Growing from her roots in rural Scotland, Electro Pop songstress Fourth Daughter has shared a single from her yet-to-be-released debut EP HYPERREAL. The single, titled ‘Say What You Want’, comes with a B-side, ‘Calling Out Your Name’. Let’s dive in.
‘Say What You Want’ is a lush dance record. Glide notes reverberate around Fourth Daughter’s warm voice, bolstering its distinct emotion. Bordering on nostalgia, its mood is unquenchable. Upbeat yet slightly sombre, the interplay between happiness and sadness creates a tension that the beat eases, engendering a sense of cathartic release.
Being the youngest of four daughters, Emily Atkinson discovered her love of music while looking for a way to entertain herself in the quiet countryside. Making a name for herself in her homeland under the moniker Fourth Daughter, she has previously been named one of BBC Radio’s Artists To Watch in 2020 by presenter Vic Galloway.
LT is keeping the spirit of youth alive. Fanning the flames, she has released a new song entitled ‘Act Your Age’. Refusing to do exactly that, she defies all who claim to be an authority on the matter, redefining what it means to grow up. No, LT is sticking to her guns, professing her refusal to be told what to do in a spicy bass-driven Indie Pop record.
“When you’re a kid, people are telling you to grow up and ‘act your age’ and then when you get a little older, women especially, are told they can’t behave, dress, or continue working in a variety of careers because they’re too old. Stuff that. I’ll act whatever age I want to,” she says, standing her ground on the matter. The independently-released record is out now LT Records.
LT Tour Dates 2023
Thursday 20th April – It’s Still A Secret, Brisbane, Australia
Friday 21st April – Tanks Arts Centre, Cairns, Australia
Wednesday 24th May – (Secret Show), Liverpool, UK
Friday 2nd June – Levi’s Corner House, Cork, Ireland
New York-born, Berlin-based musician Marlena Dae has released ‘No Place To Hide’, the lead single from her debut EP entitled A Delicate Storm via the Good Luck Kid imprint.
The song narrates the story of a girl wandering the streets alone at night desperate to escape the reality she lives in and it’s a stunning introduction to the songstress’ talent and ability to make music that drifts over you in waves.
Marlena Dae says, “I feel I can relate to this longing for freedom in ‘No Place To Hide.’ Trying to escape one’s reality was definitely a topic for me at the time during quarantine.I feel for this main character who is aware of the dangers that lurk around her, yet she is determined to get to where she needs to be.”
Listen to Marlena Dae‘s captivating and atmospheric new offering here.
Today, Georgia announces her return with her incredible new album Euphoric; co-produced by Rostam (Haim, Carly Rae Jepsen, Clairo), it marks the first time that Georgia has worked with another producer on her own material. The result is her dynamite third studio LP, featuring ten songs that vibrate with energy and is set for release on 28th July.
Euphoric follows Georgia’s club-coercing last record, the universally adored and critically acclaimed Seeking Thrills which well and truly cemented her as one of the UK’s premier producers and songwriters. Since then, Georgia has collaborated with the likes of Mura Masa, Gorillaz, Shygirl, Baby Tate, Dan Carey and David Jackson, most recently writing with Years and Years’ Olly Alexander and on Shania Twain’s #1 album Queen Of Me. All of this experience has been poured into her forthcoming album.
Georgia has also shared the first single from the record, “It’s Euphoric”, complete with a vibrant and compelling video directed by Fa & Fon. Powered by a gentle ecstasy, the song opens with a grounding bassline which Georgia toys with through her playful vocal rhythms (“I wasn’t saying much/ It was on the tip of my tongue”). “It’s Euphoric” was the first track that Rostam and Georgia wrote together and it went on to dictate the entirety of the album’s colourful soundscape.
Having written her last two albums within a three-metre radius of her bedroom, it was important for Georgia to find a new physical and emotional space in which to write: “I wanted an adventure! Being a self-produced musician, it’s easy to get stuck on one thing or in one place.” As fate would have it, esteemed producer Rostam DM’d Georgia after hearing her on the Mura Masa track “Live Like We’re Dancing”, and she swiftly was on a flight out to LA.
After 10 years of being her own main collaborator, a crucial part of the writing process was learning to relinquish control. And for Georgia, this record is a surrender, “To my issues, to my past, to my flaws and to the healing process” and through it she was able to guide herself to a new healthy form of unconstrained liberation. Euphoric see Georgia stepping out from behind the recording desk and establishing herself as a unique left-field pop artist. It’s the sound of life and of living in the now rather than escaping it.
