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June 5, 2025 Transcultural Artist Munsha Confronts Societal Pressures in THE FALL OF THE ASTRONAUTS

Transcultural Artist Munsha Confronts Societal Pressures in THE FALL OF THE ASTRONAUTS

Munsha’s 10th studio album, THE FALL OF THE ASTRONAUTS, marks a significant step in her career, combining her skills as a composer and performer with a full-scale music theatre production. Behind the name Munsha is Daniela Lunelli, an artist with roots in both classical music and the punk DIY scene. Now working out of Berlin, she has built a reputation for crossing cultural and musical boundaries, performing all vocals and instrumentation herself in English and German for this release.

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The album is directly linked to Alices Geschwister, a theatre piece that reworks Alice in Wonderland into a narrative set in a mental institution, tackling themes of compulsory psychiatric treatment. Spanning 14 tracks, THE FALL OF THE ASTRONAUTS was developed alongside the script, ensuring the music aligns with the story’s exploration of identity and societal pressures. This dual creation process highlights Munsha’s ability to integrate sound with narrative, offering a cohesive experience across both mediums.

In terms of sound, the album draws from a wide range of styles, incorporating elements like cello melodies, orchestral arrangements, and electronic textures. Munsha cites influences from artists such as Goldfrapp, Ryūichi Sakamoto, Klaus Nomi, and filmmaker David Lynch, which show up in the album’s cinematic quality and varied production. The result is a project that resists easy categorization, reflecting her aim to capture human diversity through music. For Munsha, THE FALL OF THE ASTRONAUTS is both a standalone work and a key component of a broader artistic statement, demonstrating her range and commitment to pushing creative limits.



TRACKLIST:

1. A new home


2. Voyage


3. Lacis’s theme


4. Bourdons des Charmeurs

(Carroll’s Whisper)


5: The daze
 – Lead Single

6. EKT (The Fight)


7. The Bogeyman


8. The labyrinth of the Astronauts


9. Suzes Flamme


10. Alice’s theme


11. Der Garten


12. Side effects


13. Patient 7461 (A New Home – Reprise)


14. Rosa Kaninche


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May 28, 2025 LUDOVICA PAGANI UNVEILS CLUB-READY SINGLE “HEAT STORM” VIA Tankfloor/Warner MUSIC ITALY

LUDOVICA PAGANI UNVEILS CLUB-READY SINGLE “HEAT STORM” VIA Tankfloor/Warner MUSIC ITALY

(Ludovica Pagani / Courtesy PR)

Rising Italian talent Ludovica Pagani shares her latest track Heat Storm‘, a sleek and sultry house cut released via Tankfloor/Warner Music Italy. Known for her vibrant presence across media, festivals and fashion, this release cements her evolution into a fully-fledged electronic music creator.

Heat Storm‘ wraps deep, pulsing rhythms with lush synth layers and a vocal delivery that oozes club finesse. With an energy tailored for warm summer nights, the track explores late-night emotions through a sound both stylish and immersive.

This is Pagani’s first major step as a producer under the Tankfloor umbrella, following her set at Arabax Music Festival and a growing international audience. There’s elegance in restraint here—the beat doesn’t shout, it seduces. And that’s what makes it addictive.

A late-night anthem for those who move with intent.

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May 21, 2025 Discover XCENTRiC’s Signature Sound in ‘Get Down’ – Out Now

Discover XCENTRiC’s Signature Sound in ‘Get Down’ – Out Now

Image credit / Courtesy PR

XCENTRiC unleashed his new single, ‘Get Down’, on May 9, 2025, further solidifying his status as a trailblazer in the electronic music world. This producer and DJ has made waves with his distinctive tech house sound, spiked with hip-hop influences, marked by propulsive rhythms, sharp synths, and heavy basslines. Leading XCENTRiC RECORDS and signed to Droptone Records, he’s a mainstay in the scene, having performed alongside names like ACRAZE and Sick Individuals at venues such as Kemistry Nightclub and Miami Music Week staples like Kill Your Idol, Clevelander, Astra, and Dream. His career took root at 18, when he left behind a job in electrical work to chase music, securing a DJ residency within a week and building a 15-year career playing clubs and events across the globe.

The track ‘Get Down’ fuses tech house with tribal percussion and urban grit, moving away from XCENTRiC’s minimal tech house origins. Its raw, rhythmic energy and tight production make it a dancefloor weapon, crafted to pull listeners into its relentless groove. The single showcases his knack for blending underground vibes with a street-smart edge, perfect for commanding late-night sets.

XCENTRiC captures the essence of the track: “This track is about letting go completely and giving yourself to the rhythm. It’s that moment when the crowd slips into a trance and no one remembers how they got there — they just remember hearing ‘Get Down’.” His commitment to authenticity and sonic innovation drives this release, marking another step in his mission to shape the future of electronic music with bold, unforgettable energy.


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May 19, 2025 Jacqui’s New Single ‘fries, bb’, Captures The Art of Unspoken Attraction

Jacqui’s New Single ‘fries, bb’, Captures The Art of Unspoken Attraction

Jacqui’s latest single ‘fries, bb’, released on May 9, 2025, via Beeline Records, highlights her distinctive fusion of neo-soul and Korean heritage. Born in South Korea, raised in China & the U.S., and now based mostly in South Korea, Jacqui’s music reflects her global journey. With over half a million Spotify streams and performances at SXSW Sydney and Bangkok Music City, she’s swiftly gaining recognition. Her tracks have appeared in Netflix’s My Holo Love and Amazon Prime’s BUTTERFLY, earning her comparisons to neo-soul pioneers like Erykah Badu and FKA Twigs.

The song ‘fries, bb’ is a groove-driven track that captures the quiet intimacy of a late-night diner. Its production mixes clean neo-soul rhythms with subtle distorted elements, creating a modern twist. Jacqui’s vocals are warm and expressive, carrying the theme of unspoken attraction with ease. The lyrics focus on ordering fries as a reason to stay longer with someone, blending clever wordplay with a relatable scenario that feels personal yet widely appealing.

Jacqui has said about the song, “It’s set in a late-night burger shop where you order fries just to spend more time with that person you’re crushing on.” This choice shapes the track’s laid-back yet intentional vibe, with the distorted instrumentals adding a layer of tension to the lighthearted premise. It shows her skill in taking a simple idea and giving it emotional weight through production and delivery, connecting her personal vision to a broader audience.

With ‘fries, bb’, Jacqui keeps pushing neo-soul forward, blending her Korean roots into the genre’s core. Stepping off of The Great Escape Festival stage in Brighton on May 15 and 16, we’re excited to hear what influences she’ll weave into her upcoming projects.

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