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December 1, 2020 Indie pop producer TSHA & singer Gabrielle Aplin collaborate on song ‘Change’

Indie pop producer TSHA & singer Gabrielle Aplin collaborate on song ‘Change’

Image credit: El Hardwick

Channeling an ever-growing electronic pop sensibility in her music, ‘Changefeatures vocals from British singer songwriter Gabrielle Aplin—whom TSHA met at a Spotify writing camp last year–over hazy drums and acid-flecked synth-lines. “She has a beautiful voice and is such a great writer” says TSHA, “we had such a good time working together”

Tipped as “one to watch” by NME, Mixmag, Billboard, DJ Mag and BBC R1’s Pete Tong, TSHA is a London based producer who is quickly emerging as one of the most exciting young artists around. Her forthcoming EP Flowers”, without doubt her most ambitious and accomplished body of work so far.

Previous single Sister—written during lockdown after TSHA found out she had an older half sister—is a vibrant piece of music packed with melody and emotion, and received support from the likes of Mixmag, NME, Resident Advisor, London in Stereo, DJ Mag, XLR8R, Dancing Astronaut and more. Elsewhere on the release, TSHA demonstrates the impressive depth and range across the EP with RenegadeandDemba’. The latter, a collaboration with Malian griot music group Trio Da Kali, is another dancefloor sureshot recently previewed by Bonobo on his OUTLIER radio show on NTS.

Flowers EP is TSHA’s first original music since 2019’sMoonlight EP which earned her praise from peers (Maribou State, George FitzGerald and Bonobo); radio support from Jamz Supernova (BBC 1Xtra), BBC R1’s Pete Tong and Danny Howard, Triple J, KEXP; and critical acclaim from the likes of Billboard, FADER, NME, Mixmag, FACT, DJ Mag and many more. Towards the end of 2019 TSHA played at the iconic Printworks in London alongside Hunee & Antal (Rush Hour) and Motor City Drum Ensemble, having previously played multiple sets across The Warehouse Project’s 2019 season including showcases by Mura Masa and Annie Mac. TSHA has also been commissioned to remix the likes of Foals, Throwing Snow, Qrion (Anjunadeep), Prospa and most recently, Lianne La Havas.

Follow TSHA:

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November 23, 2020 Goth pop singer Laura Jinn releases debut EP, Sick!

Goth pop singer Laura Jinn releases debut EP, Sick!

Photo Credit: Tatum Gale

Brooklyn-based artist/producer Laura Jinn releases her debut EP, Sick!, as well as sharing track by track commentaries with Glam Glare and Madness to Creation. With infectious songwriting and swirling sonic textures, Sick! is a maddening listen. Complete with bubbling beats and hyper-pop production, Laura Jinn digs into your psyche with her unnerving but addictive vocal delivery.

Jinn‘s debut EP Sick! is a 5-track EP comprised of 15 minutes of maniacal electro goth pop chaos. Jinn made the demos in 2019 while sifting through memories of a turbulent few years to write songs that unearth a hilarity in paranoia, claustrophobia and obsession. The EP is centrally preoccupied with sickness: who has it, and who decides what it is? What would it feel like to embrace your sickness, to accept it totally and to luxuriate in it?

Once the pandemic began, such attitudes towards sickness became harder to hold. Jinn produced the final versions of the tracks while quarantining in Brooklyn with co-producer Tatum Gale. They poured themselves into the music while grappling with bigger issues: the devastation happening around them, their fear for themselves, and the privilege that kept them safe. 

The final product was a set of songs that retained their humor with a darker, more desperate edge. Bitcrushed synths, sudden drops and cut-off screams embody the fury and fear that circulate in Jinn’s world, even as her light, teasing vocals suggest bratty confidence. Simultaneously all messed up, wildly unkempt and tautly held together, Jinn‘s EP sparkles with gruesome implications. She might not be sick, but she certainly isn’t well.

Follow Laura Jinn:

SoundCloud | Instagram

November 20, 2020 Art-pop singer Kit Major releases introspective song

Art-pop singer Kit Major releases introspective song

Photo Credit: Noël Dombroski

Los Angeles-based art-pop artist Kit Major shares “When the Drugs Don’t Work”, a more introspective stab at her signature dark, electropop sound, building on her single “Mind” from October. Under The Radar premiered the track a few days earlier, praising how the track “leans into a dark, electro pop feel. The chilly and introspective opening blooms into a driving dance beat and thumping synths, married to a percussive, hyperpop-influenced outro. Contrasting with the darker sound though, comes a tender and warm lyrical perspective.”

Taking inspiration from Charli XCX, Billie Eilish, and Charlotte Lawrence, “When the Drugs Don’t Work” dives into the overwhelming vulnerability and panic of failing to curb a depressive episode with medication. With this release, Kit Major furthers her efforts to be open and make light of her mental health struggles.

Speaking about “When the Drugs Don’t Work,Kit Major says: “It was cathartic to write, so visually I wanted it to be something light, fun and freeing. Life isn’t supposed to be this hard and sad, there should be joy and freedom too. Don’t take things too seriously or literally. I write about my depression to be able to dance about my depression. I first wrote this song because I had a major depressive episode in April from everything… COVID, the state of our world, the state of our nation, the fact I also deal with anxiety and depression… everything. I was taking my meds and it still made me feel as if I wasn’t on them, so I wrote down “what happens when your drugs don’t work?” I try, and am still learning, to be as open as possible about my mental state.

Follow Kit Major:

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November 13, 2020 Synthpop singer Gregory Dillon releases debut EP, Sad magic

Synthpop singer Gregory Dillon releases debut EP, Sad magic

Image credit : ‘Lovely’ video (director: Is She The Moon)

After three single releases in 2020, Sad Magic is the first EP for queer pop artist Gregory Dillon. Reaching 1m+ Spotify streams across his catalog, Gregory continues to impress globally, with major press coverage secured with Billboard, Gay Times, Paper Magazine, Buzzfeed, Billboard and Bedford & Bowery the last of which writes of Gregory‘s sound as pulsing with a yearning to look backward. Gregory Dillon‘s energetic synth-driven production and sensitive vocals are perfect for engaging in escapism.

Searching to find home, Gregory Dillon wanders a suburban dystopia that resembles both a familiar nightmare and distant daydream in this debut EP. Narrated from dawn to dusk, Dillon‘s album yearns to re-explore the complex landscape that both shaped and saddened his adolescents. This nuanced realization of a stereo-typed, American Dream is a Sad Magic best reflected in solitude.

“It isn’t enough for this album to just be euphoric or mysterious; I also hope to relay something very ordinary, very familiar, and very nostalgic”,says Gregory.

Gregory Dillon understands sad pop euphoria. He was primed for it in his suburban boyhood by secretly singing Phantom of The Opera in his basement and skidding asphalt alone on his green Razor scooter. In an attempt to find confidence in adulthood, Gregory moved to Brooklyn where he began constructing a pop fantasy that re-explores the confusing landscape that shaped his youth. Gregory has the unique position of being a classically trained performer (his first instrument being the piano). Using these musical sensibilities, he can be found anywhere from sound tracking a ballet, to writing your next favourite sad bop.

Follow Gregory Dillon:

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