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October 22, 2020 Alternative duo Ultraflex release 80’s inspired music video

Alternative duo Ultraflex release 80’s inspired music video

Photo credit: OKAY KAYA

Ultraflex is made up of Norway’s Farao & Icelandic musician Special-K. Who have announced their debut album ‘Visions of Ultraflex’ is set for release Oct 30th. Packed with playful disco pop, the new single & video from the record Work Out Tonight is online now.

Speaking about the video, the band said “‘Work Out Tonight’ is the first in a trilogy of Ultraflex videos directed by genius artist and our good friend OKAY KAYA. Bathing, sunshine, pickles… We decided to give our fans a special glimpse into our everyday lifestyle.”

Visions of Ultraflex’, the self produced album by Icelandic/Norwegian duo Ultraflex is a joyride through a disco theme park. The conflux of the individually accomplished artists, Farao (NO) and Special-K (ISO), channels the cheekily frank Icelandic nature through Norwegian acuteness and reason, resulting in an interdisciplinary artistic collaboration that oozes charisma.

The pair met when they were both living in Berlin and had mutual artistic crushes on each other. The opportunity to collaborate arose when they were hired to make a piece for the Scandinavian electronic music festivals Insomnia and Extreme Chill in 2019. After a few short, intense writing sessions in the remote Westfjords of Iceland, the arctic Tromsø and Berlin, they managed to construct their sound, image and debut album.

Visions of Ultraflexis a cocktail of contemporary disco and futuristic boogie, the production style falling somewhere between Peggy Gou and The Rah Band, topped with lyrics and vocal performances reminiscent of Easter, Saâda Bonaire, and Janet Jackson. Live, they perform exercise routines in synchronisation with visuals largely based on 80’s Soviet aerobics, which goes well with their overall fashion output, a look that would make Lotta Volkova proud. The project has an easily detectable background in fine art, an everpresent tinge of wit and self irony enveloping everything.Their music videos, many of which are made by fellow Norwegian pop artist OKAY KAYA, are a sophisticated blend of camp and chic and their internet presence is as nonsensical as it is carefully curated.

The album gently glides open on a lingering high-pitched string sample, which little by little blossoms into the fully formed synth bouquet that is “Get Fit”. Along comes a bouncy and borderline corny bassline accompanied by a pumping 80’s drum beat. The only vocals are the band’s watermark ‘Ultraflex’ and the occasionally repeated phrase: “Get fit, get ripped, get a lover, get kids”. This inviting opener establishes the lush and mischievous world we are about to enter.

After this appetiser we’re hit full force byWork Out Tonight”, a track that fully showcases the band’s brashness. Overtly sexual sport metaphors are whispered atop a naked drum beat and thrusting bass line, and via a breezy pre-chorus we take a dive into the deep and sensual chorus: “I’m gonna make you work it tonight, gonna make you work out tonight.” The ever present cheekiness climaxes with a lewd dialogue between a man who wanders into the women’s dressing room and the person he encounters there.

Sunny instrumental “Papaya”, with its glittering saxophone solo and a dell’Orso-esque interlude, perfectly sets the mood for the melancholic dance anthemNever Forget My Baby”. The effortlessness with which the girl’s voices blend together in the chorus and the sentimental, verging on saccharine, lyrics make this song stand out in an already delicious assortment.

This luminous dreamboat sails and sinks into the next track, “Man U Sheets”, which contains considerably more shade. A remorseful saxophone opens the door to a roaring bassline and heavy beat as we are told a merciless tale of adolescent sexual debuts. The slightly dissonant chords and the deadpan delivery of the lyrics enhance the awkwardness of the subject. The next track “Olympic Sweat” lightens the mood with a Michal Rother-esque harmonised solo and a slow yet triumphant tempo, allowing us to lean into the bright stream of synths and chimes feeling like we’ve just crossed a finish-line in slow motion.

Right before the end we reach the final energetic crest – the bold and seductive “Full Of Lust”, with exaggeratedly sensual vocals and bratty lyrics like “When I tell you I’m tired, you light up a smoke, tryna fill up the silence when I don’t laugh at your jokes”. The album concludes with the repetitive and wacky “Secret Lover” with sentences spoken by Farao in a thick Norwegian accent from the perspective of a private investigator. The last words of the album are accurately: “So we’ve done a good job. Very happy with our work”.

Musically and conceptually, Visions of Ultraflex’ is a seductive and inventive debut. Glimmering through it all is the warm and playful relationship between Special-K and Farao; they seem to have found a home in each other where they can progress musically while feeling relaxed enough to be nonsensical. “With our solo projects we are both miserable and lonely, so we are coming together like step sisters or lovers to keep each other warm when it’s cold outside”, they say about their unification. Ultraflex brings us a bundle of joy, self-irony and snarky attitude wrapped up in danceable beats – it’s a breath of fresh air in today’s intricate landscape, reminding us that we must not forget to have fun.

‘Visions of Ultraflex’ track list:

1. Get Fit 

2. Work Out Tonight (Youtube)

3. Papaya 

4. Never Forget My Baby 

5. Man U Sheets 

6. Olympic Sweat

7. Full of Lust

8. Secret Lover

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September 15, 2020 Art-pop duo We Will Kalied drop expressive song ‘Mogilalia’

Art-pop duo We Will Kalied drop expressive song ‘Mogilalia’

‘Mogilalia’ is about inability to speak your mind. It’s a look on the exertion of being filled with intense, but unexpressed anger. And the need to express it anyway to avoid imploding.” explains the band.

‘You don’t own me brother. I don’t owe you anything.’ as the lyrics go. “Mogilalia” is an uncomfortable slow burn with a weirdly liberating ending. Stumbling, energetic, introverted, explosive.

We Will Kaleid will play at this year’s Reeperbahn Festival. On Friday 18th, at Knust. If you happen to be around, feel free to come over.

The band’s new EP “Tongue” will be released in October.

Follow We Will Kalied:

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September 2, 2020 Songwriter Nana Adjoa shares reflective song ‘I Want To Change’

Songwriter Nana Adjoa shares reflective song ‘I Want To Change’

Photo credit: Latoya van der Meeren

Dutch-Ghanaian singer-songwriter Nana Adjoa releases her I Want To Change, the closing track from her highly anticipated debut album, Big Dreaming Ants due for release on 24th September via Bloomer Records –

Following a string of irresistible singles including, Consequence of Sound-approved ‘She’s Stronger’, ‘Throw Stones’ which received praise from the likes of i-D, Noctis, The Voice, C-Heads, Mahogany and Indie Shuffle to name a few, the Complex-premiered ‘No Room’ featured by London In Stereo in their Tracks of The Week and spinned by Chris Hawkins and Lauren Laverne on their BBC 6 Music shows, the upcoming album focuses on Nanas poignant lyricism tackling complicated questions of race, gender, religion, and sexuality – Nana often meditates on the meaning and make-up of one’s identity.

In the reflective new track Nana analyses the human condition, is about how you want to change yourself and your world around you, in many different ways, but it’s always in a kind of passive manner. It’s the magnitude of things you feel need changing that is paralyzing, but not paralyzing enough to not feel the urge to change anymore. Written on the piano, the track was built from the artist original demo I had a demo with the taped piano, delayed taped piano, ukulele, glockenspiel, synths, percussion, and drums. With the producer we built the track around the original demo. Nana handled the majority of the instrumentation herself, using a wide palette of instruments. A process that helped her to develop a multi-layered sound, rich in tonal textures, which is as intimate as expansive.

Nana Adjoa is sonic explorer armed with a deft poeticism and a fierce sense of musicianship, a skilled multi-instrumentalist and trained jazz player. Born in Amsterdam to a Dutch mother and a Ghanaian father, Nana joined her first band as a teenager, choosing to play bass because, “every other instrument had been claimed. It was a lucky twist of fate, unbeknown to the musician, her mother had once been the bassist in a Ghanaian Highlife band and happened to have her instrument. Accepted to study jazz (electric bass and double bass) at the prestigious Amsterdam Conservatory, Nana traded the restrictions of a structured curriculum for the free-flow of her own compositions.

Since her debut in 2017 – the vulnerable EP Down at the Root (Pt. 1)– she has been praised for her sonic explorations and effortless lyrical poetry. Her second EP, Down at the Root (Pt. 2) and the Stereogum-approved A Tale So Familiar, increased support from international press including Consequence of Sound and The Fader, influential radio stations such as USA tastemakers KCRW, KEXP and streaming platforms. Making her USA live debut in 2018, Adjoa played a series of headline shows as part of a worldwide Communion residency, as well as performing on some of the European largest festival stages.

Follow Nana Adjoa:

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August 21, 2020 Band Phantom Isle release surreal music video

Band Phantom Isle release surreal music video

Directed by Matthew Nelson, the video for MAR V is as surreal and chaotic as the world that we’re living in at the moment, reflecting the pulsating energy of the song itself – wall-to-wall with everything from flashes of a latex-clad gas-masked dancer to tour and lockdown antics.

Discussing the video, director Matthew Nelson explains: “The concept behind the video was a glorified tour vlog turned nightmare. I took influences from directors like Darren Aronofsky and the 90s dance track “Killer” by ADAMSKI.”

Some of the footage used in the video was from the last show that the band played just before lockdown, which was in front of a 1,000-strong crowd at MaNo-Musikfestival in Germany. Drummer, Sam Thorne says “I’d say that the video sort of represents our experience over the last 5 months. The craziness of MaNo and those amazing gigs, all the people and parties, and then a different kind of craziness once we crash landed into lockdown straight after.”

Lead singer and guitarist, Peter Marchant continues: “We had all this footage of us on tour, in the studio etc. which is all well and good, but we wanted to throw some kind of bizarre fly in the ointment. So Matthew suggested we film lots of extra footage in our flat, and use whatever bonkers ideas that came into our heads. We had a lot of hilarious moments shooting these ideas all night.”

Consisting of hypnotic synth lines, goosebump-inducing rhythm and a hint of dark and mysterious atmosphere, Phantom Isle’s latest release, ‘MAR V’ sees the band stray from their art-pop roots with great success; highlighting their effortless capability to blend genres and moods for maximum effect – think LCD Soundsystem/Hot Chip style indie-house.

Keyboard player, Joshua Pullen who took the lead with writing the music says: “The song started as a remix of our previous single ‘I Am Urs’ but became a very different beast when I was messing about with a new drum machine I bought. I was listening to a lot of Soulwax and Simian Mobile Disco at the time and loved how they would produce songs with a pounding single-note loop throughout.” 

Despite its upbeat and energetic feel, there’s a dark side to ‘MAR V’. Lyricist and drummer, Sam Thorne explains: “The lyrics were actually written about feeling anxious and alone” comparing that feeling to an old friend that follows you through life, saying “you almost miss it when you leave it behind”. Singer and guitarist, Peter Marchant adds, “the song pretty much became the soundtrack of MaNo-Musikfestival in Marburg, Germany, where we headlined in March this year”. 2,000 fans jumped and danced frantically to MAR V’s hypnotic pulse at the festival’s closing show, seen in the single’s official video along with a montage of mischievous and surreal footage from the band’s journey so far. The band arrived in Marburg on March 5th (hence the romanised title, ‘MAR V’), they saw and conquered.

Follow Phantom Isle: 

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