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April 28, 2023 Interview with artistic musician AISTÈ

Interview with artistic musician AISTÈ

Image credit: Kipras Varaneckas

Songstress AISTÈ has released the first single from her forthcoming album entitled The Theory of Everything. Originating from the Baltics, she is currently living in the UK where she is currently working to make a name for herself. Signed to Saphira Record Label, she is making progress toward this end, having received press support from the likes of Underground England and Atwood Magazine. Her new single, ‘What’s Going On’, sees her continue this effort. But that is not all. She has also…well, you will have to read the interview to find out more.

Stream / Download: AISTÈ – ‘What’s Going On’

If you had to describe your latest song with a single word, what would it be?

The Trip.

What was running through your mind while you were writing ‘What’s Going On’?

Great question! I clearly remember the day when the whole album was written. ‘What’s Going On’ was written in the early afternoon. As I recall, while writing, I had a strong urge to ask and seek the universal truth – the truth that guides you through life. Later on, while listening to the initial demo, I realised that I was inspired by the idea of taking control of my own life and not waiting for someone else to make decisions for me. This song seeks to find an answer to the question: “Who am I?”

What are some of your earliest memories of music?

When I think back to my earliest memories of music, my great-grandfather immediately comes to mind. He was a talented opera composer and folk musician, and live music was always present in his home. As a child, I was captivated by his passion for music and would spend hours listening to him play and compose. I remember the joy he brought to others when he performed, and it left a lasting impression on me.

While my childhood favorites were Britney Spears, I quickly found myself drawn to the retro soul genre as I grew older. The smooth, soulful melodies and groovy basslines felt familiar and comforting to me, reminding me of the music I grew up with. It was so natural that I began writing my own songs, infusing them with the vintage sound that captured my heart.

Now, as an up-and-coming retro-soul artist, I strive to channel that same magic that first captivated me as a child. I want to transport listeners to a different time and place, evoking the same feelings of joy, nostalgia, and serenity that I experienced when listening to my great-grandfather.

My great-grandfather’s love of music has shaped my journey as an artist in countless ways. His passion for joyful music instilled in me a deep appreciation for the art form and a desire to share that magic with others. I am grateful for his influence on my life and my music, and I hope to honor his legacy through my work.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

How this album was written was it all came together at the same time. There was a feeling in the air, and the music was so overwhelmingly beautiful and entrancing. On that sunny day, all we did was follow the sound, but that’s how we got the structure. The rest of it was professionally recorded later, and I also took my time to write the lyrics. I had to feel them out. I didn’t try to be poetic or come up with intelligent innuendos. I felt them out. Simple human stuff. That’s what we’re best at.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

As an artist, I find value in both studio work and performing live in front of an audience. Each presents its own unique set of challenges and rewards.

When I’m in the studio, I have the luxury of being able to experiment with different sounds, instruments, and production techniques without any external pressure. I can take the time to carefully craft each note and lyric until it’s exactly as I envision it. This creative process can be incredibly satisfying, and I love the feeling of accomplishment that comes with bringing a new song to life.

On the other hand, there’s nothing quite like the energy and connection that comes from performing in front of a live audience. The thrill of hearing a crowd singing along to my lyrics or seeing them dance to the beat of the music is an incredible feeling. It’s a reminder that my music has the power to bring people together and create a shared experience.

Additionally, performing live offers me the opportunity to connect with my fans on a personal level. I love hearing their stories and how my music has impacted their lives. It’s a humbling experience that reminds me of the importance of creating music that speaks to people’s hearts and souls.

Overall, I believe that both studio work and performing live are essential components of the music creation process. Each offers a unique experience that contributes to the growth and development of an artist. While I enjoy the creative process of studio work, there’s nothing quite like the energy and connection that comes from performing live. Ultimately, both allow me to express myself in different ways and connect with my audience in a meaningful way.

What is the most memorable response you have had to your music?

When I think about the most memorable response I’ve had to my music, the day my album was written immediately comes to mind. It was a day filled with creativity, inspiration, and a sense of freedom that I had never experienced before. I remember feeling completely in the moment, lost in the music and the emotions it was evoking. It was a day of pure joy and happiness, and I knew that the music I was creating was special.

If you could put together a radio show, what kind of music would you play?

That’s a great question! Actually, I have my podcast on Patreon called ‘Just Enough.’ At the moment, I’m only playing my own tracks on the show, as they perfectly suit the spiritual, meaningful, and joyful themes that I’m discussing in each episode. However, my personal playlist is full of hidden gems from various genres and artists. I don’t have a specific preference for any particular genre or artist, I simply enjoy music that radiates truth and authenticity.

Name five artists and their albums who would appear on your radio show

It would depend on the theme of the show, but there are five albums that you can’t go wrong with:

  1. Rotary Connection – Self-titled 1968 album
  2. The Beatles – Sgt. Pepper’s Lonely Hearts Club Band
  3. Dusty Springfield – Definitely Dusty
  4. Aretha Franklin – Amazing Grace 1972 live album
  5. Kanye West – Graduation

What would you like to achieve with your music? What does success look like to you?

Helping people to become the best version of themselves.

One last thought to leave your fans with?

My favourite words by Matthew McConaughey ‘If you’re high enough, the sun is always shining.”

Follow AISTÈ:

WebsiteFacebookTwitterSoundcloudTikTokYoutubeInstagramSpotify

March 1, 2023 Interview with lustrous band KARMACODA

Interview with lustrous band KARMACODA

Image credit: Bill Shupp

Singer Jessica reclines on the lid of the grand piano, bleeding her heart on stage, crooning soul-soaked high notes while producer Brett caresses the black and whites of the piano, laying silken notes over Jazzy drums. Dressed to the nines, the members of KARMACODA tell a story of closure and letting go. With their offering ‘Lovely’, the trio leave a trail of rose petals guiding listeners to their recently released album Lessons In Time (read our feature on the LP here), available under the Sola Musa Music imprint. Furthermore, we asked them about where they have been and where they are going:

Stream / Download: KARMACODA – Lessons In Time LP

What is the story behind your record ‘Lovely’?

Jessica Ford: It’s about a relationship where they try and try. It’s never going to work, but she tried one more time; this is the end. Too many games to continue so she’s giving up, even though it hurts, and writing him a song which is his last goodbye song. Looking back at years of breakup songs written, this one is the last one. Writing about it isn’t making the pain better or easing her sadness, so she decides to sing about it and burn up all the old lyrics and songs in an ashtray, metaphorically speaking. She’s setting her memories on fire, ripping up their old pictures and putting their last song as her ringtone. It’ll never get released to the public. She wrote it for herself (it’s one she wrote that they’ll never know)… but she thinks if she hears it every time he calls, she’ll be reminded she’s done.

Riffing on the theme of time, what advice would you give your younger self?

Jessica Ford: Always choose light over darkness. Be kind to people, you never know what they are going through behind the scenes. Work on your spiritual self and healing and dream BIG. No matter what happens in your life, you will learn from it, grow, and make it through no matter how painful it was. You’re going to be OK.

Brett: Don’t be afraid to pursue what you are passionate about.  The worst thing that can happen is the answer may be no.

What are some of your earliest memories of music?

Jessica Ford: Earliest… One of the first album obsessions I remember is Olivia Newton-John in Grease, and I was also obsessed with Barry Manilow’s Copacabana. I found the album covers and photos visually stimulating, and I would listen to the vinyls on repeat looking at the pictures.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

Jessica Ford: B. sends me tracks to write to. I listen to them and see which one hits me and inspires me in the moment. I start there. I also like to challenge myself as a songwriter. B. always gives the instrumental tracks a temporary name. They are very odd names like Kindred, lovely, Deja Vu, Agency, Velvet, etc. My challenge to myself is, I make sure I either write about that word, or I make sure that word is somewhere in the song. This is also what inspires me to have a topic to start writing with. Once I’ve written a song I’ll send it back to B. for approval or “keep working on it”. This is the process when I am writing the song; B. writes some too and has his own process.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

Jessica Ford: They are mutually exclusive. We LOVE being on stage. Performing to a live crowd is always exhilarating. Being in the studio and writing is exciting on its own. However, it’s a different excitement, a different calm, a different type of zoned-in feel and passion vocally.

What is the most memorable response you have had to your music?

Jessica Ford: Our first award stands out to me… then the second and then so many more… I never thought I’d win an award for our videos, and it never gets old. It’s always an incredible moment to be acknowledged and seen.

If you could put together a radio show, what kind of music would you play?

Jessica Ford: KARMACODA, of COURSE, mixed with CCM Inspirational music and Gospel House. Also remixes and Dance.

Name five artists and their albums who would appear on your radio show

Jessica Ford: I’ve never been a fan of specific genres, I listen to EVERYTHING from House to Country, to class RnB to music from the ‘30s. I love good singing in general and music that makes me moved. I love music that inspires me to create, and I would search for new and up-and-coming artists who need a break, need airplay, music the world needs to hear, underground stuff that needs to surface and give local talent some praise.

What would you like to achieve with your music? What does success look like to you?

Jessica Ford: Joining KARMACODA was an art project for me. I never dreamed it would do what it has done and is doing. Every accomplishment is a success, and I’m thrilled to have what we have and to be a part of what we have done. Getting our music “out there” and heard far and wide is always on the agenda. After all, that’s why we make it, to share it. I’m thrilled with what we have accomplished and, for me, that is success. Anything else is just gravy.

One last thought to leave your fans with?

Jessica Ford: Thank you for listening; we have some new music in the works!

Follow KARMACODA:

WebsiteFacebookTwitterSoundcloudYoutubeInstagramSpotify

April 5, 2022 Q&A with dynamic experimental musician Frank Cogliano

Q&A with dynamic experimental musician Frank Cogliano

Image credit: Frank Cogliano

Brooklyn based musician Frank Cogliano recently shared his delightfully eclectic and experimental album Computers of the World. Comprised of 17 vibrant tracks, each song has its own unique flair to them. Incorporating downtempo notes, electronica, and ambient sound effects of busy streets and spaces, one can easily lose themselves in this vibrant sound fusion. Previously forming part of R&B band  Sugarbad as their guitarist, the producer wanted to explore his abstract music production further, and the result is breathtaking.  We asked music producer Frank Cogliano a few questions about his artistry below.

‘Brainscape’ features on XPERIMENT_GROUND.fm

What are some of your earliest memories of music?

My parents always had music playing when I was growing up; the Beatles, Stones, Beach Boys, Nirvana.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

Usually, I hear ideas and sing them into my iPhone. But also, particularly for Computers of the World, each track started with a sample and I built the track around that

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

Studio work, because I have complete control over the end product.

What is the most memorable response you have had to your music?

Whenever anybody responds positively to any of my music it is a good thing. It happens sometimes.

If you could put together a radio show, what kind of music would you play?

I post short videos with music I like every day on my Twitter, so probably along those lines.

Name five artists and their albums who would appear on your radio show

Uku Kuut – Vision of Estonia

Googoosh – Mano Tou

Antonio Carlos Jobim – Valse

Popol Vuh – Aguirre I

Teisutis Makacinas – I diena einam

What would you like to achieve with your music? What does success look like to you?

I would like to make good music. Success is making good music.

One last thought to leave your fans with?

Take a deep breath.

Follow Frank Cogliano:

IMDB / Website / Facebook / Twitter / Instagram / TikTok / YouTube / Soundcloud / Bandcamp / Merch / Spotify / Apple Music

March 25, 2022 Q&A with instrumental hip-hop musician TromBobby

Q&A with instrumental hip-hop musician TromBobby

Bulgarian instrumental hip-hop producer  Bojidar Vasilev a.k.a. TromBobby has teamed up with New Jersey vocalist Jermaine Holmes for this forthcoming album release PAUSE VOL.1. The album is slated for release on the 21st of April via Stereofox. We got a  taste of this new album with ‘LONGING’ which featured vocals from Jermaine Holmes. With a sensual fusion of jazz and an undeniable groove, we are hooked on this track and look forward to what the rest of the album is going to sound like. We chatted with TromBobby about his latest project and artistry below.

What are some of your earliest memories of music?

I guess it will be hearing the Bulgarian National Bigband when I was about four at Studio 1. My grandmother took me because her brother was the conductor. I also remember being fascinated by the sound that the lowest piano keys made. Could play them for hours.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

I start with either the melody or harmony. Then continue with bass and drums. In the case of ‘Longing’ – Jermaine recorded it on a different beat. It was like a resampled, faster version of a very slow, older one. After he sent me the vocals, I deleted everything else, kept the tempo and reharmonized the whole thing. The next single that we’re gonna drop was made for something like two days. Sometimes you need to search longer for the right vibe and sometimes it’s right there from the start.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

I would say music creation is my thing, just because I love the process. Although, live shows can charge you for days, giving you a better perspective on how your music can be improved.

What is the most memorable response you have had to your music?

That moment when the audience sings the lyrics that you made up in your head in a moment of honesty. That’s beautiful.

If you could put together a radio show, what kind of music would you play?

Sweet soul music.

Name five artists and their albums who would appear on your radio show

D’angelo – Voodoo

Jimi Hendrix – Electric Ladyland

Otis Redding – Dock Of The Bay Sessions

Arthur Verocai – Arthur Verocai

Smokey Robinson & The Miracles – Special Occasion

What would you like to achieve with your music? What does success look like to you?

A Grammy would look great in my parents’ house, although paying the bills and living a normal life thanks to music feels like a blessing every day.

One last thought to leave your fans with?

Peace & love. “Keep in mind that I’m an artist and I’m sensitive about my s*it”.

Follow TromBobby:

Facebook / Twitter / Instagram / Spotify / AppleMusic