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August 4, 2025 KEYS Drop Acid Communism, a Sonic Ode to Collective Creativity

KEYS Drop Acid Communism, a Sonic Ode to Collective Creativity

(KEYS / Courtesy PR)

On July 18, 2025, KEYS unleashed their latest album, Acid Communism, via Libertino Records, marking their most ambitious project yet. The Welsh psych-rock outfit, led by vocalist and songwriter Matthew Evans, channels the unfinished theories of the late cultural theorist Mark Fisher into a vibrant tapestry of sound and ideas. Known for their raw, collaborative energy, KEYS have carved a niche in the UK’s indie scene, blending lo-fi aesthetics with expansive psych-pop. Their previous release, Homeschooling, captured the intimacy of lockdown creation, and this new record builds on that foundation, cementing their reputation as a band that thrives on instinct and community.

Acid Communism spans twelve tracks, weaving sunlit psych-pop grooves with jagged guitar riffs, introspective piano melodies, and ambient textures. The double A-side singles, ‘Your Shoes’ and ‘The Greatest Joke of All’, showcase the album’s emotional range. ‘Your Shoes’ is a live-wire, rhythm-driven jam, its chorus honed over years in rehearsal rooms, pulsing with the thrill of collective creation. In contrast, ‘The Greatest Joke of All’ is a tender, piano-led reflection written in a fleeting 15-minute burst during lockdown, its delicate minimalism offering a counterpoint to the band’s more raucous energy. Recorded using a mix of 8-track tape and digital tools, the album balances gritty warmth with crisp precision, echoing the free-spirited vibe of Jerry Garcia while staying rooted in KEYS’ DIY ethos.

Matthew Evans shared: “As a younger man, I’d blag my way through anything. But since hitting my 40s, that confidence isn’t always there. Playing in a band with your mates becomes therapy. It keeps you sane. Especially for men as they get older, it’s essential to have that kind of social network.” This sentiment highlights the album’s core: a celebration of togetherness in an era of disconnection. Acid Communism is a call to reconnect, create, and find solace in shared expression, making it a vital addition to the psych-rock landscape.

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July 26, 2024 Soulful legends KARMACODA share another beautiful album, ‘You and I’

Soulful legends KARMACODA share another beautiful album, ‘You and I’

San Francisco trio KARMACODA released their new album, You and I, on July 26, 2024, through Sola Musa Music. With a diverse twenty-year career spanning electronica, chill, trip-hop, R&B, rock, and dream pop, they’ve earned multiple awards and acclaim. Their evolving sound blends R&B and jazz lounge, drawing comparisons to artists like Adele, Lana Del Rey, and Massive Attack. KARMACODA has garnered support from CLASH Magazine, Wonderland Magazine, NOTION, EARMILK, and others, with airplay on NPR Music and RTÉ 2XM.

The album’s standout track, ‘You and I’, is an ethereal love ballad showcasing Jessica’s captivating vocals and a mesmerizing blend of piano melodies and lush instrumentals. It explores the complexities of a tumultuous relationship filled with love amidst challenging highs and lows.

Jessica shared: This album is always going to hold a very special place in my heart. It is filled with love, friendship, joy and emotion. It is creative and doesn’t squeeze us into a specific genre. It is just KARMACODA. I love it.”

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March 23, 2023 Bulgarian songstress Y A N A teams up with producer Gena for ‘Fast Lane’

Bulgarian songstress Y A N A teams up with producer Gena for ‘Fast Lane’

Image via publicist

Noir-esque songstress Y A N A croons, seducing listeners in black and white, her sultry voice a soft, yet confident palette of attitude and breathiness. Having teamed up with Gena, a recognised producer in Blugaria’s music scene and a member of the Hip Hop group So Called Crew, not to mention a featured artist on Stereofox’s Bulgarian Beat Wave, vol. 1 compilation, the songstress has released her latest offering. ‘Fast Lane’ is the first single from her forthcoming 9-track album titled Under My Skin, which will land in stores on the 25th of May via Stereofox

Stream/Download: Y A N A / Gena – ‘Fast Lane’

“Under My Skin is a journal,” she says, opening up to listeners and readers alike. “Very intimate, real, vulnerable. It takes you through my fears, desires, parts of myself I’ve never been honest or brave enough to share.” Her latest single is her first diary entry, so to speak. In it, she writes about love and euphoria in swirling curls, inscribing the bliss of the honeymoon phase in an open book of her binding.

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May 9, 2022 Alt-pop singer Maryze shares debut album 8

Alt-pop singer Maryze shares debut album 8

Photo Credit: Exposures by Tay

Maryze previously announced her debut LP 8 with a stormy-sweet queer nightclub-ready banger “Experiments”, followed by this she would share song ”Emo”.

Emo is the song Maryze always wanted to write to her high school boyfriend. It tells the tale of a love story turned toxic when you realize the person you thought you knew never really cared. “Did you ever listen to the songs I sent to you?” she asks repeatedly, sounding hurt and angry that her ex never took the time for things that meant something to her. She’s at a point where she’s checked out and numb, no longer fighting for a relationship that isn’t working anymore. The vibes are emo/rock/punk with vocal inspiration from Avril Lavigne and Paramore, bass tones emulating Fall Out Boy bassist Pete Wentz (Maryze’s longest-standing crush that her ex used to make fun of her for liking, calling the band lame), and a nod to Green Day’s tremolo guitar effect from “Boulevard of Broken Dreams”.

“I made the song with producer and long-time collaborator Solomon K-I (who is featured on guitar),” Maryze shares. “We actually met playing in an indie rock band 10 years ago and our former drummer Graeme McDonald is featured on live drums.”

Consequence of Sound added it to their Song of the Week roundup, noting: “Throughout “Emo,” Maryze appropriately gets her vengeance, cranking up the volume and launching into a nostalgic, ‘90s era alt rock chorus. It’s an introduction to the singer’s grittier side while still remaining catchy and unique, and it demonstrates Maryze’s urgent need to stand up and be heard.”

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