Plain Mister Smith has released ‘Dream To Be Free’, his new single featuring Jordan Klassen, now available via Amelia Records/Symphonic following its February 6 release. The track is the fourth single from his upcoming album, due in spring 2026. The artist, a long-time guitarist in Canadian darkwave outfit Moev and current cellist with the Vancouver Philharmonic Orchestra, has built steady momentum as Plain Mister Smith with coverage from NPR Music, Wonderland Magazine, CLASH Magazine, NOTION, Under The Radar, Earmilk, METAL, Noctis Mag, and Atwood Magazine.
Split between Vancouver and London, Plain Mister Smith works where indie-folk clarity meets psych-rock drift, threading sharp lyrics through quieter reflective stretches. ‘Dream To Be Free’ connects directly to the worlds of Death Cab for Cutie, The War on Drugs, and Pavement. It moves between inward pull and lighter whimsy, built on bright, repeating keyboard lines over gently syncopated drum work. Layered instrumental shifts frame the direct, plaintive vocal exchange, evoking blurred images of cities rushing past in recollection.
Across this run of singles, Plain Mister Smith shows a clearer hand at the controls. He keeps dynamics tight, letting percussion breathe under melodic fragments while vocal lines overlap to heighten the emotional weight without overstatement. Bringing in voices like Jordan Klassen adds natural harmonic depth that fits into the arrangements rather than standing apart. The tracks cohere through deliberate choices, such as subtle tonal bends and careful negative space, rewarding close listening and pointing to an album with real structural unity, grounded in personal detail yet precise in execution.
Plain Mister Smith shared: “Dream to be Free’ is a mesmeric reflection on a decades-old trip to Kyoto, where memories came flooding back – how such a trip to a faraway place can seem like an ultimate act of freedom, or it can be a more subtle escape from home. This trip took place during Daimonji time, when locals light giant bonfires on hills around Kyoto to guide the spirits back to the spirit world. In a way, this trip felt like a return to a source of rebirth.”
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