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March 1, 2023 Interview with lustrous band KARMACODA

Interview with lustrous band KARMACODA

Image credit: Bill Shupp

Singer Jessica reclines on the lid of the grand piano, bleeding her heart on stage, crooning soul-soaked high notes while producer Brett caresses the black and whites of the piano, laying silken notes over Jazzy drums. Dressed to the nines, the members of KARMACODA tell a story of closure and letting go. With their offering ‘Lovely’, the trio leave a trail of rose petals guiding listeners to their recently released album Lessons In Time (read our feature on the LP here), available under the Sola Musa Music imprint. Furthermore, we asked them about where they have been and where they are going:

Stream / Download: KARMACODA – Lessons In Time LP

What is the story behind your record ‘Lovely’?

Jessica Ford: It’s about a relationship where they try and try. It’s never going to work, but she tried one more time; this is the end. Too many games to continue so she’s giving up, even though it hurts, and writing him a song which is his last goodbye song. Looking back at years of breakup songs written, this one is the last one. Writing about it isn’t making the pain better or easing her sadness, so she decides to sing about it and burn up all the old lyrics and songs in an ashtray, metaphorically speaking. She’s setting her memories on fire, ripping up their old pictures and putting their last song as her ringtone. It’ll never get released to the public. She wrote it for herself (it’s one she wrote that they’ll never know)… but she thinks if she hears it every time he calls, she’ll be reminded she’s done.

Riffing on the theme of time, what advice would you give your younger self?

Jessica Ford: Always choose light over darkness. Be kind to people, you never know what they are going through behind the scenes. Work on your spiritual self and healing and dream BIG. No matter what happens in your life, you will learn from it, grow, and make it through no matter how painful it was. You’re going to be OK.

Brett: Don’t be afraid to pursue what you are passionate about.  The worst thing that can happen is the answer may be no.

What are some of your earliest memories of music?

Jessica Ford: Earliest… One of the first album obsessions I remember is Olivia Newton-John in Grease, and I was also obsessed with Barry Manilow’s Copacabana. I found the album covers and photos visually stimulating, and I would listen to the vinyls on repeat looking at the pictures.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

Jessica Ford: B. sends me tracks to write to. I listen to them and see which one hits me and inspires me in the moment. I start there. I also like to challenge myself as a songwriter. B. always gives the instrumental tracks a temporary name. They are very odd names like Kindred, lovely, Deja Vu, Agency, Velvet, etc. My challenge to myself is, I make sure I either write about that word, or I make sure that word is somewhere in the song. This is also what inspires me to have a topic to start writing with. Once I’ve written a song I’ll send it back to B. for approval or “keep working on it”. This is the process when I am writing the song; B. writes some too and has his own process.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

Jessica Ford: They are mutually exclusive. We LOVE being on stage. Performing to a live crowd is always exhilarating. Being in the studio and writing is exciting on its own. However, it’s a different excitement, a different calm, a different type of zoned-in feel and passion vocally.

What is the most memorable response you have had to your music?

Jessica Ford: Our first award stands out to me… then the second and then so many more… I never thought I’d win an award for our videos, and it never gets old. It’s always an incredible moment to be acknowledged and seen.

If you could put together a radio show, what kind of music would you play?

Jessica Ford: KARMACODA, of COURSE, mixed with CCM Inspirational music and Gospel House. Also remixes and Dance.

Name five artists and their albums who would appear on your radio show

Jessica Ford: I’ve never been a fan of specific genres, I listen to EVERYTHING from House to Country, to class RnB to music from the ‘30s. I love good singing in general and music that makes me moved. I love music that inspires me to create, and I would search for new and up-and-coming artists who need a break, need airplay, music the world needs to hear, underground stuff that needs to surface and give local talent some praise.

What would you like to achieve with your music? What does success look like to you?

Jessica Ford: Joining KARMACODA was an art project for me. I never dreamed it would do what it has done and is doing. Every accomplishment is a success, and I’m thrilled to have what we have and to be a part of what we have done. Getting our music “out there” and heard far and wide is always on the agenda. After all, that’s why we make it, to share it. I’m thrilled with what we have accomplished and, for me, that is success. Anything else is just gravy.

One last thought to leave your fans with?

Jessica Ford: Thank you for listening; we have some new music in the works!

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February 23, 2023 French-Canadian musician Super Plage releases bubbly song ‘Laurence’

French-Canadian musician Super Plage releases bubbly song ‘Laurence’

Image credit: Marie Michele Bouchard

Super Plage is back with another light-hearted record (read our feature on his song ‘Forêt magique’ here), a feel-good tune titled ‘Laurence’. Released with the label Lisbon Lux Records, the track is a teaser of the musician’s forthcoming LP Magie à minuit, which will be released on the 31st of March, making it the fourth album he has released after his projects Super Plage I, Super Plage II, and Électro-Vacances. Without further ado, onto the single.

Stream / Download: Super Plage – ‘Laurence’

First, you may be asking, who is Laurence? We don’t know, but we sure do enjoy the personality that this French-Canadian producer brings to the table. Giving us no clues, he tells us,  “Laurence is a song for Laurence. It is a little bit punk like Laurence and a little bit melancholic like Laurence. It is also a song to party to.” We can’t help but smile at his playful attitude.

His music has an effortlessness to it. It’s easy listening. Despite being sung in French, listeners needn’t speak the language to catch what Super Plage is throwing. He has managed to distil the memories of a night out into a heady elixir of gliding synths, subtle drums, and gentle vocal delivery.

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February 21, 2023 Musician PLEEG’s new song ‘Still Friends’ is detailed

Musician PLEEG’s new song ‘Still Friends’ is detailed

Image credit: Pierre Garnier

French electronic music producer PLEEG has shared his latest offering, a single titled ‘Still Friends’, with the help of his label Quality Goods Records. From lush breakdowns to modulated drops, ‘Still Friends’ epitomises PLEEG’s style.

Stream / Download: PLEEG – ‘Still Friends’

Like a thousand-piece puzzle, the single is comprised of many loose elements, brought into harmony by the producer’s heightened sense of song arrangement. When one part falls away, another jumps in to fill its place, excluding, of course, the timed moments of silence that make serve the song as much, if not more, than the notes themselves.

PLEEG is increasingly being mentioned in the press, having recently gained the support of the recognised publication Run The Trap, which had nothing but good things to say about his latest song. “The stunning record is nothing short of a vibrant and heartfelt anthem that comes across as unpredictable yet warm and inviting at the same time,” they said, complimenting the artist.

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February 19, 2023 Interview: Adam Harpaz and Pastel Jungle unveil latest collaboration

Interview: Adam Harpaz and Pastel Jungle unveil latest collaboration

Image credit: Lisa Mae

Indie-folk artists Adam Harpaz and Pastel Jungle offered their brand-new single ‘Other Than Orange’ under Pastel Jungle + Adam Harpaz. Singer-songwriter Adam’s music has amassed 2 million streams across platforms. Producer Pastel Jungle enjoys outstanding support from established industry publications, including Music Geeks UK and Right Chord Music, just to name a few. ‘Other Than Orange’ overflows with rich notes arrangement, sultry vocals, deep raw acoustic guitar strings and fervid guitar strings, ultimately making the track avant-garde. RCRD LBL sat down with Adam Harpaz and Pastel Jungle for an interview.

Stream ‘Other Than Orange’ on SpotifyiTunes

How is the colour orange related to the story told in the new single?

Pastel Jungle: To be totally frank the name for the song just hopped its way out of Adam’s mouth suddenly and it felt perfect from the first listen. After cementing the lyrical direction that we wanted to lament over always searching for a memory deeper and more meaningful than possible to experience, we spoke more deeply about imagining a new colour. It’s impossible. That frustrating, yet feverous and enticing feeling really related to what we were writing about. Having a crystal clear image of something so euphoric and wonderful that can never be recreated the same way. The most beautiful sunsets we can remember are something other than just orange, pink or red. They’re an entirely new colour that doesn’t exist and it’s perfect. 

What should listeners take from ‘Other Than Orange’?

Pastel Jungle: Listeners should walk away with the comfort that just because we can’t perfectly relive those blissful memories, just because nostalgia sometimes taints those perfect recollections into something just out of reach, it doesn’t mean they hold any less value. Every beautifully fleeting moment is beautiful because it’s not permanent. Its seemingly increasing brevity makes it so much easier to cherish, and instead of constantly trying to look for the next best thing, our energy should be focused on really living those moments and experiencing them for everything they are.

What are some of your earliest memories of music?

Adam Harpaz: Standing on my family’s coffee table, singing my heart out with a plastic out-of-tune guitar!

Pastel Jungle: It’s an odd one but my absolute earliest memory of music was this toy keyboard my father bought for me when I was a toddler. It had maybe 4 songs on it but one stuck in my head and I can recite it still to this day. It had a couple of sections with some really melodic chord changes (I know how ridiculous this sounds) and for some reason, they just gripped me so hard. I wanted to figure it out, find out why this song was making me feel so much and write something like it myself. So then my dad started showing me his vinyl records. Bands like Genesis, Pink Floyd, and Electric Light Orchestra. You can imagine the fireworks that went off in my head when I heard those greats compared to a kid toy keyboard

The first CD I owned was Blink 182’s Cheshire Cat and my love for pop punk stemmed from there. I would play Blink, Linkin Park’s Meteora, My Chemical Romance etc. late into the night on my little portable CD player under the sheets, practising the drum parts alongside my pitch for a drum kit for Christmas.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

Adam Harpaz: I always try to start with a melodic idea (most of the time on the guitar), then I move towards setting the message of the song and the final process is to sculpt the lyrics around this message; what am I trying to say and what feeling will be suggested to the listener.

Pastel Jungle: I never think of ideas when I’m near any music gear. It’s always out in the surf, whilst working, going for a walk etc. Then I’ll record them on my phone and bring them to my setup. By the time they’re there, I’ll have a few different recordings of different parts, there’s always such a clear vision for each track before I even start tracking anything. 

I’ll always start with basic keys just to track some drums and bass, and then I’ll probably go over them a few more times changing and adding parts to fill the gaps I hear in the track. I have a producer’s mind so anything that will make the mixing process easier hits me first. Making sure the Kick and Bass leave room for each other for example or finding three different kick drums that occupy separate frequencies so I don’t struggle to make it cut through the mix later on. 

There’s always a middle stage where the bones of the track are there and I can have a lot of fun playing around with the keys, making lines melodic and interesting. I try to stay clear of writing in the usual verse, chorus, verse, chorus, bridge, and chorus format. Instead, I like each section to be different, only if there’s a section I really love will I feature it twice. I find it quite hard to keep songs under four minutes, to be honest, I’d rather just loop the part I like over and over adding subtle things each time. 

Vocals and lyrics are always last, I want them to be as smooth as possible and really compliment the instrumentation so leaving them to the end stage means they slot really nicely into place. It also gives me a much better idea of what to write about depending on the tone of the song. I’m not going to write some melancholic lyrics to an otherwise bouncy, dancey beat….well maybe sometimes just to throw a spanner in the works.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

Adam Harpaz: Good Question! If I had to answer off the cuff, I’d say studio work/music creation… However,  it always feels very natural to me to perform live, and it brings immense joy.

Pastel Jungle: It’s tough for me to say because I’ve never played my current stuff live. I’ve only played in bands as a drummer in the past and although I love it, it’s more the feeling I get being in perfect sync with other great musicians. So for now I’d say music creation and studio work take the cake. There’s no better feeling for me than envisioning a track and seeing it come together on my laptop before me. The fact that I can even do that by myself in my little bedroom ‘studio’ is insane and I feel so lucky that it’s a possibility.

What is the most memorable response you have had to your music?

Adam Harpaz: Probably at a show in St. Vigil Italy on the last European tour; that feeling when you and the audience are completely connected, complete synergy.

Pastel Jungle: It actually happened the other day and it was very surreal considering I’m still early doors as a musician. A friend of a friend who I didn’t know was singing one of my tunes I released a year or so ago, I figured a friend had shown my music to them but it turns out they hadn’t, I was just suggested on their discovery weekly. They knew all the lyrics and that’s mad to me. I understand that people enjoy my music but to hear someone I didn’t know singing was very odd. I can’t wait for the day a crowd sings my lyrics back to me, that would be a dream.

If you could put together a radio show, what kind of music would you play?

Adam Harpaz: Music with strong lyricism in various genres–anything objectively authentic.

Pastel Jungle: It would be a lot of Indie pop/Indie rock right now, with some dabbles in neo-psychedelia. Anything that either tells a melodic story or just really delivers on the groove. I’m sure some nu-disco would find its way in as well. All such broad genres so the possibilities are endless.

Name five artists and their albums who would appear on your radio show

Adam Harpaz:

  1. Kings of Convenience – Quiet Is The New Loud
  2. Arctic Monkeys – AM
  3. Jóse González – Veneer
  4. Gregory Alan Isakov – This Empty Northern Hemisphere
  5. Boy & Bear – Harlequin Dream

Pastel Jungle: Parcels and their new double album ‘Day/Night’ for absolutely sure. This is all I’m listening to right now, it’s absolute genius. 

Men I Trust is another must-pick. Their dreamy journey of sound is just so addictive to me. ‘Untourable Album’ would be my choice, full of great tunes. 

Peach Pit’s ‘Being So Normal’ album has been on repeat for me recently too, It’s a must-pick for me. I’ve been dissecting the vocal recording and mixing techniques for the last week, their sound is so interesting to me.

Dope Lemons’ ‘Honey bones’ or ‘Smooth Big Cat’ would probably make the list. I’ve been diving into more psychedelic tunes as of late. I love being lifted off into orbit by a trippy guitar riff or two.  

The last would have to be Butter Bath. I’ve been listening to his Kurrajong Hotel EP a lot. One of the few artists I’ll just play on repeat over and over again; I never tire of his sound.

What would you like to achieve with your music? What does success look like to you?

Adam Harpaz:

I’d love to be able to produce great albums/songs that improve the listener’s life in some way.

Musical success to me would be being able to make a living off music royalties and only playing live when I wanted to: that’s my ultimate goal.

Pastel Jungle: This is such a huge question, the answer is always changing. I never even considered people other than myself or my friends would be into my music and look where it is now. On a base level success has been and always will be the simple idea that somewhere out there someone feels something when they listen to my music. Maybe one day it’ll stop someone in their tracks and all they want to do is fully commit to listening to my track with everything they have. I do that a lot and it’s what keeps me so devoted to music. I’d be lying to myself If I didn’t say I’d love to be signed though. Making music my full-time career, playing tours and hearing crowds of thousands sing my music back to me would mean I could die happy.

One last thought to leave your fans with?

Adam Harpaz: Consistency is what I’m working on.

Pastel Jungle: I guess it’s cliché but to anyone that’s been vibing what I’m putting out there or has just discovered me recently, I’m so so thankful. The idea that people I’ll never meet are singing my songs just fills my heart with unrivalled joy. Thanks for listening, and I’m so excited to carry on this journey with all of you. Believe me, I have so so much more to give.

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