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March 1, 2023 Interview with lustrous band KARMACODA

Interview with lustrous band KARMACODA

Image credit: Bill Shupp

Singer Jessica reclines on the lid of the grand piano, bleeding her heart on stage, crooning soul-soaked high notes while producer Brett caresses the black and whites of the piano, laying silken notes over Jazzy drums. Dressed to the nines, the members of KARMACODA tell a story of closure and letting go. With their offering ‘Lovely’, the trio leave a trail of rose petals guiding listeners to their recently released album Lessons In Time (read our feature on the LP here), available under the Sola Musa Music imprint. Furthermore, we asked them about where they have been and where they are going:

Stream / Download: KARMACODA – Lessons In Time LP

What is the story behind your record ‘Lovely’?

Jessica Ford: It’s about a relationship where they try and try. It’s never going to work, but she tried one more time; this is the end. Too many games to continue so she’s giving up, even though it hurts, and writing him a song which is his last goodbye song. Looking back at years of breakup songs written, this one is the last one. Writing about it isn’t making the pain better or easing her sadness, so she decides to sing about it and burn up all the old lyrics and songs in an ashtray, metaphorically speaking. She’s setting her memories on fire, ripping up their old pictures and putting their last song as her ringtone. It’ll never get released to the public. She wrote it for herself (it’s one she wrote that they’ll never know)… but she thinks if she hears it every time he calls, she’ll be reminded she’s done.

Riffing on the theme of time, what advice would you give your younger self?

Jessica Ford: Always choose light over darkness. Be kind to people, you never know what they are going through behind the scenes. Work on your spiritual self and healing and dream BIG. No matter what happens in your life, you will learn from it, grow, and make it through no matter how painful it was. You’re going to be OK.

Brett: Don’t be afraid to pursue what you are passionate about.  The worst thing that can happen is the answer may be no.

What are some of your earliest memories of music?

Jessica Ford: Earliest… One of the first album obsessions I remember is Olivia Newton-John in Grease, and I was also obsessed with Barry Manilow’s Copacabana. I found the album covers and photos visually stimulating, and I would listen to the vinyls on repeat looking at the pictures.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

Jessica Ford: B. sends me tracks to write to. I listen to them and see which one hits me and inspires me in the moment. I start there. I also like to challenge myself as a songwriter. B. always gives the instrumental tracks a temporary name. They are very odd names like Kindred, lovely, Deja Vu, Agency, Velvet, etc. My challenge to myself is, I make sure I either write about that word, or I make sure that word is somewhere in the song. This is also what inspires me to have a topic to start writing with. Once I’ve written a song I’ll send it back to B. for approval or “keep working on it”. This is the process when I am writing the song; B. writes some too and has his own process.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

Jessica Ford: They are mutually exclusive. We LOVE being on stage. Performing to a live crowd is always exhilarating. Being in the studio and writing is exciting on its own. However, it’s a different excitement, a different calm, a different type of zoned-in feel and passion vocally.

What is the most memorable response you have had to your music?

Jessica Ford: Our first award stands out to me… then the second and then so many more… I never thought I’d win an award for our videos, and it never gets old. It’s always an incredible moment to be acknowledged and seen.

If you could put together a radio show, what kind of music would you play?

Jessica Ford: KARMACODA, of COURSE, mixed with CCM Inspirational music and Gospel House. Also remixes and Dance.

Name five artists and their albums who would appear on your radio show

Jessica Ford: I’ve never been a fan of specific genres, I listen to EVERYTHING from House to Country, to class RnB to music from the ‘30s. I love good singing in general and music that makes me moved. I love music that inspires me to create, and I would search for new and up-and-coming artists who need a break, need airplay, music the world needs to hear, underground stuff that needs to surface and give local talent some praise.

What would you like to achieve with your music? What does success look like to you?

Jessica Ford: Joining KARMACODA was an art project for me. I never dreamed it would do what it has done and is doing. Every accomplishment is a success, and I’m thrilled to have what we have and to be a part of what we have done. Getting our music “out there” and heard far and wide is always on the agenda. After all, that’s why we make it, to share it. I’m thrilled with what we have accomplished and, for me, that is success. Anything else is just gravy.

One last thought to leave your fans with?

Jessica Ford: Thank you for listening; we have some new music in the works!

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February 19, 2023 Interview: Adam Harpaz and Pastel Jungle unveil latest collaboration

Interview: Adam Harpaz and Pastel Jungle unveil latest collaboration

Image credit: Lisa Mae

Indie-folk artists Adam Harpaz and Pastel Jungle offered their brand-new single ‘Other Than Orange’ under Pastel Jungle + Adam Harpaz. Singer-songwriter Adam’s music has amassed 2 million streams across platforms. Producer Pastel Jungle enjoys outstanding support from established industry publications, including Music Geeks UK and Right Chord Music, just to name a few. ‘Other Than Orange’ overflows with rich notes arrangement, sultry vocals, deep raw acoustic guitar strings and fervid guitar strings, ultimately making the track avant-garde. RCRD LBL sat down with Adam Harpaz and Pastel Jungle for an interview.

Stream ‘Other Than Orange’ on SpotifyiTunes

How is the colour orange related to the story told in the new single?

Pastel Jungle: To be totally frank the name for the song just hopped its way out of Adam’s mouth suddenly and it felt perfect from the first listen. After cementing the lyrical direction that we wanted to lament over always searching for a memory deeper and more meaningful than possible to experience, we spoke more deeply about imagining a new colour. It’s impossible. That frustrating, yet feverous and enticing feeling really related to what we were writing about. Having a crystal clear image of something so euphoric and wonderful that can never be recreated the same way. The most beautiful sunsets we can remember are something other than just orange, pink or red. They’re an entirely new colour that doesn’t exist and it’s perfect. 

What should listeners take from ‘Other Than Orange’?

Pastel Jungle: Listeners should walk away with the comfort that just because we can’t perfectly relive those blissful memories, just because nostalgia sometimes taints those perfect recollections into something just out of reach, it doesn’t mean they hold any less value. Every beautifully fleeting moment is beautiful because it’s not permanent. Its seemingly increasing brevity makes it so much easier to cherish, and instead of constantly trying to look for the next best thing, our energy should be focused on really living those moments and experiencing them for everything they are.

What are some of your earliest memories of music?

Adam Harpaz: Standing on my family’s coffee table, singing my heart out with a plastic out-of-tune guitar!

Pastel Jungle: It’s an odd one but my absolute earliest memory of music was this toy keyboard my father bought for me when I was a toddler. It had maybe 4 songs on it but one stuck in my head and I can recite it still to this day. It had a couple of sections with some really melodic chord changes (I know how ridiculous this sounds) and for some reason, they just gripped me so hard. I wanted to figure it out, find out why this song was making me feel so much and write something like it myself. So then my dad started showing me his vinyl records. Bands like Genesis, Pink Floyd, and Electric Light Orchestra. You can imagine the fireworks that went off in my head when I heard those greats compared to a kid toy keyboard

The first CD I owned was Blink 182’s Cheshire Cat and my love for pop punk stemmed from there. I would play Blink, Linkin Park’s Meteora, My Chemical Romance etc. late into the night on my little portable CD player under the sheets, practising the drum parts alongside my pitch for a drum kit for Christmas.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

Adam Harpaz: I always try to start with a melodic idea (most of the time on the guitar), then I move towards setting the message of the song and the final process is to sculpt the lyrics around this message; what am I trying to say and what feeling will be suggested to the listener.

Pastel Jungle: I never think of ideas when I’m near any music gear. It’s always out in the surf, whilst working, going for a walk etc. Then I’ll record them on my phone and bring them to my setup. By the time they’re there, I’ll have a few different recordings of different parts, there’s always such a clear vision for each track before I even start tracking anything. 

I’ll always start with basic keys just to track some drums and bass, and then I’ll probably go over them a few more times changing and adding parts to fill the gaps I hear in the track. I have a producer’s mind so anything that will make the mixing process easier hits me first. Making sure the Kick and Bass leave room for each other for example or finding three different kick drums that occupy separate frequencies so I don’t struggle to make it cut through the mix later on. 

There’s always a middle stage where the bones of the track are there and I can have a lot of fun playing around with the keys, making lines melodic and interesting. I try to stay clear of writing in the usual verse, chorus, verse, chorus, bridge, and chorus format. Instead, I like each section to be different, only if there’s a section I really love will I feature it twice. I find it quite hard to keep songs under four minutes, to be honest, I’d rather just loop the part I like over and over adding subtle things each time. 

Vocals and lyrics are always last, I want them to be as smooth as possible and really compliment the instrumentation so leaving them to the end stage means they slot really nicely into place. It also gives me a much better idea of what to write about depending on the tone of the song. I’m not going to write some melancholic lyrics to an otherwise bouncy, dancey beat….well maybe sometimes just to throw a spanner in the works.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

Adam Harpaz: Good Question! If I had to answer off the cuff, I’d say studio work/music creation… However,  it always feels very natural to me to perform live, and it brings immense joy.

Pastel Jungle: It’s tough for me to say because I’ve never played my current stuff live. I’ve only played in bands as a drummer in the past and although I love it, it’s more the feeling I get being in perfect sync with other great musicians. So for now I’d say music creation and studio work take the cake. There’s no better feeling for me than envisioning a track and seeing it come together on my laptop before me. The fact that I can even do that by myself in my little bedroom ‘studio’ is insane and I feel so lucky that it’s a possibility.

What is the most memorable response you have had to your music?

Adam Harpaz: Probably at a show in St. Vigil Italy on the last European tour; that feeling when you and the audience are completely connected, complete synergy.

Pastel Jungle: It actually happened the other day and it was very surreal considering I’m still early doors as a musician. A friend of a friend who I didn’t know was singing one of my tunes I released a year or so ago, I figured a friend had shown my music to them but it turns out they hadn’t, I was just suggested on their discovery weekly. They knew all the lyrics and that’s mad to me. I understand that people enjoy my music but to hear someone I didn’t know singing was very odd. I can’t wait for the day a crowd sings my lyrics back to me, that would be a dream.

If you could put together a radio show, what kind of music would you play?

Adam Harpaz: Music with strong lyricism in various genres–anything objectively authentic.

Pastel Jungle: It would be a lot of Indie pop/Indie rock right now, with some dabbles in neo-psychedelia. Anything that either tells a melodic story or just really delivers on the groove. I’m sure some nu-disco would find its way in as well. All such broad genres so the possibilities are endless.

Name five artists and their albums who would appear on your radio show

Adam Harpaz:

  1. Kings of Convenience – Quiet Is The New Loud
  2. Arctic Monkeys – AM
  3. Jóse González – Veneer
  4. Gregory Alan Isakov – This Empty Northern Hemisphere
  5. Boy & Bear – Harlequin Dream

Pastel Jungle: Parcels and their new double album ‘Day/Night’ for absolutely sure. This is all I’m listening to right now, it’s absolute genius. 

Men I Trust is another must-pick. Their dreamy journey of sound is just so addictive to me. ‘Untourable Album’ would be my choice, full of great tunes. 

Peach Pit’s ‘Being So Normal’ album has been on repeat for me recently too, It’s a must-pick for me. I’ve been dissecting the vocal recording and mixing techniques for the last week, their sound is so interesting to me.

Dope Lemons’ ‘Honey bones’ or ‘Smooth Big Cat’ would probably make the list. I’ve been diving into more psychedelic tunes as of late. I love being lifted off into orbit by a trippy guitar riff or two.  

The last would have to be Butter Bath. I’ve been listening to his Kurrajong Hotel EP a lot. One of the few artists I’ll just play on repeat over and over again; I never tire of his sound.

What would you like to achieve with your music? What does success look like to you?

Adam Harpaz:

I’d love to be able to produce great albums/songs that improve the listener’s life in some way.

Musical success to me would be being able to make a living off music royalties and only playing live when I wanted to: that’s my ultimate goal.

Pastel Jungle: This is such a huge question, the answer is always changing. I never even considered people other than myself or my friends would be into my music and look where it is now. On a base level success has been and always will be the simple idea that somewhere out there someone feels something when they listen to my music. Maybe one day it’ll stop someone in their tracks and all they want to do is fully commit to listening to my track with everything they have. I do that a lot and it’s what keeps me so devoted to music. I’d be lying to myself If I didn’t say I’d love to be signed though. Making music my full-time career, playing tours and hearing crowds of thousands sing my music back to me would mean I could die happy.

One last thought to leave your fans with?

Adam Harpaz: Consistency is what I’m working on.

Pastel Jungle: I guess it’s cliché but to anyone that’s been vibing what I’m putting out there or has just discovered me recently, I’m so so thankful. The idea that people I’ll never meet are singing my songs just fills my heart with unrivalled joy. Thanks for listening, and I’m so excited to carry on this journey with all of you. Believe me, I have so so much more to give.

Follow Adam Harpaz:

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January 16, 2023 Hooked like Helen offers a tantalising new song

Hooked like Helen offers a tantalising new song

Image credit: Rat Majesty

Pleasing and alluring vocals erupt in Hooked like Helen’s latest song ‘Winter (Tori Amos cover)’ released under Stipp Manor Music. The new track is powerful in its lyricism which is expertly interpreted by both the simplicity of the gentle piano notes and the contralto of the singer. consequently, as the vocals rise and fall throughout the melody, an out-of-body experience takes place because the song can transcend happy emotions to expose the hidden tender need a girl holds for assurance towards her father. Continue reading for the interview below.

Stream/ download: ‘Winter’

How has ‘Winter’ (Tori Amos cover) changed your lives?

The song is about a girl’s relationship with a father figure who believes in her and sees greatness in her that she might not see in herself, even as time goes by and dreams fade. Ironically, I did not have anyone in my life who fit that role for me as I was growing up, but I think this might be the very reason the song resonates with me on such a visceral level. Music allows us to escape, imagine, and build castles in our minds. When I sing and play “Winter”, I am (for 4 minutes and 30 seconds) one of those girls with a dad who loves her. I get to have a moment in the snow where I’m protected by gloves too big for my hands. Creating our version of “Winter” has been cathartic and painful and healing and challenging…and just what I needed.

What would you like listeners to take away from the song?

We really just wanted to introduce this beautiful song to our listeners through our lens, without compromising too much of Tori’s vision. Art is open to interpretation, especially music like this; it paints pictures and evokes emotions without too much specificity. We wanted to create a modernized version of Tori Amos’ musical perfection for our audience, and let them consume it in whatever capacity feels right to them.

What are some of your earliest memories of music?

Music has been our deepest love since both Jon and I were kids. Babies, honestly. When I was 3 years old, my big sister had a little Casio practice keyboard. I remember vividly, all these years later, that one of the demo songs pre-programmed into the keyboard was “Just the Way You Are” by Billy Joel. The cheesy synth sounds that floated out of those cheap internal speakers painted streaks of colour and moving patterns across my mind, each musical part in the arrangement creating a different visual against the black backdrop of my consciousness. This was the first time I experienced Chromesthesia that I can remember, and the beginning of my obsession with music.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

The songs come about in different ways, but there is always an “ah-ha!” moment in the process; that moment when we know we’ve struck the right note with the right chord with the right lyric. Sometimes this comes quickly, and sometimes it takes hours or even days of coming back to it, but the song is not a song until it hits that sweet spot when you just KNOW it’s the way it’s supposed to be.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

Writing songs is preferred over recording – Jon and I are perfectionists so it can get a little tedious in the recording process. The writing part is our self-expression and our contribution to the world, so it feels incredibly satisfying to create something that we think is worth other people’s ear-time. Playing live is our fuel, our life source, our energy. It is SO incredibly fun and cathartic and we can’t live without it.

What is the most memorable response you have had to your music?

Over the course of our career, we have had quite a number of people on the autistic spectrum and parents of autistic children tell us that our music – and our live performances in particular – have soothed them and connected with them in a way that other music does not. We have tried to analyze why this might be the case, and we’re not sure, but it means the world to know that these special, neurodivergent individuals are able to take something from our art that they might not get from other music.

Also, Fiona Apple saw us play once and told me she was in love with me haha. That was a highlight for sure!

If you could put together a radio show, what kind of music would you play?

All the best music from the 1980s and 90s! Pop, rock and alternative.

Name five artists and their albums who would appear on your radio show

Michael Jackson – Dangerous

Guns N’ Roses – Appetite for Destruction

Green Day – Dookie

Mariah Carey – Butterfly

Prince – Purple Rain

What would you like to achieve with your music? What does success look like to you?

Success looks like reaching people who are truly positively affected by our music. It’s earning enough money to be able to have freedom and opportunity for our son and to make a difference in the world.

One last thought to leave your fans with?

The world is full of monsters disguised as men. Protect yourself and believe in yourself no matter what.

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November 1, 2022 Interview with skilful jazz-funk musician Rose Noir

Interview with skilful jazz-funk musician Rose Noir

Image credit: Diane Sagnier

Masterly producer Rose Noir shared his brand new radiant EP Bloom and the mesmerising track ‘Hope’ via Halfeti Records on the 28th of October. The musician extracts his inspiration from the ‘70s motion pictures and obscure music libraries to produce fascinating musical sounds that demand attention. 

Stream / Buy on BandcampSpotify

‘Hope’ excites the ears with its powerful philharmonic delivery, its dancing bass guitar strings and its gentle drum beats. Should you close your eyes whilst listening to the song, it guarantees that you would see yourself walking the streets in the 1971 Shaft movie. Continue reading below for the interview.

Hope is a powerful emotion. Why did you choose this word for the title of the focus track?

We just got out of a very complicated pandemic period, even though it continues today, and we are now entering what looks to be a long recession. The world is going through so much right now that it’s essential that we stay unified and positive because it will eventually improve. The power of music is its ability to make people feel better and free themselves emotionally for a moment. All of those things are in ‘Hope’, a track that is a little intriguing, builds tension and gives you hope that a better ending is on the way.

How would you like the listeners to be impacted by the EP Bloom?

Taking a breather from the real world, you experience different states of mind, such as happiness, sadness, tension, stress, relief; all of these sensations make you feel alive. I would love the listener to take their time and get absorbed in the music for a moment. Music is meant to be appreciated, not consumed and digested immediately. You should be able to discover new flavours as you go back to it, as it ages like wine. 

What are some of your earliest memories of music?

Music was introduced to me at an early age. On my portable turntable, I played 7” vinyl records of anime soundtracks repeatedly. I started skateboarding at the age of 9 years old, and I’d practice with an older guy who introduced me to Public Enemy’s Fear of a Black Planet, which was a game changer for me. As this was my first encounter with hip-hop and rap, I was very intrigued by it. Both of my brothers were DJs, one in the ‘70s and one in the ‘90s, which exposed me to amazing music like funk, soul, disco, or early house and dance.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

In 2020, I started working on the project during the first Covid lockdown. Recently, I moved back to France after living in LA for the past six years and had access to a great studio filled with musical instruments and analog gear. At that time, I was making electronic music, but I needed a breath of fresh air. I remember hearing a track in my dream, and it was so good that I recorded the melody on my phone in the hope of recreating it in the studio the next day, which I did. The music was just pouring out of me, and I was writing track after track for months. The process was very simple and without any pressure or stress. I would usually learn a few chords and record some melodies with the Rhodes or the Yamaha CP70 and build around it, tracking drum elements one by one and recording percussion sounds, adding a good amount of computer magic. It’s just really a big experiment that turned out very well in my opinion. Me having fun and learning things as I go is a big part of the project.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

Since the project is at a very early stage and having only released my debut EP so far, I have not been able to play live shows yet. I am building a band of very talented musicians from different horizons, and we’re planning on playing shows sometime next year. This will be totally new for me as I’ve never played with anyone before. I have been playing shows for the past 20 years with different aliases but always alone, so I am really looking forward to that new experience. Right now I’d say I feel more comfortable making music in the studio by myself, but I also love to DJ.

What is the most memorable response you have had to your music?

I don’t personally consider myself a good “live” musician, but I know how to use a computer. The best feeling is when I play my music to experienced musicians and jazz men, and they ask me who’s playing this or that instrument, and I tell them I wrote all the music by myself and that sometimes no one is playing the instruments. Definitely tells me I am doing something right with the project, my main goal being to make music that sounds like a live band recorded in a studio.

If you could put together a radio show, what kind of music would you play?

Rose Noir is a 2 parts project. So far I only released the Jazz-Funk Library side, but the next EP will be a collection of instrumental beats a la maniere de Madlib or Jaydee which were some of my biggest influences since the beginning of my musical journey. With Rose Noir, I really wanted to showcase my roots, and If I had to put together a radio show, I would play a mix of Jazz-Funk, Jazz-Rock, obscure library music, 90s hip-hop, original sampled songs, all the music that has shaped me musically and inspires me to this day.

Name five artists and their albums who would appear on your radio show

– David Axelrod – The Edge (amazing record released in 2005 compiling music he produced between 1966-1970).

– Marc Moulin/Placebo – any early album (Belgium jazz musician, I’m in love with his music).

– Brian Bennett – Voyage (one of my all-time classics).

– Quasimoto – The Unseen (This was an eye-opener record for me, changed my life).

– Jaylib – Champion Sound (nothing to say about this album, 2 genii together).

Those aren’t rare records but really some of my all-time favorites off the top of my head right now.

What would you like to achieve with your music? What does success look like to you?

The only thing I would like to achieve with my music is to touch as many souls as I can, leaving a mark on their musical journey. Not just being “one more record” between the now over 70.000 tracks released a day on Spotify. That’s also why I decided to press it on vinyl: I want Rose Noir’s music to be fixed on a medium that’s going to be here for a long time. A record that could be found by a crate digger/producer, be sampled even, recycled in a way. I want the music to be timeless, to bring back memories, to inspire people. Showcase the music live, bring people together and appreciate it. That would be success to me nowadays. The project is not driven by money or fame, I achieved both these things earlier in my carriers, and they don’t make you happy.

One last thought to leave your fans with?

We’re building this project together from scratch right now, and I’m hoping to bring something great to the listeners. I’m having fun and all I want is for them to have as much fun as me.

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