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October 15, 2021 Duo rocomoco and music producer Devon Rea share peaceful lo-fi song

Duo rocomoco and music producer Devon Rea share peaceful lo-fi song

Ahead of their debut LP Into The Blue, up-and-coming lo-fi duo rocomoco have shared another mesmerizing track ‘Djeep’ with producer Devon Rea. Released via  Aviary Day on Aviary Bridge Records Ltd, this track is set to feature on the anticipated album release. Both well-versed in the lo-fi genre, the duo and Devon Rea make a compatible trio. On this seamless track, one feels like they are listening to a never-ending stream of water flow – simple and peaceful.

‘Djeep (with Devon Rea)’ on SpotifyiTunes

In an interview with Chill Music, the duo described their sound: “We love chilled vibes and dusty beats. We want people to sit back and relax while listening. But we also love telling stories or capturing personal moments and atmospheres with our music. Listeners are invited to find the meaning of the stories behind the songs on our social media and on our YouTube channel.”

To date, the remarkable pair rocomoco have accumulated a collective play count of over 11 million across music streaming platforms. Devon Rae has also received their fair share of the spotlight, featuring on popular playlists on Spotify like lofi beats and Jazz Vibes

Into The Blue LP Tracklisting

1. Into The Blue

2. Grooveshop (with Hoffy Beats)

3. Aurola (with Bastido)

4. Djeep (with Devon Rea)

5. Warm Flicker 

6. Sparkling From A Distance

7. Lay Back (with The Hidden and Harry Hawaii)

8. Years

9. Some More Luck (with Tabi)

10. Clouds

Follow rocomoco:

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Follow Devon Rea:

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October 13, 2021 Oddball electronic music producer Race Banyon shares bouncy song ‘Attention’

Oddball electronic music producer Race Banyon shares bouncy song ‘Attention’

Race Banyon returns with fast-paced club oriented new single Attention’, released via EMK – the new electronic music platform launched by Kartel Music Group.

 The producer crafts an uplifting Chicago House-influenced cut fuelled by a busy summer festival season in his native New Zealand and “the joy of being out hearing dance music live again”. On the flip side, ‘Ride This Out’, sees Race Banyon exploring cathartic euphoria and ‘crying on the dance floor’ emotional and soothing textures, representing his “longing for the club and human connection.”

Diving deeper into the production process Race Banyon explains: “Attention’ is in the pocket of energy that I really enjoy – faster than traditional House but not too far up there. It feels really exciting. I wrote it over the summer, I’d been out dancing quite a bit when I stumbled into this Chicago House, Paul Johnson-esque place. The song features my own singing which was really born out of the desire to not just sample another early 2000s R&B acapella. The lyrics are somewhat meaningless though, they do sound like I’m talking about the particular brand of people I would meet in LA.”

‘Attention’ follows on from the release ofEP 2, a perfectly balanced body of work, singles including high tempoBack & Forth’, the London In Stereo and Indie London-approved Pressure Off’ and deep house R&B-tinged cut ‘We Need It’.featuring late-night cinematic synths, tech-house club constructions and propulsive beats, While his previous releases,  including the single ‘Move With Us’ – taken from EP 1, saw support from the likes of Clash, which praised his “experimental take on melody and structure” to the work of Jon Hopkins and James Holden.

 Under his Race Banyon alias, Johnston has already garnered the attention of every music platform that count; his collaboration with Ty Dolla $ign and DJ Dahi for Red Bull Sound Select has seen support from the likes of Complex, Dummy, The Fader, Hypebeast and Stereogum, with Red Bull calling him “New Zealand’s next big thing”. While his “tastefully minimalist production,” as defined by Dummy has led to him sharing stages with the likes of Jamie XX, Rustie and Kaytranada, to name a few.

 Cultivating a cult following online for the atmospheric pop songs he creates as Lontalius, which opened the doors to a collaboration with Ryan Hemsworth and prompt AnOther Magazine to list him their ‘New Zealand’s New Musical Revolution’ feature – Johnston was only 14 when started making music as Race Banyon – a project which he describes as “production focused and dance oriented”.

 

Follow Race Banyon: 

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October 12, 2021 Josephine Philip pays homage to great female vocalists in ‘The Clue’

Josephine Philip pays homage to great female vocalists in ‘The Clue’

   Image credit: Fryd Frydendahl


Josephine Philip has just released her stunning new single ‘The Clue.’ Centred around the acceptance of impossible love, the track is reminiscent of the sounds of Nina Simone or Nancy Sinatra.

Stream / Download ‘The Clue’

Having worked with renowned producers including Christian Löffler and Trentemøller, Philip’s versatility as an artist is highlighted by ‘The Clue’, which saw it’s release via Midnight Confessions.

A simple, back to basics track, this pretty, vintage-style song is a pleasant ode to some of our great female vocalists. Speaking of the track Philip explains: “‘The Clue’ is a contemporary love song. It revolves around impossible love and the acceptance of it. The track is also an homage to Nina Simone’s version of Billie Holiday’s song Don’t Explain. Don’t Explain was written by Holliday in response to one of her husband’s affairs. When he tried to explain away why lipstick was on his collar, Simone responded disgustingly “Take a bath, man; don’t explain”.” The Clue is an inspirational tribute to the great women, their sound, storytelling and courage, who took to the microphone and stage before me.”

The Clue’ features on the Spotify playlist POP_GROUND.fm

Follow Josephine Philip:

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August 19, 2020 Interview with London-based electronic/alt-R&B/Hip-hop duo E L E V N S

Interview with London-based electronic/alt-R&B/Hip-hop duo E L E V N S

London-based electronic/alt-R&B/Hip-hop duo E L E V N S made their debut in 2019 with their first single ‘Let Me In’ hitting Spotify’s New Music Friday on release day. They have been busy travelling between London, Paris, NYC and LA performing and finding artists to collaborate with, including getting endorsements from companies such as Soundbrenner and ROLI.

Looking back, what were some of your earliest entries into music appreciation? And music production?

Gramm: I was lucky to be part of a band when I was 15 years old. My first gig was probably the best memory I have and also one of the reasons I’m into music. The excitement mixed with stress before going on stage became like a drug. I only started producing at the age of 25 and hearing the first song done from scratch without having to work with other producer was quite a proud moment.

Aurelian: I started playing the drums when I was 12 and I was listening to a lot of different things like Michael Jackson and Blink-182. I had a few bands and like Gramm, performing live became a drug. I would go to jam sessions and play with other musicians for hours. I realised I could produce and write music myself after listening to Ben Kenny, bass player for Incubus. He made an EP where he recorded everything and that was the moment I started producing but it only got serious in the last 5 years for me.

What are some of your key musical influences?

We take inspiration from everywhere, we’re like sponges that absorb anything that could be inspiring. We both listen to a variety of musical styles but in general, it gravitates around Hip-Hop/Soul with artists like Chance the Rapper, Aminé, Brasstracks, Anderson.Paak and Mac Miller, pop with Ariana Grande and Justin Timberlake and electronic with Snakehips, Kaytranada and 20Syl / Alltta. 

If you could paint a picture of your unique sound, what would it look like?

It would look like a KAWS painting,  lots of colours and dynamism.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

We really believe that the more people you work with the more magic you can create. But we don’t really have a specific process. We always start the two of us and then we send a beat to an artist we know or that we found on Instagram. We especially target some artists we love by scouting on Spotify and then reach out to them on IG. With overseas collaboration, most of the time artists would write, record themselves and send us the vocals. From then we wrap up the production. But sometimes we would have a session at ours or in a studio with some friends or artists and do everything in one day.

What gets your creative juices flowing?

We’re more coffee guys than juices so a nice flat white or latte would work best (laughs)! To be more serious, it is the vibe a sound or a drumbeat can create. Creativity is something you need to cease when it comes because you can’t invoke it. For us, it is a lot about the vibe and good energy that things, like travelling and being surrounded by cool people, bring to us. The opposite of quarantine basically (laughs).

As an artist, it becomes apparent that there is a huge difference between the art and the business. Is there anything about the music scene that you would personally change?

Spotify should remove the number of streams, followers and monthly listeners like Apple Music does so people would judge less on the number of streams and focus more on the music.

Tell us about the chemistry you have with your fans on stage.

It is awesome! We can really feel the energy they bring and how they interact with us. As we feature different vocalist along with the show, the vibes change often and it keeps a nice dynamic. One of the best crowds we had was when we played Sofar Sounds, people are really here to listen to the music and you can bond with them easily.

What is the most memorable response you have had to your music?

The most memorable one was being added to Spotify New Music Friday on our first ever release ‘Let Me In’. That was insane! We didn’t have any fan base, a few followers on Instagram but that was it (laughs)!

What would you like to achieve with your music? What does success look like to you?

We would like to do big tours, travel the world, connect with new people and have fun with our music. Obviously there is all the fame and being able to live off your music but when people move their head to the music and we can see them smile and enjoy, this is a success!

What’s on your current playlist?

There’s a lot of music but here’s a little list (laughs): 

Goner (feat. Audrey Mika) by Souly Had 

Blueberry Cadillac by Landon Sears

Blue World by Mac Miller

The Plug (feat. Drelli) by Party Pupils

Backyard by Kota the Friend

Breakdown the news for us: what can we expect from you in the near future?

We are currently working on releasing a song a month and we’ve got some amazing collaborations mainly coming from the US with Atlanta based singers Zach Paradis and Jaylon Ashaun again and Danny Diamonds from Boston. We are also working on a new live set to perform when things will be back to normal after COVID-19!

Famous last words?

Hasta la vista, baby!

Follow E L E V N S online

Instagram | Facebook | Twitter