Stay For One More Night is a disco-inspired psych pop track, which straddles the line between low-slung chiller and energetic city slicker. Written and produced by Goodvibes Sound, the track features glistening vocal harmonies, a punchy bassline and Bossanova-inspired backing vocals. Think power walks in power suits and night time drives through city lights.
Alex from Goodvibes Sound said:
“Stay For One More Night deals with the feelings of isolation that often arise when you’re living in the city. Sometimes you find yourself being convinced to go and do stuff, just to stave off those feelings of loneliness, when you’d rather just rest and chill at home.”
“Producing the track during a lockdown was interesting.There were a lot of voice notes back and forth and some long, long Whatsapp calls. It was just nice to make something together during this weird time.”
Stay For One More Night comes hot on the heels of two singles released in 2020 – Sane Or Sinner and Beachside Living. Goodvibes Sound have a string of singles and videos lined up for early 2021, before releasing an album later in the year.
Pause and consider “The Best Part” of the year with CadetCarter and their newly premiered single. Due for release on the 13th of November via 8 Ohm Records, ‘TheBestPart’ displays the indie-rock quartet’s talent for looking on the bright side of life.
Speaking of the single, Cadet Carter tells us: “The world is full of pessimists, especially since the start of the pandemic. And I’ll admit, I‘m a pessimist myself pretty much most of the time. But right now, nobody seems to keep the light on at the end of the tunnel, no one seems to be willing to fly the flag of optimism. So we decided to write a song about not losing hope and staying positive, just for a change. That is how ‘The Best Part’ came about.”
A step away from songs such as ‘King Of Pain’ and ‘A Bad Few Weeks’, we’re pretty happy with the positive direction the band is going in and we believe the rest of the world will be too? Tell your local radio stations about them today to make sure everyone gets a bit of sunshine in their life.
Indie band Catastrophe & Cure have shared their new single ‘Another Wave’ which features on their latest album Somewhere Down The Line. Their previous album release saw the band receive an Amadeus Austrian Music Award. Other noteworthy achievements of the band thus far include Indie Shuffle listing their track ‘On The Internet’ as one of the Best Indie Rock Songs of 2017. The band also currently sits just under 1 million streams on Spotify.
Catastrophe & Cure adds their thoughts on the new single, “’Another Wave’ was one of the first songs we recorded for our new album. It almost wrote itself. We had a couple of chords, the lead guitar and all of a sudden the song was finished. It’s a song about the ambivalence of love and about being at the mercy of one’s own emotions. “You’re my love / Yet my downfall / You’re my love / Still my pain”…. you get the idea!”
Catastrophe & Cure’s sound on this track is reminiscent of some of your favourite 90’s indie-rock anthems, feeling so familiar I would not see why this single would not feature at a club or on your playlist.
Dutch-Ghanaian singer-songwriter Nana Adjoa releases her I Want To Change, the closing track from her highly anticipated debut album, Big Dreaming Ants due for release on 24th September via Bloomer Records
Following a string of irresistible singles including, Consequence of Sound-approved ‘She’s Stronger’, ‘Throw Stones’ which received praise from the likes of i-D, Noctis, The Voice, C-Heads, Mahogany and Indie Shuffle to name a few, the Complex-premiered ‘No Room’ featured by London In Stereo in their Tracks of The Week and spinned by Chris Hawkins and Lauren Laverne on their BBC 6 Music shows, the upcoming album focuses on Nanas poignant lyricism tackling complicated questions of race, gender, religion, and sexuality – Nana often meditates on the meaning and make-up of one’s identity.
In the reflective new track Nana analyses the human condition, is about how you want to change yourself and your world around you, in many different ways, but it’s always in a kind of passive manner. It’s the magnitude of things you feel need changing that is paralyzing, but not paralyzing enough to not feel the urge to change anymore. Written on the piano, the track was built from the artist original demo I had a demo with the taped piano, delayed taped piano, ukulele, glockenspiel, synths, percussion, and drums. With the producer we built the track around the original demo. Nana handled the majority of the instrumentation herself, using a wide palette of instruments. A process that helped her to develop a multi-layered sound, rich in tonal textures, which is as intimate as expansive.
Nana Adjoa is sonic explorer armed with a deft poeticism and a fierce sense of musicianship, a skilled multi-instrumentalist and trained jazz player. Born in Amsterdam to a Dutch mother and a Ghanaian father, Nana joined her first band as a teenager, choosing to play bass because, every other instrument had been claimed. It was a lucky twist of fate, unbeknown to the musician, her mother had once been the bassist in a Ghanaian Highlife band and happened to have her instrument. Accepted to study jazz (electric bass and double bass) at the prestigious Amsterdam Conservatory, Nana traded the restrictions of a structured curriculum for the free-flow of her own compositions.
Since her debut in 2017 – the vulnerable EP Down at the Root (Pt. 1)– she has been praised for her sonic explorations and effortless lyrical poetry. Her second EP, Down at the Root (Pt. 2) and the Stereogum-approved A Tale So Familiar, increased support from international press including Consequence of Sound and The Fader, influential radio stations such as USA tastemakers KCRW, KEXP and streaming platforms. Making her USA live debut in 2018, Adjoa played a series of headline shows as part of a worldwide Communion residency, as well as performing on some of the European largest festival stages.
