Transcultural Artist Munsha Confronts Societal Pressures in THE FALL OF THE ASTRONAUTS

Munsha’s 10th studio album, THE FALL OF THE ASTRONAUTS, marks a significant step in her career, combining her skills as a composer and performer with a full-scale music theatre production. Behind the name Munsha is Daniela Lunelli, an artist with roots in both classical music and the punk DIY scene. Now working out of Berlin, she has built a reputation for crossing cultural and musical boundaries, performing all vocals and instrumentation herself in English and German for this release.

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The album is directly linked to Alices Geschwister, a theatre piece that reworks Alice in Wonderland into a narrative set in a mental institution, tackling themes of compulsory psychiatric treatment. Spanning 14 tracks, THE FALL OF THE ASTRONAUTS was developed alongside the script, ensuring the music aligns with the story’s exploration of identity and societal pressures. This dual creation process highlights Munsha’s ability to integrate sound with narrative, offering a cohesive experience across both mediums.

In terms of sound, the album draws from a wide range of styles, incorporating elements like cello melodies, orchestral arrangements, and electronic textures. Munsha cites influences from artists such as Goldfrapp, Ryūichi Sakamoto, Klaus Nomi, and filmmaker David Lynch, which show up in the album’s cinematic quality and varied production. The result is a project that resists easy categorization, reflecting her aim to capture human diversity through music. For Munsha, THE FALL OF THE ASTRONAUTS is both a standalone work and a key component of a broader artistic statement, demonstrating her range and commitment to pushing creative limits.

TRACKLIST:

1. A new home 

2. Voyage

 3. Lacis’s theme 

4. Bourdons des Charmeurs

(Carroll’s Whisper) 

5: The daze   – Lead Single

6. EKT (The Fight)

 7. The Bogeyman 

8. The labyrinth of the Astronauts

 9. Suzes Flamme 

10. Alice’s theme 