Music producer JORI SJÖROOS has unleashed his latest masterpiece, song titled ‘GOTH PERREO’ with critically acclaimed songstress Chisu, and let us just say that it has the ingredients of a charming nightmare.
DoofDoof shares, “Filled with distorted electronic beats and melodic and angelic vocals from songstress Chisu, ‘GOTH PERREO’ feels like a beautifully haunting dance between darkness and light.
JORI SJÖROOS speaks about the song’s concept, “I was jamming with a reggaeton beat and wanted to push it as dark as possible. I had this image of 2 people twerking each other in a dark club built in a church made of stone. I needed some classic vibes for the song so I requested opera vocals from my wife who’s an artist and an extraordinary singer. I’m inspired by the freaky Latin American underground reggaeton/dancehall movement called “Neo Perreo”, and as a fan, I wanted to do my own “Perreo” which became “GOTH PERREO”.”
JORI SJÖROOS adds balance with Chisu’s soothing vocals, but JORI SJÖROOS still manages to shine with beautiful chaos throughout the track.
“‘Mogilalia’ is about inability to speak your mind. It’s a look on the exertion of being filled with intense, but unexpressed anger. And the need to express it anyway to avoid imploding.” explains the band.
‘You don’t own me brother. I don’t owe you anything.’ as the lyrics go. “Mogilalia” is an uncomfortable slow burn with a weirdly liberating ending. Stumbling, energetic, introverted, explosive.
We Will Kaleid will play at this year’s Reeperbahn Festival. On Friday 18th, at Knust. If you happen to be around, feel free to come over.
The band’s new EP “Tongue” will be released in October.
Music duo Firewoodisland have released their official cover of iconic Alphaville song ‘Forever Young’ via Warner Music UK. To date, the pairing has seen support from the likes of renowned publications like PopMatters, Earmilk, Clash Magazine, Atwood Magazine, Wonderland Magazine and Q Magazine as well as airplay on BBC Radio Wales (A-List), BBC Radio 6’s Radcliffe & Maconie and Tom Robinson,BBC Radio’s Introducing In The West, Devon, and Stoke, Amazing Radio and Norway’s NRK P3.
Firewoodisland elaborates on the personal meaning behind the song cover, “We’ve always wanted to do our own take on a well-known song. ‘Forever Young’ was one of the most played road trips tunes from Stian’s childhood memories. Talking about a time of real uncertainty, the Cold War, it mirrors the time we are going through in 2020. Our hope was to make a beautiful and heartfelt Firewoodisland rendition, while still respecting the original melodies and lyrics. Hopefully, we’ve done it justice.”
‘Forever Young’ is reimagined through more modern mediums but carries the same warmth of the original by Alphaville.
British singer and songwriter Maddox Jones has released his solo debut EP, Headspace, via Radikal/ Quattro Records.
The 5-track EP follow up on a string of singles, the recently released after party anthem My House and the kaleidoscopic Headspace– the EP’s title track and Maddox Jones’ first release as a solo artist which received praise from likes of American Songwriter, SPIN, Complete Music Update and ItsAll Indie, among others.
While fronting a band is never an easy task – and Jones had his fair share of experience playing and collaborating with other artists – standing alone and allowing his deepest emotions to flow through some of the most personal songs he has ever written allowed him to explore a variety of sounds and emotions. Free from any restrictions, this new creative process allowed the talented artist to develop a vulnerable body of work while exploring a more diverse sound palette. The result is a personal journey through hedonism, love, loss and the pain of growing up, all echoed by Maddox’s honest vocals.
With each self-penned song on Headspace Jones vocals, explore a full range of emotions; from the soft crooners opening to the addictive anthemic refrain of My House, via the funky-influences of Dancing Feels Good, to the powerfully haunting chorus of No More Ghosts, the talented songwriter takes the listener into his personal journey. It’s the story of a search for deep connection. Connection to others, to yourself and to a deeper meaning in life, explains Jones. It’s about authenticity and vulnerability, going after the things we truly want. Going all-in with everything to lose, saying goodbye to old habits and outdated versions of yourself along the way, but with faith and belief in everything there is to gain, he enthuses.
Written by Maddox Jones, recorded and produced in a single day with close friend and producer Dave Crawford, opener Headspace moves through an initial sparse production to a complex synth-washed pop number, before turning into a hands-in-the-air, eyes-closed soundscape, while Maddox builds his warm tenor to a propulsive chorus. The song says Jones is about meaningful connection and the deep, true, unconditional love we are all yearning for. Second track, My House – co-written with Dave Crawford and produced by former Daytona LightsLouis Souyave – is a complex anthemic-pop number, one that explores Jones personal journey through adulthood, encompassing different genres and styles and effectively representing the multifaceted sound of the upcoming EP.
Halfway through the EP, the Stranger Things inspired nostalgic synth-pop anthem More Than This, a track Maddox Jones wrote with longtime friend and future pop artist Adal, searches for reconnection with the forgotten dreams and endless possibilities of youth, explains Jones. Their first collaborative tracks Youth received Notion magazine seal of approval, while this latest effort wouldn’t sound out of place on the soundtrack of a Netflix teen rom-com.
Following track Dancing Feels Good, co-written and produced with Harry Tarlton who has also worked with artists including Tom Misch and Lianne La Havas explores an inner battle over that someone or something that you know is bad for you, but sometimes feels too good to resist, says Jones. Built around Tarlton’s infectious Nile Rodgers influenced funky guitars and bassline, it reveals Jones ability to encompass different genres and vocal styles.
Closing the EP, No More Ghosts is an ambitious ballad and in Jones own words, it’s a heartfelt and haunting goodbye, finally making peace and letting go of something or someone that has been a major part of your life. It was inspired by a scene in the Netflix series You where Joe Goldberg says, There are no more ghosts in this bed. It’s a good contender for one of the best breakup songs of the year and the perfect song to close the EP.
With Headspace Maddox Jones shows he is a bold artist, armed with vulnerable poeticism and equipped with a naturally impressive voiceprint.
