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December 10, 2020 Folk pop singer Rosie Carney announces cover of iconic Radiohead album, The Bends

Folk pop singer Rosie Carney announces cover of iconic Radiohead album, The Bends

Image credit: Rosie Carney

Rosie Carney shares two final singles ahead of releasing her ambitious quarantine project covering Radiohead‘s seminal mental health album The Bends in its entirety on the 11th of December.

Bullet Proof … I Wish I Was & “Sulk” follow previous singles Black Star“, “Bonesand “Just” which found strong support at StereogumSPINThe Line of Best FitNMEConsequence of SoundBPM and much more.

“The whole record is very relatable to me, but Bulletproof in particular really captured how lost I was feeling basically throughout the whole year. So many moments were spent wishing I was mentally stronger and wishing someone could just tell me what to do with my time every day.”

Like Bones and “Black Star”, “Bullet Proof … I Wish I Was” also comes with a home-made video, the song and visual Carney claims as perhaps her most challenging on the album. “I’ve spent a good solid chunk of this year being afraid of literally myself” she says as she looks to capture the dynamic of her internal love/hate relationship.

“Nothing screams anxiety like really fast flashing lights, being half naked and staring down a camera lens at yourself for hours on end. I was completely alone (apart from my sisters hands in one of the shots) on my bedroom floor, which in itself comes with a vulnerability I usually wouldn’t share with the world. It was a weirdly safe but uncomfortable experience”

Tackling a ground-breaking stretch of pop history requires tact and dedication to make it your own. Rosie Carney’s personal connection to the music brings to bear her stunning take of The Bends. Read more about the project in her interview with NME.
 
“She transformed the whole album into ghostly, Carrie & Lowell-esque folk music” proclaims Stereogum. Co-produced by Rosie and JMAC (Luz, Haux), the project is a poetic example of things coming full circle – it’s not the first time Carney’s battles have dovetailed with her love of Radiohead. She recalls going to see them as a teenager and having an anxiety attack in the arena. She blacked out and woke up in the first aid room and covering the band has acted a a form of therapy, as, like so many others this year, her original career plans and mental health were derailed by the pandemic.
 
Rosie Carney’s version of The Bends is due for release on December 11th via Color Study and Bullet Proof … I Wish I Was” is out now. You can pre-order the album here.

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December 1, 2020 Recap the year with obylx’s latest indie-pop album

Recap the year with obylx’s latest indie-pop album

Image Credit: Richard Beech

The final release from obylx has had us on the edge of seats for a while, with the knowledge that his latest album would contain an unseen track. Out Of The Woods, released today via Guise Records, contains the shimmering splendour of ‘Alright’, the final track of the year. Marking three years of blood, sweat and tears, the album is a sign that any young producer starting out can build a similar empire with enough work.

The well-known producer takes us through some of the tracks on the album and the significance they carry: “This year I have been exploring other areas in my life, be it the ending (‘Take Me’) and starting of relationships (‘Alright’), solitude (‘Day By Day’), conflict (‘The Leech’) and good times (‘Skin’). I have also started writing from other’s perspectives -‘Another Life’ being the clearest example. I feel like it has been a year that has concluded my wandering and has led me out of my metaphorical forest. I have learned how to deal with grief and turn it into a driving force. At the start of the project I deliberately left space so that I could grow into it. I have reached that place and now ready to ‘Walk On’ into next year.”

As the producer has been releasing singles throughout the year, Out Of The Woods can be seen as a form of a musical time-capsule, with each track reflecting a part of the dramatic year we’ve all had. The expression of emotions from obylx as he’s travelled the year has been captivating, as listeners have shared in both his joys and his sorrows. Tell us which song you connected with the most in the comment section below.

Stream / Download: Out Of The Woods album

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December 1, 2020 Alt-pop trio Polary release upbeat song ‘Nothing In Common’

Alt-pop trio Polary release upbeat song ‘Nothing In Common’

Since bursting onto the scene with blistering singles “Nothing” and “Losing Sleep,” electrifying alt-pop three-piece Polary continue to impress with their latest release “Nothing In Common. Based in Cheltenham, this vivacious young band are masters of the alt-pop genre, seamlessly blending the sound of heavy guitars and nostalgic synths against rousing pop vocals and effortlessly wrapping it all together in stellar production value. This new release is the perfect showcase for their sound that can be heard in full effect in lockdown-inspired hit Nothing In Common.

Speaking about the single frontman Harry explains “I was consciously writing something really different lyrically this time. It’s been a mixture of finding the right sound to embody this, and also putting to bed anything I wanted to say in the previous singles. “Nothing In Common” is about young romance and the reckless attitude that goes with it. You think everything at that point in your life is so big, and recalling that feeling felt right for this single.”

Having already landed a coveted slot on the Neu Stage at 2000 Trees Festival, racked up performances alongside The Faim, Circa Waves, The Beaches and YONAKA , whilst also getting nods from Rock Sound and Upset magazine, this young trio have proven themselves quick off the mark when it comes to industry recognition and if Nothing In Common” is anything to go by, this is sure to continue! 

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December 1, 2020 Indie pop producer TSHA & singer Gabrielle Aplin collaborate on song ‘Change’

Indie pop producer TSHA & singer Gabrielle Aplin collaborate on song ‘Change’

Image credit: El Hardwick

Channeling an ever-growing electronic pop sensibility in her music, ‘Changefeatures vocals from British singer songwriter Gabrielle Aplin—whom TSHA met at a Spotify writing camp last year–over hazy drums and acid-flecked synth-lines. “She has a beautiful voice and is such a great writer” says TSHA, “we had such a good time working together”

Tipped as “one to watch” by NME, Mixmag, Billboard, DJ Mag and BBC R1’s Pete Tong, TSHA is a London based producer who is quickly emerging as one of the most exciting young artists around. Her forthcoming EP Flowers”, without doubt her most ambitious and accomplished body of work so far.

Previous single Sister—written during lockdown after TSHA found out she had an older half sister—is a vibrant piece of music packed with melody and emotion, and received support from the likes of Mixmag, NME, Resident Advisor, London in Stereo, DJ Mag, XLR8R, Dancing Astronaut and more. Elsewhere on the release, TSHA demonstrates the impressive depth and range across the EP with RenegadeandDemba’. The latter, a collaboration with Malian griot music group Trio Da Kali, is another dancefloor sureshot recently previewed by Bonobo on his OUTLIER radio show on NTS.

Flowers EP is TSHA’s first original music since 2019’sMoonlight EP which earned her praise from peers (Maribou State, George FitzGerald and Bonobo); radio support from Jamz Supernova (BBC 1Xtra), BBC R1’s Pete Tong and Danny Howard, Triple J, KEXP; and critical acclaim from the likes of Billboard, FADER, NME, Mixmag, FACT, DJ Mag and many more. Towards the end of 2019 TSHA played at the iconic Printworks in London alongside Hunee & Antal (Rush Hour) and Motor City Drum Ensemble, having previously played multiple sets across The Warehouse Project’s 2019 season including showcases by Mura Masa and Annie Mac. TSHA has also been commissioned to remix the likes of Foals, Throwing Snow, Qrion (Anjunadeep), Prospa and most recently, Lianne La Havas.

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