Mew Zikwryder – Page 66

October 12, 2021

October 12, 2021October 12, 2021 Mew Zikwryder

Josephine Philip pays homage to great female vocalists in ‘The Clue’

Image credit: Fryd Frydendahl

Josephine Philip has just released her stunning new single ‘The Clue.’ Centred around the acceptance of impossible love, the track is reminiscent of the sounds of Nina Simone or Nancy Sinatra.

Stream / Download ‘The Clue’

Having worked with renowned producers including Christian Löffler and Trentemøller, Philip’s versatility as an artist is highlighted by ‘The Clue’, which saw it’s release via Midnight Confessions.

A simple, back to basics track, this pretty, vintage-style song is a pleasant ode to some of our great female vocalists. Speaking of the track Philip explains: “‘The Clue’ is a contemporary love song. It revolves around impossible love and the acceptance of it. The track is also an homage to Nina Simone’s version of Billie Holiday’s song Don’t Explain. Don’t Explain was written by Holliday in response to one of her husband’s affairs. When he tried to explain away why lipstick was on his collar, Simone responded disgustingly “Take a bath, man; don’t explain”.” The Clue is an inspirational tribute to the great women, their sound, storytelling and courage, who took to the microphone and stage before me.”

‘The Clue’ features on the Spotify playlist POP_GROUND.fm

Follow Josephine Philip:

Facebook – Soundcloud – Youtube – Instagram – Spotify

August 19, 2020

August 19, 2020August 27, 2020 Mew Zikwryder

Interview with London-based electronic/alt-R&B/Hip-hop duo E L E V N S

London-based electronic/alt-R&B/Hip-hop duo E L E V N S made their debut in 2019 with their first single ‘Let Me In’ hitting Spotify’s New Music Friday on release day. They have been busy travelling between London, Paris, NYC and LA performing and finding artists to collaborate with, including getting endorsements from companies such as Soundbrenner and ROLI.

Looking back, what were some of your earliest entries into music appreciation? And music production?

Gramm: I was lucky to be part of a band when I was 15 years old. My first gig was probably the best memory I have and also one of the reasons I’m into music. The excitement mixed with stress before going on stage became like a drug. I only started producing at the age of 25 and hearing the first song done from scratch without having to work with other producer was quite a proud moment.

Aurelian: I started playing the drums when I was 12 and I was listening to a lot of different things like Michael Jackson and Blink-182. I had a few bands and like Gramm, performing live became a drug. I would go to jam sessions and play with other musicians for hours. I realised I could produce and write music myself after listening to Ben Kenny, bass player for Incubus. He made an EP where he recorded everything and that was the moment I started producing but it only got serious in the last 5 years for me.

What are some of your key musical influences?

We take inspiration from everywhere, we’re like sponges that absorb anything that could be inspiring. We both listen to a variety of musical styles but in general, it gravitates around Hip-Hop/Soul with artists like Chance the Rapper, Aminé, Brasstracks, Anderson.Paak and Mac Miller, pop with Ariana Grande and Justin Timberlake and electronic with Snakehips, Kaytranada and 20Syl / Alltta.

If you could paint a picture of your unique sound, what would it look like?

It would look like a KAWS painting, lots of colours and dynamism.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

We really believe that the more people you work with the more magic you can create. But we don’t really have a specific process. We always start the two of us and then we send a beat to an artist we know or that we found on Instagram. We especially target some artists we love by scouting on Spotify and then reach out to them on IG. With overseas collaboration, most of the time artists would write, record themselves and send us the vocals. From then we wrap up the production. But sometimes we would have a session at ours or in a studio with some friends or artists and do everything in one day.

What gets your creative juices flowing?

We’re more coffee guys than juices so a nice flat white or latte would work best (laughs)! To be more serious, it is the vibe a sound or a drumbeat can create. Creativity is something you need to cease when it comes because you can’t invoke it. For us, it is a lot about the vibe and good energy that things, like travelling and being surrounded by cool people, bring to us. The opposite of quarantine basically (laughs).

As an artist, it becomes apparent that there is a huge difference between the art and the business. Is there anything about the music scene that you would personally change?

Spotify should remove the number of streams, followers and monthly listeners like Apple Music does so people would judge less on the number of streams and focus more on the music.

Tell us about the chemistry you have with your fans on stage.

It is awesome! We can really feel the energy they bring and how they interact with us. As we feature different vocalist along with the show, the vibes change often and it keeps a nice dynamic. One of the best crowds we had was when we played Sofar Sounds, people are really here to listen to the music and you can bond with them easily.

What is the most memorable response you have had to your music?

The most memorable one was being added to Spotify New Music Friday on our first ever release ‘Let Me In’. That was insane! We didn’t have any fan base, a few followers on Instagram but that was it (laughs)!

What would you like to achieve with your music? What does success look like to you?

We would like to do big tours, travel the world, connect with new people and have fun with our music. Obviously there is all the fame and being able to live off your music but when people move their head to the music and we can see them smile and enjoy, this is a success!

What’s on your current playlist?

There’s a lot of music but here’s a little list (laughs):

Goner (feat. Audrey Mika) by Souly Had

Blueberry Cadillac by Landon Sears

Blue World by Mac Miller

The Plug (feat. Drelli) by Party Pupils

Backyard by Kota the Friend

Breakdown the news for us: what can we expect from you in the near future?

We are currently working on releasing a song a month and we’ve got some amazing collaborations mainly coming from the US with Atlanta based singers Zach Paradis and Jaylon Ashaun again and Danny Diamonds from Boston. We are also working on a new live set to perform when things will be back to normal after COVID-19!

Famous last words?

Hasta la vista, baby!

Follow E L E V N S online

Instagram | Facebook | Twitter

August 17, 2020

August 17, 2020August 18, 2020 Mew Zikwryder

Music producer Franky Wah releases new house song ‘Come Together’

In a time of global uncertainty, Franky Wah shares the euphoric and hopeful ‘Come Together’, his first single release of 2020 which is out today.

A breakbeat twist on the classic UK house sound, ‘Come Together’ pairs hands-in-the-air piano chords with irresistible female vocals and atmospheric drums – delivering carefree vibes with a strong message of unity to encourage and uplift people during this difficult global situation.

Talking on the single, Franky Wah explains: “I wrote this record at the end of summer 2019 inspired by one of the best summers of my life touring and playing all over the world. I wanted to capture the essence of the 90s and put a modern take on it, and the minute I found those piano chords I really felt I was onto something.” He adds: “I think given the global crisis we’re going through at minute this record couldn’t be more fitting, and I hope everyone resonates with this like I do.”

Follow Franky Wah online

Facebook | SoundCloud | Instagram | YouTube | Twitter

May 9, 2020

May 9, 2020September 4, 2020 Mew Zikwryder

Interview with rising star Canadian pop singer Valdii

Pop singer Valdii originally hails from Canada, where he went on to study music in his native city of Toronto. In the years to follow Valdii was swiftly spotted by Warner Music, who signed him up to a major-label deal as the lead singer of Eleven Past One. Their debut release, ‘The World is Ours’, became a gold-certified smash hit earning over a million views on Youtube alone.

Choosing to strike out as an independent artist, Valdii released his first single, ‘Toxic’ in June this year. We’ve included his latest single, ‘Comfortable’ for your enjoyment below. It’s one of our favourite parts of the industry, watching the artists develop into their unrestrained selves. We decided to sit down for an interview with him and learn a little more about this rising talent.

Looking back, what were some of your earliest entries into music appreciation? And music production?

Some of my earliest entries into music appreciation would have to be singing and performing with my older sister in our family home. We would put on ‘shows’ for our family where we would sing, dance and even have outfit changes. Also, I was raised singing in the Church, so I began to hone my singing voice and performing talent from there really.

If you could paint a picture of your unique sound, what would it look like?

Well, that’s a little difficult to answer myself, but I would have to say that my voice stands out from the rest. I’ve had many people tell me that there’s something about it. It draws people in. I think growing up singing gospel music is a bit of a reason for that. And when you put that kind of a compelling voice-over catchy pop production, I think there’s magic there.

What are some of your key musical influences?

I usually like to answer this question without quickly jumping to the most common Michael Jackson or Whitney Houston answer. I feel like my musical influences really stem from many different people. It could be my brother that influences me to be great because he’s so great at playing the guitar. It could be Justin Timberlake because he was one of the first big musicians I saw in concert. Mostly, when I’m making music and producing, I’m thinking of what music is most listened to and then I try and put my own spin on it.

What’s on your current playlist?

Sam Smith – ‘How Do You Sleep’, Ed Sheeran feat Khalid – ‘Beautiful People’, Old Dominion – ‘One Man Band’, Lewis Capaldi – ‘Someone You Loved’, The Chainsmokers & Bebe Rexha – ‘Call You Mine’, Billie Eilish & Justin Bieber – ‘Bad Guy’… I could go on, but you get the idea.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

Usually, I’ll set aside a certain time frame to have writing sessions/writing trips and I’ll team up with successful writers and producers to have these sessions where we just create together and we end up writing a song in a day or two then producing it right after that. I’m always jotting down ideas in my notes on my iPhone, whether it’s one word, a couple, a full sentence or even more. So most of the time on these writing trips I’ll go back into my notes and see what I’ve culminated over the past little while and I’ll pick and choose what I’m feeling to write about or what’s most important to me. Other times, I’ll just sit down on the piano and start writing spontaneously.

What gets your creative juices flowing?

Honestly, being around a successful creative team gets my juices flowing. For me, it’s usually being in the right place and being surrounded by the right elements. I feel like that’s where my best music thus far has transpired.

As an artist, it becomes apparent that there is a huge difference between the art and the business. Is there anything about the music scene that you would personally change?

I would probably change the way artists get paid, and how much they get paid for their music/craft. I think streaming has sort of robbed artists a bit, but I realize that this is where the industry has landed for now and you just have to evolve with it. Go with the punches so to speak. I think I’d also change the way radio chooses to play an artists song. If the song is a great song, I think music directors at radio stations should take a chance with it, like the old days, instead of waiting for the song to get millions of streams.

Tell us about the chemistry you have with your fans on stage.

It’s super amazing when you see and hear people singing the words to your song while performing

RCRD LBL

Author: Mew Zikwryder

Josephine Philip pays homage to great female vocalists in ‘The Clue’

Interview with London-based electronic/alt-R&B/Hip-hop duo E L E V N S

Music producer Franky Wah releases new house song ‘Come Together’

Interview with rising star Canadian pop singer Valdii

RCRD LBL Music Station

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