Singer – Page 14

September 8, 2023

September 8, 2023September 8, 2023 Mew Zikwryder

Leon Seti shares delectable electro-pop track ‘And Im Gone’

Italian born, Amsterdam based Leon Seti is the musical act of Leo Baldi. The eclectic artist shared his single ‘And Im Gone’ on the 22nd of October 2022, taken from his innovative album Grimoire. His retro-filled yet experimental electro-pop has been played by the BBC Introducing and featured on Billboard Italy and he’s also received support from CLASH, with his album COBALT reaching #1 on the iTunes Electronic Chart in Italy. Seti’s second album was equally impressive, released to rave reviews it reached #1 on the iTunes Electronic Chart in Italy and the Netherlands, while simultaneously cementing itself in the iTunes Top 10 of general sales in both countries. In addition to this, Leon Seti has appeared at venues such as The O2 Academy Islington and The Spice of Life in London, historic clubs like Spin Time Labs in Rome and Il Cassero in Bologna and at festivals such as Mengo Fest and Pride in Amsterdam.

‘And Im Gone’ is a beautiful blend of electro-pop production and emotionally charged vocals. Enchanting and introspective, It’s a phantasmal collection of Seti’s thoughts, dreams and desires, with a toxic-love at the forefront of the message. Using his voice as his main weapon, Seti wears his heart on his sleeve, inviting the listener to step into his world and resonate with his lyrics and emotive vocals. Reminiscent of artists such as BANKS, Bjork and Imogen Heap, ‘And Im Gone’ is loaded with luscious vocal harmonies and layers.

Leon Seti had this to say: “‘And I’m Gone’, specifically, is a song about wanting to escape from a place of dread and solitude, and even though I talk like I’ve already left, it was actually written while I was living in London and wanting to escape a toxic relationship.“

Follow Leon Seti:
Facebook – Youtube – Instagram – Spotify – Website – TikTok – Soundcloud

September 1, 2023

September 1, 2023 Mew Zikwryder

Def.fo shares phased out psych-rock anthem ‘Play It Cool’

Psychedelic Rock Singer-songwriter Def.fo recently released ‘Play It Cool’, on the 1st of September. Inspired by the likes of Tame Impala, ‘Play It Cool’, is a stunning slice of retro induced psychedelic rock with a clear contemporary edge. Based in Liverpool, the son of a famous record producer, Tom Powell aka Def.fo has been honing his songwriting from an early age. Mixed by Roy Merchant (Omar, M.I.A, Basement Jaxx) and mastered by Howie Weinberg (Nirvana, Kasabian, The Red Hot Chili Peppers), it’s a track with no shortage of capable collaborators.

Featuring in-your-face drums and reverberated vocals, the star of the show is the phaser rich guitar sound that is gritty while still maintaining its loose psychedelic sound. Its lo-fi and loud, riding the line between old and new. However, the true essence of ‘Play It Cool’ lies in its message— a pertinent and poignant response to a culture engrossed in Social Media and Technology. Serving as a reminder to stand at attention, and tune out the noise around us.

The music video accompanying the single is a captivating ode to the iconic Tarantino/Tony Scott film, True Romance. Featuring an exciting escape to Mexico after a successful heist from the Hollywood wardrobe department, two lovers and a Cadillac break down, as the bonnie and clyde duo find solace in a garage, engrossed in love for a fleeting moment in time.

Follow Def.fo:

Twitter – YouTube – Facebook – Instagram

August 4, 2023

August 4, 2023August 4, 2023 Mew Zikwryder

Whammyboy releases new and catchy Electro-Pop single ‘Chop It’

“Space-Pop” pioneer Whammyboy is back with another incredibly feel good track in ‘Chop It’, out on the 4th of August via Gems (Warner Music Norway). After his single ‘Heart’ received support from BBC Radio 1’s Future Artists Show, he’s gone on to play shows in both England and Scandanavia, with an EU and UK tour coming up in Autumn.

His fourth single, ‘Chop it’ is a befitting name for a song that is full of glitchy, chopped sounds and melodies. It’s incredibly fresh and modern, yet it manages to sound nostalgic, with an almost Disco-like beat and rhythm section underpinning the ever-modern synths and effects. His vocals are clean and extremely catchy as they float over a bouncing offbeat bass that hops on-and-on throughout the track. It’s the type of song you leave on repeat. It’s pop music for both humans and aliens.

Whammyboy had this to say: “It’s called that (Chop It) basically because I’m chopping some sounds…it’s very literal. The technique was inspired by Daft Punk, production-wise. But then it turned into something else, thanks to the offbeat bass from my childhood again. It really has me in its grip! With the lyrics, they’re very kind of vague, expressionistic kind of lyrics.”

Having recently performed at Piknik i Parken in Oslo in June, Whammy Boy will be bringing his eclectic electro-pop sound to Pstereo in Trondheim and Reeperbahn Festivals in Germany in August and September followed by a EU and UK tour in October. Look out for the release of his debut EP “Space Pop Vol. I” on the 8th of September.

Follow Whammyboy

FACEBOOK INSTAGRAM YOUTUBE TIKTOK TWITTER

July 25, 2023

July 25, 2023July 25, 2023 Mew Zikwryder

Klay Cartier ventures past genre with ‘Good For Nothin’’

Image credit: Rachael Baker @RWPhotography

Klay Cartier is an emerging artist who dabbles in the deep end, where the borders between genres have evaporated into mist. His latest offering, a percussion-heavy (or should I say heavy percussion) single titled ‘Good For Nothin’’, showcases his ability to veer off into new lanes without changing course.

Stream / Download: Klay Cartier – ‘Good For Nothin’’

To this end, he shared: “I recorded and worked on this song over a year ago. I knew I wanted to step out of my wheelhouse like I usually do, and it pushed me to make this incredible song. I took aspects from R&B, Pop, Rock, and Latin genres and mashed them together to create this electrifying experience for the listener.”

Signed with Kult Klassic Studios, his latest offering is a bare-bones production. This is not to say that it is by any means sparse, but rather that the focus on the raw physicality of the drum rhythms mixed with Cartier’s unblemished voice makes for an essential and directed work of art.