’s exploration of identity and societal pressures. This dual creation process highlights Munsha’s ability to integrate sound with narrative, offering a cohesive experience across both mediums.

In terms of sound, the album draws from a wide range of styles, incorporating elements like cello melodies, orchestral arrangements, and electronic textures. Munsha cites influences from artists such as Goldfrapp, Ryūichi Sakamoto, Klaus Nomi, and filmmaker David Lynch, which show up in the album’s cinematic quality and varied production. The result is a project that resists easy categorization, reflecting her aim to capture human diversity through music. For Munsha, THE FALL OF THE ASTRONAUTS is both a standalone work and a key component of a broader artistic statement, demonstrating her range and commitment to pushing creative limits.



TRACKLIST:

1. A new home


2. Voyage


3. Lacis’s theme


4. Bourdons des Charmeurs

(Carroll’s Whisper)


5: The daze
 – Lead Single

6. EKT (The Fight)


7. The Bogeyman


8. The labyrinth of the Astronauts


9. Suzes Flamme


10. Alice’s theme


11. Der Garten


12. Side effects


13. Patient 7461 (A New Home – Reprise)


14. Rosa Kaninche


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