Klay Cartier is an emerging artist who dabbles in the deep end, where the borders between genres have evaporated into mist. His latest offering, a percussion-heavy (or should I say heavy percussion) single titled ‘Good For Nothin’’, showcases his ability to veer off into new lanes without changing course.
To this end, he shared: “I recorded and worked on this song over a year ago. I knew I wanted to step out of my wheelhouse like I usually do, and it pushed me to make this incredible song. I took aspects from R&B, Pop, Rock, and Latin genres and mashed them together to create this electrifying experience for the listener.”
Signed with Kult Klassic Studios, his latest offering is a bare-bones production. This is not to say that it is by any means sparse, but rather that the focus on the raw physicality of the drum rhythms mixed with Cartier’s unblemished voice makes for an essential and directed work of art.
Hailing from Puerto Rico, R&B duo COASTCITY has released their new single ‘Afterlife’, a Latin-flavoured record brought to life with the help of Venezuelan artist FABRO. The track was born in an unforgettable session in the city of Buenos Aires. Toeing the line between dark and romantic, the song tells of love continuing into death, extending passed the mortal confines of one lifetime.
‘Afterlife’ is a minimal production that spotlights the vocals. With retro hues akin to the early 2000s scene, bringing forward aspects of Christina Aguilera, the team of musicians add a splash of pop appeal in the lane of The Weeknd to create something mellow yet emotive for fans to soak up.
The artists let us in, saying: “”Afterlife” is the continuation of our last song “Futuro”, its the new Latin R&B sound that bilingual, rhythmic and emotional. It’s COASTCITY’s first time collaborating with FABRO who is an up and coming artist out of Buenos Aires Argentina.”
As anyone tapped into the digital grapevine knows, HBO’s new drama series The Idol has been a hot topic in the press of late. With TheWeeknd starring as the crazed self-help guru and cult leader Tedros and Lily-Rose Depp as the stardom-seeking lead, the show made its debut on the 4th of June.
Last week, The Weeknd released two tracks from the first episode of the series: the theme song, ‘The Lure’, as well as ‘World Class Sinner / I’m a Freak’. The theme song was written by The Weeknd and heavyweight producer Mike Dean and the second song was sung by Lily-Rose Depp and co-written by Abel and Asa Taccone.
Yesterday, The Weeknd released 3 new tracks from episode 2, which will feature alongside already released records like ‘Popular (with Playboi Carti & Madonna)’ and ‘Double Fantasy (with Future)’ on the official soundtrack album, The Idol, Vol. 1, which is slated for release on the 30th of June.
LLUCID, the talented 26-year-old German musician, singer, and producer, released his highly anticipated debut album, ‘Deep Blue Dreams’, today. This captivating album, filled with twelve mesmerizing tracks, transports listeners to a realm of wistful piano melodies, futuristic sounds, and poignant lyrics, creating an otherworldly experience that defies boundaries.
The journey begins with the opening track, “Silence” as LLUCID’s voice emerges from the depths, evoking a sense of cool, alienation, and warmth. The seamless fusion of spacey elements and soulful undertones sets the stage for an album that pushes creative boundaries and leaves a lasting impression. LLUCID effortlessly combines various genres and influences, showcasing his versatility and musical prowess.
“Manifest” showcases LLUCID’s brash, self-assured rap-trap style, while “Cast Away” envelops listeners in mellow sound waves and melancholic autotuned vocals. Throughout the album, he draws inspiration from artists like Kendrick Lamar, J. Cole, Frank Ocean, and Bon Iver, effortlessly blurring the boundaries between rap and R&B.
Collaborations further enhance the album’s allure, with LLUCID teaming up with acclaimed New Zealand artist Kimbra on the extraordinary duet “Wasting Time”. The combination of their voices creates a spacey and heart-wrenching sound that resonates with listeners on a profound level. LLUCID’s masterful use of autotune enhances the instrumental quality of his voice, sparking a conversation around the artistic value of this technology.
Despite being a debut album, LLUCID is no stranger to the music scene. Having studied music in Mannheim and collaborated with notable artists, including Dena Zarrin (Madanii) and Wallis Bird, the artist has honed his music and carved out his unique sound. The release of his six-track EP, “Getting in Touch”, in 2022 garnered significant attention, further solidifying his place as a rising star.
LLUCID’s music transcends borders and defies conventional categorizations. Drawing influence from American artists while infusing his own distinct style, LLUCID presents a collection of songs that resonate with a global audience. The album’s title, “Deep Blue Dreams”, perfectly captures LLUCID’s immersive and imaginative approach to music, blurring the boundaries between fantasy and reality.
To complement the album’s captivating sound, LLUCID collaborated with artist Edgar Koop, whose painting graces the cover art. The artwork, a perfect visual representation of “Deep Blue Dreams”, encapsulates the ethereal and dreamy aesthetic that LLUCID meticulously crafted.
LLUCID’s debut album promises to be a remarkable musical journey that showcases his immense talent, innovative style, and boundless creativity. Prepare to be captivated by LLUCID’s unique blend of sounds and emotions that transport you to a world beyond imagination.
