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March 25, 2026 Cheerful Music SXSW Panel Recap

Cheerful Music SXSW Panel Recap

The Faster AI Evolves, the More Valuable Human-Created Music Becomes

Acclaimed record label Cheerful Music, recently participated in a key panel discussion at renowned festival and conference SXSW, in Austin, Texas. The label, which was founded by industry thought leader and professional singer-songwriter – turned music entrepreneur Snow. J, known for her extraordinary vision in bridging the Chinese market with the West, engaged in the East x West: Cross Cultural AI Trends In Music Production panel discussion on 16 March. The panel received notable support from revered tastemaker publication Rolling Stone UK, which highlighted their participation in the SXSW discussion. 

The panel drew strong interest from international music professionals eager to better understand the Chinese music market in the age of artificial intelligence. As the global music industry is propelled forward by the rapid iteration of AI technologies, China—one of the world’s most dynamic markets for AI application—is undergoing profound transformation. How are these changes reshaping music creation, distribution, and value? As AI virtual artists begin performing R&B from behind digital screens, a fundamental question emerges: where do human musicians stand in this new landscape? When music production becomes infinitely scalable, the discussion shifts from efficiency to meaning—prompting the industry to reconsider what truly remains scarce in the future of music. 

At this panel, Vice President of Copyrights at NetEase Music, Vivian Wei, Cheerful Music representative Snow J (蒋雪儿), and international electronic music artist MKJ came together to explore cross-cultural music creation in the AI era and discuss the future development of the global music industry.

Image credit: Dongfang Duan

The Current Landscape: A Library of Millions of AI-Generated Tracks – and the Disappearance of Breakout Hits 

The panel opened with a discussion about the current state of China’s AI music market. Vivian Wei, Vice President of Copyrights at NetEase Music shared more on how AI has become an unstoppable force in the Chinese music industry. In her view, AI has dramatically lowered the barriers to music creation, leading to a surge in content uploads across platforms. However, despite the growing presence of innovative AI-driven works and a small number of tracks showing strong performance, AI music remains in an early stage of development. While overall production volume continues to rise rapidly, the head effect is still limited, and the proportion of AI-generated breakout hits remains relatively low. This gap between scale and impact underscores the ongoing challenge of translating technological efficiency into lasting audience resonance. 

Snow. J shared Cheerful Music’s strategic response to the rapidly evolving AI landscape. She mentioned that despite the massive volume of songs uploaded daily, the label has maintained a clear bottom line: it does not produce purely one-click, fully AI-generated music. Instead, Cheerful Music currently leverages AI technologies for AI-assisted reinterpretations of popular tracks, while also developing its own virtual artist. The label remains firmly focused on its strengths in Chinese traditional music, emphasizing cultural depth and artistic identity. Electronic artist MKJ shared that AI will not replace artists, and mentioned that creators with distinctive styles and consistently high-quality output will always stand out amid an overwhelming volume of content. He emphasized that the more urgent question today is how to find a sustainable balance between human creativity and AI – using AI efficiently as a tool without undermining the income and value of human artists.

Consumption and Listening Habits: Have Audiences’ Ears Changed?

The panel then discussed whether or not AI has shifted audiences’ listening behaviour. Vivian Wei observed that, over the past decade, Chinese users’ musical preferences have remained remarkably stable. She noted that mainstream hits in China have consistently been Mandopop and R&B, particularly heartbreak ballads, while genres like Afrobeat have historically attracted only niche audiences. She suggested that overseas artists looking to enter the Chinese market should prioritise these mainstream styles. Vivian Wei further explained that, in today’s social media–driven era, artists cannot rely solely on production. Beyond creating music, they must actively manage their music platform accounts and social media profiles to build a fanbase. While AI can simplify production, it cannot by itself make an artist stand out.

Snow. J then shared her experience of a successful cross-genre collaboration with MKJ. She mentioned that the track, which merged Afrobeats with traditional Chinese elements, performed strongly on streaming platforms, which provided a unique blueprint for artists wanting to enter the Chinese market. When it comes to promotion however, Snow. J pointed out that based on the label’s experience, AI-generated tracks rarely become breakout hits and often face copyright disputes, making commercialisation more challenging.

Copyright Boundaries: Who Should Bear the Costs of “One-Click” AI Music?

The panel then shifted to one of the most pressing issues related to AI today: AI music royalties and regulatory frameworks. On this topic, Vivian Wei was candid. Currently, NetEase Music imposes no restrictions on AI creators, and they are able to receive royalty payments through the platform. However, she emphasized that any form of copyright infringement must be strictly addressed. Vivian Wei noted that AI-related royalty allocation is an ongoing discussion, and she personally believes that distribution rules should reflect the proportion of human contribution within a track. She further stressed that the current proliferation of AI-generated music is already influencing the broader industry ecosystem, and moving forward, it is essential to continue developing solutions that create a fair and transparent environment for all stakeholders, in collaboration with partners across the industry. Snow. J noted that on some Chinese streaming platforms, AI-generated music is already eligible for royalty settlements. MKJ expressed caution, saying that although AI is an innovative and powerful tool he warned that it could make producers lazy or over dependent. He also explained that the quality of AI-generated music remains difficult to compare with music created by humans, emphasizing that the use of AI tools requires more standardized oversight and regulation to ensure fairness and maintain artistic integrity. 

Future Outlook: Human-Created Music Will Become an Even More Precious Asset

Looking toward the future of the music industry, Vivian Wei believes that AI music will become an important creative tool and help meet certain audience demands, but it will not dominate the entire market. She noted that the most expressive form of music remains live performances by artists, where genuine emotional connection occurs – something AI cannot replicate. Vivian Wei advised artists to stay true to their strengths and focus on building their personal brand, cautioning against losing themselves or their original artistic vision in the pursuit of AI-generated trends. Snow. J then shared a highly valuable observation saying: “The faster AI develops, the more valuable human-created music becomes.” She emphasized that Cheerful Music will continue to focus on original music and maintain traditional instrument-based creation and international songwriting camps, while adding AI-related modules to existing business operations. Snow. J also noted that in an environment saturated with AI-generated music, effective marketing and promotion are even more critical.  

Closing Remarks: Upholding Originality to Keep Music Warm

The discussion closed on an enlightening note: For Cheerful Music, AI has never been an “invader” to resist or avoid; instead, it is a lever that helps us bring the expressions in our hearts to a wider world. 

Looking ahead, Cheerful Music will continue to hold every original creation with respect and care. With the powerful support of technology, the label leverages AI to enhance production efficiency and explore new sensory possibilities for virtual artists, but their core driving force will always be human creativity. As Snow. J brilliantly put it: “The faster AI develops, the more valuable human-created music becomes.”

“From viral hit maker to a featured Harvard Business School case study, Cheerful Music exemplifies how a new generation of Chinese music label is navigating the digital music era and globalizing through the lens of internet-native entrepreneurship”
Bandwagon.asia

“Cheerful Music’s “hit logic” consists of three elements: keen market intuition, rapid execution, and flexible promotion mechanisms.”
Yahoo! Finance

“Cheerful Music arrived at Amsterdam Dance Event 2025 with something beyond a label showcase. In a week where international heavyweights dominated lineups across the city, they stood out as the only Chinese music company hosting its own stage, stepping into one of the world’s biggest electronic moments with a mission bigger than a club night.”
Notion Magazine

Image credit: Dongfang Duan

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February 9, 2026 Plain Mister Smith Delivers Hazy, Personal New Single, ‘Dream To Be Free’ with Jordan Klassen

Plain Mister Smith Delivers Hazy, Personal New Single, ‘Dream To Be Free’ with Jordan Klassen

Plain Mister Smith has released ‘Dream To Be Free’, his new single featuring Jordan Klassen, now available via Amelia Records/Symphonic following its February 6 release. The track is the fourth single from his upcoming album, due in spring 2026. The artist, a long-time guitarist in Canadian darkwave outfit Moev and current cellist with the Vancouver Philharmonic Orchestra, has built steady momentum as Plain Mister Smith with coverage from NPR Music, Wonderland Magazine, CLASH Magazine, NOTION, Under The Radar, Earmilk, METAL, Noctis Mag, and Atwood Magazine.

​Split between Vancouver and London, Plain Mister Smith works where indie-folk clarity meets psych-rock drift, threading sharp lyrics through quieter reflective stretches. ‘Dream To Be Free’ connects directly to the worlds of Death Cab for Cutie, The War on Drugs, and Pavement. It moves between inward pull and lighter whimsy, built on bright, repeating keyboard lines over gently syncopated drum work. Layered instrumental shifts frame the direct, plaintive vocal exchange, evoking blurred images of cities rushing past in recollection.

​Across this run of singles, Plain Mister Smith shows a clearer hand at the controls. He keeps dynamics tight, letting percussion breathe under melodic fragments while vocal lines overlap to heighten the emotional weight without overstatement. Bringing in voices like Jordan Klassen adds natural harmonic depth that fits into the arrangements rather than standing apart. The tracks cohere through deliberate choices, such as subtle tonal bends and careful negative space, rewarding close listening and pointing to an album with real structural unity, grounded in personal detail yet precise in execution.

Plain Mister Smith shared: Dream to be Free’ is a mesmeric reflection on a decades-old trip to Kyoto, where memories came flooding back – how such a trip to a faraway place can seem like an ultimate act of freedom, or it can be a more subtle escape from home. This trip took place during Daimonji time, when locals light giant bonfires on hills around Kyoto to guide the spirits back to the spirit world. In a way, this trip felt like a return to a source of rebirth.

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December 17, 2025 Seth Tabatznik Returns With Expansive, Wintry Single Ahead of 2026 Album

Seth Tabatznik Returns With Expansive, Wintry Single Ahead of 2026 Album

(Seth Tabatznik / Image Credits: Timmy Henny)

London-born folk artist Seth Tabatznik unveiled his latest single, ‘Let Go Of Fear’, on December 12th, 2025 through Moth Music (Mother Of The Heart). Hot on the heels of his recent singles ‘Shining For Love’ and ‘Choose To Be Alive’, both championed by tastemakers like CLASH Magazine and EARMILK prove Seth’s star is rising fast. Since his debut in 2024, he has already surpassed 100,000 streams and counting. His live shows have quickly become must-see events, with sold-out performances at Boschendal Estate in Cape Town and Green Note in London’s Camden. With a second album on the horizon for 2026, Seth Tabatznik is carving out his place as a standout voice in the Indie Folk scene.

Seth’s journey from the heart of London to the wild beauty of South Africa’s Western Cape mountains shapes every note he plays. His acoustic folk and medicine music pulse with a deep respect for the earth, blending soulful harmonies and honest lyrics that connect ancient wisdom with a fresh, modern spirit. Guided by mentor Nick Mulvey and inspired by his guitar teacher Rainer Scheurenbrand, Seth crafts songs that are both a reflection of his personal path and a spiritual exploration. Fans of Bon Iver, Novo Amor, and Sleeping At Last will find themselves drawn into his next release.

‘Let Go of Fear’ marks a wintry shift from the guitar-driven indie folk of Seth’s earlier singles. Expansive yet close, the track drifts on lush strings and shimmering piano, while Seth’s gentle vocals hover above, quietly beckoning listeners to release their fears.

Seth shared: “Let Go of Fear is a cover of a Nick Barber song: Heart’s Mystery. Its a song I fell in love with and adopted over the last few years; as passed onto me by my guitar teacher Rainer Scheurenbrand. I’ve sang this song round the world, in ceremonies, in singing circles and at festivals as an audience singalong and am grateful to be sharing this personalised recorded studio version.”

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October 16, 2025 Tree of Tranquility Lands from Deep Forest-Rahul Sharma Duo, Backed by Fall Tour Dates

Tree of Tranquility Lands from Deep Forest-Rahul Sharma Duo, Backed by Fall Tour Dates

The August 25 rollout of Tree of Tranquility marks a solid return for Éric Mouquet‘s Deep Forest project and santoor ace Rahul Sharma, their second team-up since Deep India dropped back in 2013. Mouquet, a key architect of the French Touch wave, built Deep Forest‘s rep on sampling distant vocal traditions into house-tinged electronica, culminating in that breakthrough 1996 Grammy win for Boheme—a feat that put French electronic on the map as the inaugural non-Anglo victor in world music.

The catalog racked up 10 million physical sales plus consistent 20 million digital spins yearly, underscoring Mouquet’s grip on the genre’s evolution via solo ventures like Deep Forest Live Machine. Sharma, carrying forward his father Pandit Shivkumar Sharma‘s legacy on the 100-string santoor, has flipped the folk staple into worldly experiments—think his runs with pianist Richard Clayderman or that prior Deep Forest splice, all while holding tight to Hindustani improv’s soul. This latest pairs the album with a packed 2025 tour slate, giving audiences a front-row shot at the blend.

Across its eight outings, Tree of Tranquility carves out quieter, more personal ground in electronica, zeroing in on nature’s quiet pulse. Sharma’s playing shines with refined touch—santoor notes blooming in varied, almost meditative loops—bolstered by Mouquet’s textural overlays that hum and swell like ambient fog.

Rooted in the Old French root of ‘tranquilite’ for straightforward calm and joy, the title’s tree imagery serves as a low-key call to shake off stress and lean into mental stillness. Tree of Tranquility delivers on that promise, serving up a listen that’s equal parts unwind and uplift—timeless yet fresh enough to loop on repeat. With the tour kicking off soon, Sharma and Mouquet are set to amplify this chemistry live, turning studio subtlety into shared-space energy that world music heads won’t want to miss.

Be part of the experience and get your tickets HERE

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